Oliver Ackermann interview – May 11, 2017

L-R: Yours truly, Oliver Ackermann, Lia Braswell, Dion Lunadon

Oliver Ackermann, lead singer and guitarist of A Place to Bury Strangers, was kind enough to chat with me before the band’s performance at Chicago’s Thalia Hall on May 11th opening for the Black Angels.  We talked about the tour, the New York music scene, bassist Dion Lunadon’s upcoming album, shoegaze bands, and where to get good tamales.

7th Level Music: Thanks for taking the time to talk with me.  I’m really looking forward to the show.

Oliver Ackermann: Cool, man.  Thanks so much.  We’re psyched to be coming there.  We’ve been doing some crazy things at some of these shows.  Definitely with the energy of Chicago, I’m sure it’ll be crazy.

7LM: Have you ever played Thalia Hall?

OA: No, is that place cool?

7LM: It is very cool.  It’s a converted opera house, so the acoustics in there are great.

OA: That sounds so rad.

7LM: It is a very cool venue.  I’ve been told the restaurant there is amazing, but I’ve never eaten there.

OA: Oh, cool. Hopefully they give us a discount or something like that.

7LM: If not, I can recommend a place.  A short walk east is this really good tamale restaurant (Dia De Los Tamales – 939 West 18th Street).

OA: Really good tamales?  That sounds delicious.

7LM: If you get there early enough, I highly recommend that.

OA: Awesome.  Maybe we’ll hit that up.

7LM: The other day I was describing your music to somebody, and I said it’s kind of like a Zen master whacking you with a stick on the head.

OA (chuckling, as he’s clearly never heard that before): Okay.

7LM: The reason I came up with that analogy was because the last time I saw you guys was in Detroit when you played with Grooms and Sisters of Your Sunshine Vapor.  Rick from the Sisters and I were at the back of the venue chatting, and you guys come on and as soon as your set started it literally knocked the sound out of our mouths.

OA (laughing): Awesome.

7LM: I got to thinking about it, and your music has that effect on people where it shakes people out of things.

OA: Sure.  That kind of makes some sense.  There are those shows that you go to and have your mind blown and we’re always trying to hark back upon those moments.

7LM: I remember the first time my wife and I saw you was at one of the Levitation shows.  You played at the Mohawk.  You completely floored us, and I had a similar experience.  By the end of it, I was standing there thinking, “I’ve never seen anything like this.”  It was great.

OA: That’s awesome.  Right on.

7LM: How influenced is your sound from living in New York and being from that area, if at all?

OA: I don’t know.  I wonder that, too.  Sometimes I feel like we have no influence from that.  I’m so busy in New York and we don’t always get to do things, and there’s so much crazy stuff going on, but I guess that must be an influence as well.  There are a lot of great creative people that can definitely drive you, but I feel so disconnected from the scene.

7LM: I was watching some of your videos, and I noticed this reoccurring theme in the videos, and some of the lyrics, about how technology separates us from each other.  Maybe I’m overreaching here, but it seems like you touch on those themes a lot.

OA: Sure.  Definitely.  That’s pretty funny you bring that up.  That’s definitely a theme of some of our music.  Sometimes you want to go a little old school, and you kind of miss some of those days of just being able to wander and go meet your friends if they were there, or having to go knock on their window.  I think it brings us together as well, so maybe that’s just part of it.

7LM: Is Lia (Braswell) still drumming with you guys?

OA: Lia is drumming with us, yeah.  That has been awesome.  That’s definitely been a big influence on where our sound is going.

7LM: How did you two meet Lia?

OA: (Bassist) Dion (Lunadon) had seen her play in a friend’s band, Baby Acid, and said she was a wicked drummer.  We were looking for different people to play with, so we invited her over to play drums, and she was amazing.

7LM: I saw her play with Lindsey Troy of Deap Vally and she killed it.

L-R: Lia Braswell, yours truly, Lindsey Troy

OA: Yeah, she’s incredible.

7LM: Did you and Dion meet when he came on with Exploding Head?

OA: We actually first met in Los Angeles.  I was out there doing some sort of job for a friend and I didn’t have a place to stay.  He was staying at this house with some friends of his.  I spent the night at the house because he offered a place to stay.  We met again back in New York when he moved there in 2007 or so.  He was in the D4 and a bunch of killer bands.

7LM: A friend of mine wanted me to ask you what your favorite shoegaze bands were, and I know the Jesus and Mary Chain is one.

OA: Yeah, the Jesus and Mary Chain, Slowdive, My Bloody Valentine, of course all those bands.  Ecstasy of Saint Theresa, Heaven Piano Company, Alcian Blue was really good, the Cocteau Twins, the Emerald Down, Mallory.  There’s a bunch of good shoegaze bands.

7LM: Have you heard the new Slowdive stuff?

OA: I’ve only heard a couple of the songs.  It sounded awesome, though.  I’m super-psyched to hear the whole thing.  What do you think of that record?

7LM: I like it.  I’ve heard the first two singles.  In some ways it’s like they just stepped right out of a time machine and in other ways it sounds like they’re moving in this cool new direction.

OA: Yeah, for sure.  I’m excited to hear the whole record and maybe if they make another record after this what comes out of it.

7LM: I have a few questions I always ask bands I interview.  One of them is, do you have any influences that you think would surprise some of your fans?

OA: Oh, for sure.  I like a lot of different music.  What do you think people would be surprised by?

7LM: Well, the reason I always ask bands this is because I once heard an interview with Rob Halford of Judas Priest and he was asked this question.  He said, “You’re never gonna believe this, but I’m a massive Hank Williams, Sr. fan.”  Ever since then I’ve been intrigued with hearing about what influences people have that others might not realize they have.

OA: I love Hank Williams, Sr.

7LM: Yeah, me too.

OA: Yeah, totally.  That stuff’s awesome. I don’t know, in this day and age is anyone going to be surprised by anything?

7LM: That’s a really good point.  Another question I always ask is, do you have any favorite misheard versions of your lyrics?

OA: I wish I could remember, because there sure are some funny ones out there.  It’s kind of cool because when you hear them a lot of times they kind of morph into what makes sense for the people.  I really like that.  It turns personal for them, which is kind of the point of our music.

7LM: That gets back to the thing I believe where your music changes people’s perceptions, especially live.

OA: Totally.  That’s the goal for a lot of our music.  It’s a state between life and fantasy and to be able to let go of some of your thoughts and troubles.

7LM: When I saw you in Detroit, you came out into the audience with your instruments and I loved how you made this cool moment where you brought this technology into the crowd, but instead of technology pushing people away it was this big communal thing.

OA: Yeah, that’s a great thing.  I think that’s pretty awesome.  Not everybody will do that to connect with the audience.  We always welcome anybody and everybody to jump up on stage or pull us down or whatever to connect and make it a communal event.

7LM: Do you write grooves first or lyrics first?  Or does it depend on the song?

OA: It depends on the song. We always try to reinvent writing songs all the time we do it.  It depends on what’s inspiring you.  Sometimes it starts with an idea and some lyrics, or sometimes the music brings out a whole story or a mood.  Even more recently, we’ve kind of been writing all of it at once.  It’s kind of a weird, wild thing.  I’ve always fantasized about having a band where you didn’t have any songs written before you played the shows, and you would play a whole bunch of songs at that moment.  You start to do this thing where you unconsciously tap into a really pure experience and it draws you in a different direction.  You’d dig deep and reveal some things maybe you wouldn’t be comfortable revealing in that moment.

7LM: If you ever do that, I hope I can get to one of those shows.

OA: Right on.

7LM: I’m one of those guys where if I go to a show and the band gets up and says, “We’re gonna play a bunch of stuff you’ve never heard before.”  I’m the guy in the back saying, “Fantastic!”

OA: Awesome.  I always like that, too.  At least to hear some sort of challenge.  It’s all about the excitement at that type of show.  I’m sure there’s band where I’d be disappointed in that, too.

7LM: Well, the opposite of that is that after we see you guys tonight, we’re driving down to St. Louis to see Tom Petty and Joe Walsh.

OA: Oh, wow, that sounds awesome.  That should be so cool.  I’ve never seen them.

7LM: Speaking of new stuff, Dion’s new album (self-titled) is out next month?

OA: Dion’s new album is out next month.  I’ve heard it.  It’s fucking awesome.

7LM: I’ve heard the two tracks that he’s released so far, and I thought, “Holy crap!  He’s gunning.”

OA: Oh yeah, it’s so powerful.

7LM: I’ve always thought that about him.  When I saw you guys in Austin the first time, it was two songs into your set and he body slammed his bass on the stage so damn hard and I thought, “Holy crap, we’re really in for something.”

OA: Yeah, he’s hit himself in the head a couple times, bled all over the place, climbed up on some things that everybody else would be scared to climb on.  I’ve seen him do some crazy things.

7LM: Are you your own guitar tech?  I’ve seen the way you handle that thing.

OA: Totally.  Yeah, we are all our own instrument techs.

7LM: That’s fantastic.  It reminds of when I was in a garage band in college, and our guitarist would cut holes in his guitar and take it apart to get different sounds out of it.  I see you getting the craziest sounds out of your guitar by mauling it.

OA: Yeah, you gotta play your instrument to the fullest.

7LM: Where are you off to after Chicago?

OA: We’re going to Minneapolis.  We’re playing First Avenue.  Purple Rain, Prince, it should be awesome.

7LM: Well thanks for all this.  Break a leg tonight.  Not literally, of course.

OA: For sure.  See you tonight.

APTBS at Chicago’s Thalia Hall May 11, 2017.

[Thanks again to Oliver Ackermann, Lia Braswell, Dion Lunadon, Burgers Rana, and Steven Matrick for being so groovy, arranging this interview and my press pass to the Thalia Hall show, and for the lighter.]

Keep your mind open.

Jai Wolf announces summer tour and releases new single – “Starlight.”

Jai Wolf Announces Summer Tour Dates,
Including Brooklyn Steel, Red Rocks, Lollapalooza, Electric Forest, Capitol Hill Block Party, HARD Summer and MOREListen To New Single, “Starlight (Feat. Mr Gabriel):
https://soundcloud.com/jaiwolfmusic/starlight-feat-mrgabriel/
http://smarturl.it/Starlight_YouTube

Photo by Dash Grey

Jai Wolf has unveiled his initial summer tour dates on the heels of a recent sold out headline tour around Coachella. Starting next month he’ll make stops at Free Press Summer Fest, Red Rocks, Electric Forest and more, before heading to Capitol Hill Block Party in July and Lollapalooza and HARD Summer in August, with many other dates along the way. He’ll cap off the summer with a hometown headline show at Brooklyn Steel on August 25th. It marks his first NYC headline show in 2017 since playing Terminal 5 late last year. A list of dates is below with more to be announced soon.

The recent touring comes in support of his new single, “Starlight,” featuring vocals from Mr Gabriel. “Starlight” picked up where his debut EP, Kindred Spirits, left off by melting the lines between indie electronic, hip hop, and 80s pop, proving Jai Wolf is a promising young artist with a distinct, emotional sound and style. Both “Starlight” and Kindred Spirits are available now via Mom+Pop.

Jai Wolf Tour Dates:
Sun. June 4 – Houston, TX @ Free Press Summer Fest
Sun. June 11 – Morrison, CO @ Red Rocks Amphitheatre (w/ Marshmello)
Fri. June 23 – Rothbury, MI @ Electric Forest
Sat. June 24 – Mountain View, CA @ ID10T Festival
Sun. June 25 – Heber City, UT @ Bonanza Campout & Music Festival
Thu. June 29 – Rothbury, MI @ Electric Forest
Fri. July 7 – Surrey, BC @ FVDED in the Park
Sat. July 22 – Seattle, WA @ Capitol Hill Block Party
Sat. Aug. 5 – Chicago, IL @ Lollapalooza
Sun. Aug. 6 – Fontana, CA @ HARD Summer
Sat. Aug. 12 – Salmo, BC @ Shambhala Music Festival
Sun. Aug. 13 – Baltimore, MD @ Moonrise Festival
Fri. Aug. 25 – Brooklyn, NY @ Brooklyn Steel

Live – Midnight Oil and Boytoy – Chicago, IL – May 18, 2017

“You know what the coolest thing is about this show?” Said a man next to me in the Vic Theatre where young Aussie rockers Boytoy and Aussie rock legends Midnight Oil were about to perform. “No one here is under thirty!”

It wasn’t true, but it was definitely an older crowd at the Vic. It had been over twenty years since my wife and I had seen Midnight Oil in concert, and you could tell the entire crowd in the hot, packed venue was ready to go nuts once Midnight Oil hit the stage.

Boytoy were first. They were three young ladies who were playing some good garage rock when we walked into the place, but they transformed into a stoner rock band by the end of their set, which elated me to no end. I need to track down their stuff.

Boytoy

Speaking, sort of, of stoner rock, the guy next to me tapped me on the shoulder, pointed at my rolled-up tour poster and said, “I thought that was a bong! I thought, ‘This guy’s the coolest guy in here!’” He even grabbed it at one point during Boytoy’s set and took an imaginary hit off it.

The guy in the teal shirt behind me thought this tour poster was a bong at first glance.

Midnight Oil came out to a roaring welcome and then got right down to business. They hadn’t lost a step in the time they’d been off working on other projects or, in the case of lead singer Peter Garrett, serving in the Australian Parliament.

“Why hasn’t he aged?” My wife asked about Garrett. My best guess is that he’s either a vampire or the food is much better in Australia because she was right. He looked like he’d barely grown older since we saw them in the early 1990’s.

He was, of course, politically outspoken. You don’t go to a Midnight Oil show and not expect to hear some political commentary.

Garrett started fairly early in the set. “Fact one: Thanks for waiting for so long. Fact two: It’s nice to be back in Obama territory. Fact three: There will be no alternative facts here tonight. Fact four: We don’t have short memories.” They then tore into “Short Memory” and had everyone bouncing.

He would touch on compulsory voting (“I don’t think you-know-who would’ve gotten in.” (if we had it here in the U.S.)), the environment (“We have a Mother Earth who takes care of us.”), universal health care (“If you make tacos for a living, you pay a little bit. If you have fifty million in a hedge fund and support the governor, you pay a bit more. We don’t call this socialism. We call it common sense.”), and equal rights (“Everyone, no matter their race, sex, age, or religious beliefs deserves to be treated with respect.”) before the night was over, and he wore a shirt that read “To sin by silence when one should protest makes cowards of men.”

Among the many great spots in their set were an acoustic version of “My Country,” a funky rendition of “When the Generals Talk,” roaring versions of “Read About It” and “Kosciusko,” and a killer performance of “Dreamworld” to end the set that had everyone pumping their fists and chanting.

A stunning rendition of “My Country.”

They played two encores. The first started with “Put Down that Weapon,” and I couldn’t help but think they chose to play that in Chicago as a message toward the high rate of gun violence there the last two years. “Truganini” and “Forgotten Years” rounded out the mini-set, and then they came out once more to dedicate “Sometimes” to people working hard to help others.

“Sometimes”

It was a trip back in time to songs that are still relevant today. Midnight Oil is globetrotting for this tour, so catch them if they come near you. This is one of the best and most welcome tours of the year.

Keep your mind open.

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Live – Tom Petty and the Heartbreakers and Joe Walsh – St. Louis, MO – May 12, 2017

My wife and I honeymooned in St. Louis twenty years ago, and we ended up back there for our twentieth anniversary.  It was great timing because not only were we going to see the Cubs play the Cardinals (Cardinals win 5-3), but we also had tickets to see rock legends Tom Petty and the Heartbreakers and Joe Walsh.  Tom Petty has been high on my wife’s bucket list for years.  She’s also a big fan of the Eagles, so the addition of Joe Walsh was a win-win.

Joe Walsh just getting warmed up.

Mr. Walsh came out with nine people in his band behind him, including four back-up singers and two drummers.  He quickly got to work with “Meadows” and then dialed up “Ordinary Average Guy.”  You could tell he was having fun by then.  He threw down “The Bomber” by the James Gang (“Was part of that from Bolero?” My wife asked.  Answer: “Yes.”) and made my wife cry when he played “Take It to the Limit” and dedicated it to Glenn Frey.  “In the City” hits harder live than you expect it will, and people went nuts for “Life’s Been Good.”

I was yelling “Golden throat!” by this point, and sure enough he ended with “Rocky Mountain Way.”  It’s easy to forget how good a guitarist Walsh is.  He can still shred and the golden throat effects on this track are still fun after all these years.

Walsh proving he can still shred.

Tom Petty and the Heartbreakers started their set with the first song off their first album – “Rockin’ Around (with You).”  They unleashed “Mary Jane’s Last Dance” next and played it so well and with such fervor that it could’ve been the encore.  “I could go home right now,” my wife said as we sat there with our mouths hanging open in stunned appreciation.

Tom Petty and the Heartbreakers playing “Mary Jane’s Last Dance.”

They tore through many of their biggest hits, including “You Don’t Know How It Feels,” “I Won’t Back Down,” and “Freefallin'” (a big crowd favorite).  Two surprises were “It’s Good to Be King” and the lovely, acoustic “Wildflowers.”

“Wildflowers” – a lovely part of the set.

“Refugee” slayed the place, and the band was firing on all cylinders by this point. “Runnin’ Down a Dream” was almost a full-on psychedelic mind trip with its accompanying visuals.

Tom Petty and the Heartbreakers getting trippy.

There was a nice salute to hometown hero Chuck Berry when they played “Carol,” and they ended, no surprise, with “American Girl,” which had everyone jumping.  It was a great end to a wonderful set.  It’s hard to believe Petty and his band are on a 40th anniversary tour, because many of his songs still sound so fresh.

“American Girl”

Keep your mind open.

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She-Devils release new single and North American tour dates.

She-Devils Share Video For New Single, “Hey Boy”
Watch Here
North American Tour Dates Added;
European Tour Starts Next WeekSelf-Titled Debut Album Out May 19th On Secretly Canadian

“She-Devils are aware of some future truth that the rest of us aren’t privy to.” – NME

“intimate, dusty hybrid pop that searches for cosmic meaning in vintage sounds” – The FADER

“She-Devils…are creating a new way forward for tape looping. The group…dive into the souls of the samples they use, possessing them and finding otherworldly new emotions.” – Pitchfork

“She-Devils evoked the ’70s and ’80s electro-punk minimalism of Suicide and Soft Cell with an austere but riveting presentation.” – Chicago Tribune

A week ahead of the release of their eagerly anticipated self-titled debut album, She-Devils are pleased to share the new video for “Hey Boy.” The duo directed the video themselves, as with the all of their videos, and this focused vision creates a style that is very much in tune with the song. Bright and bombastic colors harp back to the video’s influences including the art of Yayoi Kusama, as well as 90s TV shows such as Pee-wee’s Playhouse, and 60s yé-yé music videos like Brigitte Bardot and Serge Gainsbourg in “Comic Strip.”She-Devils have expanded their North American tour in support of the album. In June, they’ll make their way through Canada and the Midwest hitting Do Division Festival and ending in the Northeast with a stop at Northside Festival. Come July, the duo will join Beach Fossils for a western states run. Starting next week, She-Devils will be in Europe for two London shows as well as a Saturday slot at The Great Escape Festival in Brighton, plus more. A full list of dates is below.

Watch She-Devils’ “Hey Boy” video:
https://www.youtube.com/watch?v=z98O1v9lUskListen & Watch:
“Hey Boy” stream – https://soundcloud.com/secretlycanadian/she-devils-hey-boy-2
“The World Laughs” video – https://youtu.be/lCRZCEQpOqY
She-Devils Tour Dates (new dates in bold):
Wed. May 17 – Paris, FR @ Pop Up du Label (Fireworks Festival
Thu. May 18 – London, UK @ Moth Club
Fri. May 19 – London, UK @ London Fields Brewhouse (Bad Vibrations Alldayer)
Sat. May 20 – Brighton, UK @ The Great Escape Festival
Thu. May 25 – Berlin, DE @ ACUD
Thu. June 1 – Montreal, QC @ Bar Le Ritz
Fri. June 2 – Toronto, ON @ The Baby G
Sat. June 3 – Detroit, MI @ UFO Factory
Sun. June 4 – Chicago, IL @ Do Division Festival
Mon. June 5 – Chicago, IL @ Empty Bottle
Wed. June 7 – Philadelphia, PA @ Ortlieb’s
Thu. June 8 – Brooklyn, NY @ Union Pool (Northside Festival)
Fri. June 9 – Boston, MA @ Lily Pad
Wed. July 5 – Los Angeles, CA @ Resident
Fri. July 7 – Fresno, CA @ Strummer’s (w/ Beach Fossils, Ablebody)
Sat. July 8 – San Francisco, CA @ The Fillmore (w/ Beach Fossils, Ablebody)
Mon. July 10 – Vancouver, BC @ Biltmore Cabaret (w/ Beach Fossils, Ablebody)
Tue. July 11 – Seattle, WA @ The Crocodile (w/ Beach Fossils, Ablebody)
Wed. July 12 – Portland, OR @ Holocene (w/ Beach Fossils, Ablebody)
Fri. July 14 – Boise, ID @ Neurolux (w/ Beach Fossils, Ablebody)
Sat. July 15 – Salt Lake City, UT @ Kilby Court (w/ Beach Fossils, Ablebody)
Sun. July 16 – Denver, CO @ Marquis Theater (w/ Beach Fossils, Ablebody)
Tue. July 18 – Santa Fe, NM @ Meow Wolf (w/ Beach Fossils, Ablebody)
Wed. July 19 – Phoenix, AZ @ Crescent Ballroom (w/ Beach Fossils, Ablebody)
Thu. July 20 – San Diego, CA @ The Casbah (w/ Beach Fossils, Ablebody)


She-Devils
album art

Rest in peace, Chris Cornell.

I’m not sure what I can add to the thousands of words already written on the death of Soundgarden and Audioslave lead singer Chris Cornell.  He was one of the best rock singers of my generation, and even sang the Bond theme for the modern version of Casino Royale – “You Know My Name.”

I’ll always remember him for his work on Soundgarden’s masterpiece album Superunknown.  The whole record is a stunning piece of work, and Cornell’s voice ranges from screaming metal work to psychedelic wanderings to doom metal growls.

He was open about his drug addictions, and there is already talk that his death might be the result of suicide.  I wish him peace and his bandmates and fans strength.

Keep your mind open.

 

Live – The Black Angels and A Place to Bury Strangers – Chicago, IL – May 11, 2017

I will see The Black Angels or A Place to Bury Strangers at any opportunity, so having them both on the same bill is a win-win and a must-see for me.  Seeing them in Chicago’s Thalia Hall was an added bonus because the acoustics there are outstanding and there isn’t a bad place to stand or sit in the joint.

A Place to Bury Strangers were prompt, starting the show at 9:00pm sharp (which seems to be a trend in Chicago venues as of late).  They came out as they always do – loud and heavy.  They opened with “We’ve Come So Far” from Transfixiation and it was off to the races.  The addition of Lia Braswell on drums is a great one, as she practically beat her kit into the floor.  Her backing vocals bring a new dimension to many APTBS tracks, and I hope this trend continues on some new material.  Guitarist and lead singer Oliver Ackermann was on fire for their whole set.

Every APTBS show looks like a scene from a John Carpenter film.

They ended their set with a wild sequencer / synth / bass / light show that I’d seen them do before in Detroit.  They moved into the crowd and were soon casting laser lights and weird, warping synths beats and Dion Lunadon’s growling bass licks throughout the whole hall.

APTBS blowing minds and retinas in Thalia Hall.

As if that weren’t trippy enough, the Black Angels started their set with this image.

Do I detect a nod to Devo here?

“Take your acid now,” said a friend of mine upon seeing this.  The Black Angels opened up with “Currency,” the first single off their new album – Death Song (review coming soon).  “Bad Vibrations” (always a favorite) followed, and it again wowed the crowd.

The Black Angels dropping “Currency” from their new album.

This was the sixth time I’ve seen the Black Angels (and the third I’ve seen APTBS), and this might’ve been the heaviest set I’ve seen by them.  My wife (who’s seen them five of the six times with me) noticed this, too.  The version of “You On the Run” they played was certainly the heaviest I’d heard.  It bordered on stoner metal.  Christian Bland’s guitar seemed cranked to 11 in terms of volume and distortion for the entire show.  Stephanie Bailey further cemented her prowess as one of the best rock drummers of our time.  I say this every time I see the Black Angels live: Stephanie Bailey is their secret weapon.  I later realized this was the first show I’d seen in a while in which both bands had powerful drummers.

The Black Angels getting heavy.

They played many tracks from the new record.  “Half Believing,” “Comanche Moon,” “I Dreamt,” “Medicine,” “Grab As Much As You Can,” and “Death March” all sounded great.  They closed with “Young Men Dead,” which made one man behind me so happy that he rushed ahead of me to head-bang and share his one-hitter with the strangers to his left and right.

The Black Angels performing “Young Men Dead” during their encore.

This made six good shows in a row from the Black Angels and three straight for APTBS in my experience.  This tour is selling out across the country, so you’d better get your tickets soon if you want to catch it.  I also must give a salute to the two men who make up the Mustachio Light Show.  They provided all the wild and stunning visuals during the Black Angels’ set.  It’s a great addition to this tour.

Thanks to Oliver Ackermann, Steven Matrick, and Burgers Rana for getting me a press pass to this show.  I’ll have an interview with Oliver Ackermann posted soon as well.

Keep your mind open.

[Don’t forget to subscribe to us before you go.]

Kelly Lee Owens adds North America dates to her world tour.

KELLY LEE OWENS ANNOUNCES FIRST NORTH AMERICAN TOUR
AND PRESENTS VIDEO FOR “THROWING LINES”
WATCH THE VIDEO HERE

DEBUT ALBUM OUT NOW ON SMALLTOWN SUPERSOUND

(above image by Kim Hiorthøy)

“Kelly Lee Owens sounds ethereal and jittery at the same time — not an easy thing . . . Her sounds are the rounded, rubbery boops and pings of techno, ricocheting all around; a steady but understated beat carries [‘Anxi’] into a complete transformation halfway through.” – The New York Times

“[Kelly Lee Owens] mixes dream pop and ambient techno on her immensely varied and fully-formed debut.” – Pitchfork

“The stunning debut album from [Kelly Lee Owens] is the aural equivalent of a hot-stone massage: It’s 45 minutes of gently pulsing electronic beats, sumptuous keyboard hooks, and Owens’ heavenly vocals.” – Entertainment Weekly “Must List”

“an album of contradictions, subverting dance music and pop structures at once.” – W Magazine
London-based producer Kelly Lee Owens is announcing her first ever North American tour in support of her self-titled, debut album, released this past March via Smalltown Supersound. On stage as on record, Kelly blurs the line between throbbing techno and pop vocal performances. For her first trip stateside, she’ll bring her meditative and immersive live show to FYF Fest, plus other major cities across the country.

Additionally, Kelly now presents the video for “Throwing Lines.” As Kelly describes it, “This is one of the poppiest tracks on my record and it could have had a showy video to match, but it feels good to take the piss instead – out of myself and that world.”

Kelly Lee Owens bridges the gaps between cavernous techno, spectral pop, and Krautrock’s mechanical pulse. It brims with exploratory wonder and delves into a variety of moods – sadness, anxiety, and darkly shaded ecstasy – with a trippy-eyed clarity and confidence. Since announcing her debut album, Kelly has quickly become regarded as one of the most exciting new artists to watch from the likes of Pitchfork, Rolling Stone, Entertainment Weekly, and way beyond.
Watch Kelly Lee Owens’ “Throwing Lines” Video –
https://youtu.be/oyx-lpJYGCg

Watch/Listen/Share:
Kelly Lee Owens album stream – https://open.spotify.com/album/3Zx14dyUjtZcEas89nZZfn
“Anxi” ft. Jenny Hval video – https://youtu.be/FdDf2Ib4B64
“Anxi” ft. Jenny Hval stream – http://bit.ly/2qZpJuq

Kelly Lee Owens’ Tour Dates:
(new dates in bold)
Wed. May 10 – London, UK @ Pickle Factory
Thu. May 11 – Amsterdam, NL @ De School
Sat. May 13 – Brussels, BE @ Les Nuits Botanique
Wed. May 17 – Toulouse, FR @ Art Gallery (DJ Set)
Sat. June 3 – Barcelona, ES @ Primavera Sound
Sun. June 11 – Paris, FR @ We Love Green Festival
Sat. July 8 – Cheshire, UK @ Jodrell Bank Observatory, Bluedot Festival
Wed. July 12 – Brooklyn, NY @ Good Room
Thu. July 13 – Montreal, QC @ Ritz PDB
Fri. July 14 – Toronto, ON @ Coda w/ John Talabot
Sat. July 15 – Philadelphia, PA @ Underground Arts
Thu. July 20 – Seattle, WA @ Q Nightclub w/ John Talabot
Fri. July 21 – Los Angeles, CA @ FYF Fest
Sat. July 22 – San Francisco, CA @ Swedish American Music Hall
Fri. Aug 11 – Göteborg, SE @ Way Out West Festival
Sat. Aug. 12 – Oslo, NO @ Øya Festival
Fri. Sep. 1 – Dorset, UK @ End of the Road
Sun. Sep 3 – Stradbally, IE @ Electric Picnic Festival
Thu. Oct 19 – London, UK @ Oslo Hackney
Wed. Nov. 1 – Sun. Nov. 5 – Reykjavik, IS @ Air Waves Festival

Purchase Kelly Lee Owens
http://smarturl.it/KellyLeeOwens

Download hi-res press images –
www.pitchperfectpr.com/kelly-lee-owens/
Kelly Lee Owens online:
https://kellyleeowens.bandcamp.com/
https://www.facebook.com/kellyleeowens/
https://twitter.com/kellyleeowenshttps://www.instagram.com/kellyleeowens/
https://soundcloud.com/kellyleeowens
http://www.smalltownsupersound.com/
http://pitchperfectpr.com/kelly-lee-owens

Slow Magic releases new single and summer tour dates.

Slow Magic Shares New Single, “Mind” (Feat. Kate Boy)
Listen Here
Out Now On Downtown Records/Interscope Records

Announces Summer Headline Tour Dates +
Spring Tour Dates With ODESZA And RÜFÜS DU SOL

Mind artwork

Slow Magic returns with his first new single since 2014’s How To Run Away in the form of “Mind” featuring Sweden’s Kate Boy. This marks the first time Slow Magic has featured vocals on one of his tracks. It’s also a fresh take on the sound Slow Magic has been developing since How To Run Away. There’s a driving beat and pitched up backing vocals, both ever-present elements on any Slow Magic creation, but here he’s pulled out the organic elements of his live percussion which sets him apart from so many of his peers and emphasizes the live element of his production.

The genesis for “Mind” began when Slow Magic and Kate Boy met a couple of years ago at a German festival that took place in an abandoned car factory. Slow Magic recalls, “I remember sneaking through the backstage area and onto the roof to watch their set. I had wanted to work with them ever since I heard their song ‘In Your Eyes.’ I recorded the live drums for ‘Mind’ in Stockholm, Sweden in a studio that metal bands usually record at.”

Starting next week, Slow Magic will tour in support of “Mind” with RÜFÜS DU SOL before meeting up with ODESZA including a performance at the legendary Red Rocks. Following that he’ll play a series of special, intimate headline shows throughout the summer in between a couple festival stops. A full list of dates is below.

Listen To Slow Magic’s “Mind” (feat. Kate Boy):
https://soundcloud.com/slowmagic/mind-1

Slow Magic Tour Dates:

Special Intimate Headline Shows
Sat 06.03.17 – San Francisco, CA @ Gray Area
Wed 07.19.17 – Brooklyn, NY @ House of Yes
Fri 07.28.17 – West Hollywood, CA @ Troubadour

With RÜFÜS DU SOL
Wed 05.17.17 – Nashville, TN @ Cannery Ballroom
Thu 05.18.17 – Charlotte, NC @ The Underground
Fri 05.19.17 – Atlanta, GA @ The Tabernacle

With ODESZA
Sat 05.20.17 – Boise, ID @ Summerfield/Memorial Stadium
Sat 05.27.17 – Morrison, CO @ Red Rocks

Festivals
Sat 06.17.17 – Chicago, IL @ Taste of Randolph
Fri 06.23.17 – Heber City, UT @ Bonanza Campout & Music Festival

Photo and Costume by Dream Angel
Mask by Jonas McCluggage and Levi Wall
Shot in Reykjavik, Iceland

Dave Depper releases 3rd single from upcoming solo album.

LISTEN TO DAVE DEPPER’S “YOUR VOICE ON THE RADIO” (FEAT. LAURA GIBSON)
https://soundcloud.com/tenderlovingempire/your-voice-on-the-radio-feat-laura-gibson/

EMOTIONAL FREEDOM TECHNIQUE OUT JUNE 9TH ON TENDER LOVING EMPIRE

(photo credit: Jaclyn Campanaro)

“…a cloud of weightless synths anchored by a danceably funky bass groove.”
Stereogum on “Do You Want Love?”

“Dave Depper must be one of the hardest working men in indie-rock, one of those indispensably reliable gears turning in the background that supports the machinery of the whole edifice.”
Flaunt
Dave Depper is set to release his debut solo album, Emotional Freedom Technique, on June 9th via Portland’s Tender Loving Empire. Following the album’s first two singles, “Do You Want Love?” and “Communication,” Depper is excited to present the album’s next single, “Your Voice On The Radio,” which premiered earlier today via Brooklyn Vegan and features longtime friend and collaborator, Laura Gibson. The track sees Depper indulging his pop instincts, showcasing his knack for layering propulsive, melodic bass and drum beats over a wash of vintage synthesizers. Gibson’s vocals warmly compliment Depper as he sings about unrealized and unsatisfied love. Stream the song here.

About the song, Depper says:

“Your Voice on the Radio” is the only track on the record I wrote with a specific thematic goal in mind, which was to pay tribute to those classic, slightly cheesy boy/girl duets of yesteryear (e.g. “Don’t You Want Me”, “Islands in the Stream”, “Young Folks”).

The song finds our protagonist daydreaming that the girl he hears on the radio is secretly dreaming right back at him, so I figured it appropriate to draft my favorite female singer, Laura Gibson, as my duet partner.

Sonically, I attempted to answer the question, “what if David Bowie’s backing band on ‘Sound and Vision’ cut a straight-up disco track while the boss was out on a smoke break?”
If you’re in the Pacific Northwest, Depper will perform two special shows to celebrate the release of Emotional Freedom Technique: Wed. June 21st at Barboza in Seattle and Thu. June 22nd at Mississippi Studios in Portland. Tickets for both are on-sale now. Depper will also play Seattle’s famed Bumbershoot festival this fall, marking his first ever major festival performance to his own name.
Listen To Dave Depper’s “Your Voice On The Radio” (feat. Laura Gibson) — 
https://soundcloud.com/tenderlovingempire/your-voice-on-the-radio-feat-laura-gibson/

Listen/Share:
“Communication” stream — http://bit.ly/2o1ZP7w
“Do You Want Love?” stream — http://bit.ly/2psFYzB

Dave Depper Tour Dates:
Wed. June 21 — Seattle, WA @ Barboza (Record Release Show) [tix]
Thu. June 22 — Portland, OR @ Mississippi Studios (Record Release Show) [tix]
Fri. Sep. 1 – Sun. Sep. 3 — Seattle, WA @ Bumbershoot [tix]

Pre-order Emotional Freedom Technique — http://bit.ly/2mD1S4H

Download hi-res images & album art — http://pitchperfectpr.com/dave-depper/
Dave Depper online:
davedepper.com
twitter.com/davedepper
instagram.com/davedepper
tenderlovingempire.com
pitchperfectpr.com/dave-depper