News – Page 23 – 7th Level Music

Angélica Salvi releases “Crina” ahead of her upcoming harp-based album, “Habitat.”

Today Porto-based harpist Angélica Salvi has announced details of her forthcoming album ‘Habitat’ for release on November 4th via Lovers & Lollypops.

Since releasing her debut record ‘Phantone’ in 2019, Salvi has worked across multiple projects, both solo and in collaborations in the fields of cinema, dance, theatre, photography and music, working with names such as Valentina Magaletti, Lafawndah, The Pyramids, Natural Information Society,Evan Parker and more.

On ‘Habitat’ she continues to deepen her sonic exploration across eight songs with the harp at the centre, supported by the use of real-time audio signal processing tools to create complex textural works – each one evoking a specific sensory memory.

Today she shares the brisk, breathlessly racing first single and accompanying video, “Crina”. “Crina” means mane or horsehair in Portuguese, and Salvi describes the song as “The feeling of riding a horse… A journey into the unknown.”

The accompanying video, directed by award-winning Portuguese filmmaker André Gil Mata, was inspired by the album’s cover. “He said he really enjoys to look at my hands when I play. He says it is like a dance” Salvi explains. “He imagined my hands mimetized with a natural habitat. I told him I was imagining a mimetic atmosphere in the whole album: with water, plants, sand… so he chose plants, moss and water.”

“Crina” on YouTube: https://youtu.be/rj5T-CvCJsU

On ‘Habitat’, Angélica is inspired by the habitat of her own, and the way in which she relates to it in her daily life. Each of the songs is a sensory memory that can be relived over and over again, with changing nuances and subtleties. It’s a set of moments of interaction with the elements that are, or have been, part of her routine and are transformed or modified with her actions. Memories captured and reproduced infinitely through labyrinthine patterns and sound textures, ambiguous melodies and flourishing harmonies that fluctuate, coexist and interact with other beings or elements in their universe of minimal language.

The album was created and recorded in her home studio with the aim of being fully possible to reproduce and process the sound in real time, in the context of live music. On the album there is almost no post-production. All sounds that appear on it come out of the harp and the affiliated pedals.

Keep your mind open.

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[Thanks to Kate at Stereo Sanctity.]

GIFT encourage us to practice mindfulness on their new single – “Share the Present.”

Brooklyn-based GIFT unveils “Share The Present,” the new single from their forthcoming album, Momentary Presence, out October 14th on Dedstrange. Following previous singles “Feather” and “Gumball Garden,” “Share the Present” stays grounded with solid motorik riffs and airy 80s-inspired synths making a comfortable bed for bandleader TJ Freda’s gentle affirmations. Freda explains, “Sharing the present is being in the present moment. Not looking towards the future or dwelling on the past. Being present is the most important thing you can do when you are feeling down. ‘Don’t look back, you’ll fall down’ don’t dwell on the past of who you were. Look to the present moment and appreciate who you are and where you’re going.” This ethos is central to Momentary Presence, a chronicle of the plight to stay present, and a celebration of the eternal now.

Watch “Share The Present”

Composed of Freda and his bandmates Jessica Gurewitz, Kallan Campbell, Justin Hrabovsky, and Cooper Naess, GIFT have a knack for conjuring soundscapes that are simultaneously turbulent and gorgeous. GIFT’s debut album, Momentary Presence, is a natural match for Dedstrange, the new label co-founded by Oliver Ackermann of New York City noise-rock and psychedelic legends A Place to Bury Strangers and Death by Audio. Inspired by Be Here Now, the 1971 spiritual guide and counterculture landmark by guru Ram Dass, Momentary Presence is a meditation on working through the anxiety and self doubt that we all, at one point, carry.

Momentary Presence introduces TJ Freda as a sorcerous and versatile home-recording engineer. GIFT’s full-length debut contains recordings that seem to tease something seismic coming around the corner, as well as dense, layered productions that feel complete, definitive, and impermeable. Can you open yourself up and appreciate it in its fullness – the ugliness and confusion as well as the beauty and joy? The members of GIFT believe you can. Together, they share the quest for perfect sound, harmony during times of trouble, and radical openness.

Watch:
“Share The Present”
“Feather”
“Gumball Garden”

Pre-order Momentary Presence

Keep your mind open.

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[Thanks to Patrick at Pitch Perfect PR.]

Doctor Explosion returns with “El Día Que David Bowie Murió.”

The news regarding Doctor Explosion’s first release after an extensive recording break was made over the Summer with the announcement of their forthcoming album Superioridad Moral. Now, a new single off the album, along with the tour dates coinciding with the record’s release, is the latest update from the garage maniac sons of Asturias!

January 10th, 2016, was the passing date of David Bowie. For some people, it’s a day when they remember where they were upon learning the news. Superioridad Moral’s third single, “El Día Que David Bowie Murió” has Jorge Explosion recalling that day seven years later with the below quote.

January 10, 2016 – Circo Perrotti Studios, Gijón (ES)
“David Bowie died a few hours ago, and three musicians decided to express their surprise and admiration. Thus was born “The Day David Bowie Died,” an ode to artistic immortality. In an improvised session full of sound savagery and Pop spontaneity, Doctor Explosión reflect on their own daily insignificance in the face of death with their atypical and personal Garage de Autor. Fuzz’s raging guitars and delicious vocal harmonies combine in this energetic hit that is already playing across the Atlantic, at number three of Bill Kelly’s Top 10 for Little Steven’s Underground Garage.”. – (Jorge Explosion: 2022)

“

El Día Que David Bowie Murió” is the latest single premiering off Superioridad Moral with videos for “Insatisfacción” and “Vestir De Mujer” already available and charting on Spotify.

With a new album, the band sports a new look. Expanding from their traditional trio into a quartet, the band is anchored by Jorge Explosion (vocals/guitar), César Crespo (guitar), and ex-Cooper players Conrado Martin (drums) and Dani Montero (bass). Six years in the making, Superioridad Moral is the first offering by Doctor Explosion since 2010’s Hablaban Con Frases Hechas. Writing and recording began at Jorge’s Estudios Circo Perrotti in Gijón, where Jorge has produced groups such as The Jackets, The Fleshtones, Messer Chups, Holly Golightly, and many others. For mastering, Jorge enlists the assistance of notable Abbey Road mastering engineer Frank Arkwright whose production credits include New Order, The Smiths, Joy Division, Oasis, and Arcade Fire, among others.

Superioridad Moral will be available on vinyl, CD, and all digital platforms on November 4th via Slovenly Recordings. Pre-orders for each format can be found here.

Superioridad Moral Tracklisting

1. “Insatisfacción”
2. “Vestir De Mujer”
3. “El Día Que David Bowie Murió”
4. “La Gente No Sabe Gastar”
5. “Grises”
6. “Apego Evitativo”
7. “La Polilla”
8. “Acidez”
9. “Mi Lista De Cosas Que Hacer”
10.”Paleto (They Call Me Country)”

Keep your mind open.

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[Thanks to Matthew at Shattered Platter PR.]

Caleb Landry Jones scores a “Touchdown Yolk” with his new single.

“I’m aware of only half the picture. It comes down upon me like a heavy rain. The psycho Deli is out of mustard and all the Porn Stars won’t leave their homes. I’m out only to get myself, but don’t get in the way. The bugs which throw themselves at windows rarely get their say.” – Caleb Landry Jones

Award-winning actor and visual artist Caleb Landry Jones is a bonafide musical maverick, and today, announces his new album Gadzooks Vol. 2, out November 4th on Sacred Bones, with lead single/video, “Touchdown Yolk.” Following 2021’s Gadzooks Vol. 1, the “engaging affair of warped, carnivalesque psychedelia” (The AV Club), Jones’ third album is his most soothing and sublime collection to date. And while most artists don’t save some of the best music of their career for an album with Vol. 2 in the title, Jones is an artist for whom chronology is a slippery substance.

Watch Caleb Landry Jones’ “Touchdown Yolk” Video

Recorded with Nic Jodoin in the famed Valentine Recording Studios, Gadzooks Vol. 2 was made alongside Jones’ The Mother Stone, hailed by Billboard as “a remarkable beast of a debut album.” The team invited a slew of heavy hitting musicians, including producer Drew Erickson, to the studio to contribute to the magic, and the resulting album sounds a bit like pink elephants in cowboy hats making ASMR — at least for the first 20 seconds before it seamlessly changes entirely.

One of Jones’s greatest musical gifts is his ability to cover a vast energetic and sonic landscape in a way with a wide array of instrumentation and vocal stylings over a wholly unique song structure, in a way that feels cohesive and euphoric. A driving number, “Touchdown Yolk” is Jones, who plays nearly every instrument on the track, at his catchiest, while still maintaining his enthralling and distinct charm. The accompanying video, which was co-created by Jones, Patrick Jones, Katya Zvereva, Natalia Zvereva, Lera Moiseeva, Jean-Stephane Sauvaire, Jacqueline Castel and Mitch Horowitz, collages handheld camcorder footage recorded around New York City, an irresistibly unsettling foray into the ever-expanding Gadzooks universe.

Pre-order Gadzooks, Vol. 2

Gadzooks, Vol. 2 Tracklist
1. Croc Killers 2
2. Little Lion Blues
3. Touchdown Yolk
4. The Shanty Shine
4. Georgie Borge (The Termite)
6. Jeepers
7. Anyone But You
8. Slink On Fido
9. The Puppet Rush
10. Croc Killers 1

Keep your mind open.

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[Thanks to Yuri at Pitch Perfect PR.]

Solar Corona take us beyond the sun with their new single, “Parker S.P.”

For the last 9 years, Porto-based band Solar Corona have been carving their name in the psychedelic rock scene of Southern Europe. Now, they turn their minimal rock into an expansive, ever-churning psychedelic voyage with their newest offering, ‘PACE’, set for release on November 11th on Porto-based record label Lovers and Lollypops.

Along with the announcement today, the band share six-minute juggernaut ‘Parker SP’, where bouncing bass mingles with propelling drums and meandering spaced-out guitars. A relentlessly grooving trip of a track. The band comment: “A satellite lost grooving amidst light sparks and space debris. Parker S.P. is our take on a fly-by boogie and the first glimpse into the world of psychedelia that makes up PACE, our new album.”

Listen to ‘Parker SP’ here: https://youtu.be/ebt-EABZ2Js

The band’s fifth release, ‘PACE’, shifts gears with Lorr No (Nuno Loureiro) hitching a ride as a dubmechanic, pulling in the sound of Solar Corona’s core trio—Rodrigo Carvalho (Guitar/synths), Peter Carvalho (drums) and José Roberto Gomes (bass)—into an off-road expanse. The stripped-back songwriting reaches a new directness and power through its simplicity.

The raw ideas of each track were jammed out in Alpendurada, a town deep in the Douro Valley. After a two-year distillation process the riffs and sonic materials have reached a concentration not unlike the alchemical moonshine native to Solar Corona’s Portuguese North. Simple principles and steadfast mechanics become channeled into perennial journeys where speed & pace remain distinct.

Each track celebrates a specific element in its own way. The introductory ‘Heavy Metal Salts’ establishes the pulsing impulse of ‘PACE’, with sparkling electroacoustic details bringing a lysergic dose to the climactic structure. The title-track ‘Pace’ mellows out Solar Corona’s soundscape, and stands out as a space-mantra without riffs, solos, or the need to headbang. Guitar-led tracks such as ‘Thrust’ and ‘AU’ return to the in-the-red rock-n-roll that is a constant pulse in the veins of the band, before being injected by their new, more ethereal, sonic. ‘Alpendurada’ closes the album in epic proportions as the band weaves in and out of knob-twisting psychedelia and instantly earwormed guitar melodies anchored by a propulsive bass.

Solar Corona’s last two releases, ‘Lightning One’ & ‘Saint-Jean-De-Luz’ (released together in 2019), were as a four-piece with Julius Gabriel’s electroacoustic sax brought along for the journey. Gabriel’s departure from the band in 2020, left a seat open for Lorr No (Fugly, Favela Discos) to bring his own patterned twist to the band’s progressive stonerism. Solar Corona’s ‘PACE’ takes its listener on different and ambitious journey.

‘PACE’ track list:
1. HEAVY METAL SALTS
2. PACE
3. THRUST
4. AU
5. PARKER SP
6. ALPENDURADA

Keep your mind open.

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[Thanks to Kate at Stereo Sanctity.]

Miss Grit releases industrial-tinged new single, “Like You.”

Miss Grit, the New York-based, Korean-American musician Margaret Sohn, returns today with a new single “Like You,” via their new label Mute. Sohn (they/she) created Miss Grit to function as an outlet for their own analysis and expression of self. They are meticulous and introspective, and with “Like You,” they wrestle with listening to one’s inner voices. Which voices are leading to self-sabotage and which are leading towards liberation? What part of ourselves has been forced upon us by the outside world, and what was there to begin with? The magnitude of these questions and musings are reflected in Sohn’s precise, slowly building electric guitars and bold basslines (performed by Zoltan Sindhu), as her voice resonates over: “Bore new, everything is see-through. Confused, they might see they’re like you.” Sohn elaborates: “I had the character of Ex Machina in mind as the voice I was singing from. Her arc in the movie felt really beautiful to me, and I wanted to reach the same ending as her in this song.”

She adds about her recent signing: “Mute is one of the labels I put on a pedestal in my mind, so the fact I was even on their radar was really flattering. And then to think they believed in my music enough to want to work together made me so happy.”

Miss Grit has released two acclaimed EPs over the past three years, Talk, Talk, about the complexities of relationships, and Impostor about their grappling with identity. As a mixed-race, non-binary artist, they have always rejected the limits of identity that are thrust upon them by the outside world, in favor of embracing a more fluid and complex understanding of the self. Produced and recorded by Sohn, “Like You” presents Miss Grit as an artist intent on creating a way of being that is fully and completely their own.

Watch Miss Grit’s Lyric Video for “Like You”

Miss Grit Tour Dates
Wed. Oct. 26 – Paris, FR @ Super Sonic Records
Thu. Oct. 27 – Antwerp, BE @ Trix Club
Sat. Oct. 29 – Amsterdam, NL @ London Calling
Tue. Nov. 1 – London, UK @ Amazing Grace

Keep your mind open.

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[Thanks to Jaycee at Pitch Perfect PR.]

Caesar Spencer serves up a perfect end-of-summer track, “Isn’t That What Jimi Said,” from his upcoming album.

Imbued with that warm afterglow of reflection that arrives with the Autumn season, the newest single from the Paris-based artist delivers both a tender tribute to the late Jimi Hendrix (who died on September the 18th. 1970) on the one hand, and a sepia-tinted recollection of endless Summer’s past, on the other.

As Caesar elaborates of the song:

““Isn’t That What Jimi Said” is a reminiscence about Summer holidays, and in my case, the ones spent in the South of Sweden. It’s about the Summers you have when you’re 16 years old. You fall in love with a strange girl and then you break up. Was it true love or just a Grease-style Summer loving fling? You’re not really sure and you don’t really know how to handle it.”

“The Jimi in question is actually Jimi Hendrix. It refers to the apocryphal idea that he smashed up his guitars out of sheer frustration because they weren’t able to sufficiently express the sounds he had in his mind. It’s the idea

that the emotions you feel are sometimes so strong that you have no ability to express them in a reasonable way. You’re limited by the tools you’re given. That can be painful to experience but it’s also something that can drive great art. Consider the DIY punk ethos. The technical ability you have to play is less important than the glorious, anarchic energy and sound you’ve created. It’s an imperfect statement of intent which sometimes sounds more authentic and beguiling than something that has been perfectly crafted.”

Featuring the talents of critically acclaimed French star Jean Felzine (Mustang) and his partner Jo Wedin (who delivers the song’s affecting Swedish monologue in her native tongue), its musical arrangements are resplendent in their Procol Harum-hinting hammond organs, lackadaisical guitar strums, loping basslines and retro-soundbites seemingly plucked from seaside holidays gone-by. Think of Traffic’s Paper Sun revisited in 2022.

Directed by Gaétan Boudy, the single’s official music video utilises old 8 mm film of Caesar Spencer as a child in Sweden and intimately ties-in with the undercurrent of themes explored in the track.

As warmly nostalgic as it is winsomely reflective, “Isn’t That What Jimi Said” finds itself right at home on Caesar Spencer’s much-anticipated debut solo album: ‘Get Out Into Yourself’ (coming soon via New Radio Records); a record that shines a light on French musical artistry, while still finding place and purpose to pay homage to classic English pastoral-pop.

As an Englishman born in Peru, with Swedish roots, who now finds himself in France; the debut from Caesar Spencer continues in a long line of songwriters, from Scott Walker to Lee Hazlewood, Morrissey to Peter Doherty, who have long looked beyond their patch for a deeper sense of connection. Broadly echoing his own journey to date, Caesar’s debut ‘Get Out Into Yourself’, is a concept-album-of-sorts; inspired by those with nomadic origins and their search for identity. With a loose narrative that follows a protagonist journeying through different cultural landscapes, it unspools a tale laced with existential questions and the quest to find yourself in an ever-shifting world.

Whilst its a record that often switches from vintage British pop to gnarly West Coast surf-rock with a dextrous flick, above all else ‘Get Out Into Yourself’ is an homage to the musical heritage of his newfound home in France.

“It’s simply a love letter to France. I wanted to give something back to a country that has given me so much. And I really wanted to shine a light on this incredibly sophisticated French musical artistry.” says Caesar.

Recorded at the Studio La Fugitive (where acclaimed French band Les Rita Mitsouko recorded) with esteemed producer Gaétan Boudy (Zaz, Alex Renart, Emel Mathlouthi) and his formidable backing band of Fred Lafage (Tony Allen, Paris Dernière) and Frantxoa Erreçarret (Askehoug, Barcella); the album also sees Caesar joined by a raft of prominent special guest appearances. Alongside Jean Felzine (Mustang) and Jo Wedin (who both appear on “Isn’t That What Jimi Said”); a collaboration with 60’s ye-ye chanteuse Jacqueline Taïeb can be heard on previous single “Waiting for Sorrow”). Elsewhere, French punk icon Gilles Tandy (Les Olivensteins), the multi-talented Mareva Galanter, opera star Aurélie Ligerot and FAME’S PROJECT (Jarvis Cocker, Chilly Gonzales) all lend their talents to the album.

Deftly bridging the channel between British and French pop, ‘Get Out Into Yourself’ is a record with a timelessness of sound that dares to dream beyond typical boundaries in its quest for true identity. New Radio Records will shortly confirm the release date. All physical editions of the album will also be accompanied by an elegant conceptual storyboard illustrated by French artist Thierry Beaudenon.

Keep your mind open.

[I think Jimi also said that you should subscribe.]

[Thanks to Caesar!]

Alf Champion and MDHNTR send us into a “Midsummer Day’s Nightmare.”

Mexico’s ALF CHAMPION and MDHNTR take us on a wild journey through the subconscious with two spellbinding tracks, packed with distorted organic beats and technical wizardry on Midsummer Day’s Nightmare.

The introspective opening track “Gnic Nad” (Drum Version) is filled
with wonder and promise, the synth’s overtones opening you out
into a world you’ve never seen before. Self reflection and mystery
shroud the humming chords while the percussion is precise and insistent, cutting through the reverie.

From the first beat, the tribal drums and meticulous rhythms in
“Alaib Do” (Dream Version) grab you by the shoulders and implore
you to dance. The trippy, almost demonic voices and the
relentlessly pulsing bass lines transport you to a cave in the middle
of the Mexican wilderness, your surroundings ever changing and
morphing with the music. Stabs of jazz infused chords jolt you to
focus just for a second, before squealing synths and relentless
percussion pull you back into the trance.

TRACKLIST

1. Gnic Nad (Drum Version)
2. Alaib Do (Dream Version)

Midsummer Day’s Nightmare was released on the 10th of June,
mastered by Sam at The Green Door and is distributed digitally
on all major platforms by EPM.

Keep your mind open.

[I have nightmares when you don’t subscribe.]

[Thanks to Aaron at Paradise Palms Records.]

Kaytranada remixes Rochelle Jordan’s “All Along” for her upcoming remix album.

Today, Los Angeles-based artist Rochelle Jordan presents the Kaytranada remix of “All Along” from Play With The Changes Remixed, a reimagination of her acclaimed 2021 album Play With The Changes, out this Friday on Young Art Records. “All Along” (Kaytranada Remix) sees the former tourmates joining forces for a sleek reshaping of Jordan’s futuristic sonic landscape. Play With The Changes Remixed doubles down on Jordan’ original thesis: without experimentation, innovation is impossible. Along with Kaytranda, Jordan taps LSDXOXO, Sango, Byron The Aquarius, Soul Clap, and more for the remix album.

Listen to “All Along” (Kaytranada Remix)

Defying categorization to create a project full of slinky, dancefloor-packing burners that channel her U.K. roots, Play With the Changes is reminiscent of Jordan’s childhood nights spent listening to her brother’s 2-step hymns from the other side of the wall. Garnering year-end praise from Billboard, Bandcamp, and more, Play With The Changes presents Jordan as a modern heir in a lineage of powerhouse vocalists with style and imagination. Play With The Changes Remixed precedes Jordan’s upcoming North American tour supporting Channel Tres, which begins September 27th, and includes stops at New York’s Bowery Ballroom, The Fonda Theater in Los Angeles, and more.

Pre-order Play With The Changes Remixed

Listen to “Love You Good (Remix)” ft. LSDXOXO
Listen to “Got Em” (Sango Remix)
Listen to “Something” (Byron The Aquarius Remix)

Watch Rochelle Jordan’s KEXP Performance

Rochelle Jordan Tour Dates:
(all dates supporting Channel Tres)
Tue. Sep. 27 – Phoenix, AZ @ Crescent Ballroom
Wed. Sep. 28 – Albuquerque @ Electric Playhouse
Fri. Sep. 30 – Austin, TX @ Emo’s
Sat. Oct. 1- Dallas, TX @ The Echo
Sun. Oct. 2 – Houston, TX @ Warehouse Live – Studio
Tue. Oct. 4 – Atlanta, GA @ Variety Playhouse
Thu. Oct. 6 – Detroit, MI @ Leland City Park
Fri. Oct. 7 – Toronto, ON @ Phoenix Concert Hall
Sat. Oct. 8 – Montreal, QC @ S.A.T
Tue. Oct. 11 – Philadelphia, PA @ Underground Arts
Thu. Oct. 13 – Washington, DC @ Culture
Fri. Oct. 14 – Brooklyn, NY @ Brooklyn Steel
Sat. Oct. 15 – Brooklyn, NY @ Brooklyn Steel
Tue. Dec. 6 – Los Angeles, CA @ The Fonda Theater
Wed. Dec. 7 – Los Angeles, CA @ The Fonda Theater
Sat. Dec. 10 – San Luis Obispo, CA @ The Fremont Theater
Wed. Dec. 14 – Portland, OR @ Wonder Ballroom
Thu. Dec. 15 – Seattle, WA @ The Showbox
Fri. Dec. 16 – Vancouver, BC @ Celebrities Nightclub

Keep your mind open.

[Don’t forget to subscribe.]

[Thanks to Sam at Pitch Perfect PR.]

The Bobby Lees let us know “Ma Likes to Drink” on their final single before their full album’s release.

The Bobby Lees offer a final preview of their forthcoming album, Bellevue (Oct. 7, Ipecac Recordings), with today’s release of “Ma Likes To Drink” and its companion video (https://youtu.be/ITo2lETlQfk).

Drummer Macky Bowman said of the track: “To paraphrase John Berger: there is a stark difference between being naked and being a nude. To be naked is to be natural. Stripped of societal confines you are free to be as languorous or wanton as you wish. Even in naked acts of exhibition the primary spiritual benefactor will be the model, not the voyeur. Conversely to be a nude is to be reduced to no more than your physical form, displayed as a trite odalisque for the pleasure of greasy slobs. On an unrelated note we are all very proud of this song and video! We really hope you enjoy. Love you!”

The static shot clip, featuring singer Sam Quartin on a stationary bike sandwiched between a pair of mannequins, was directed by John Swab who also created the band’s videos for “Dig Your Hips” (https://youtu.be/ny6Q-mTsk0g), and the video-meets-film short, “Hollywood Junkyard” (https://youtu.be/7dnTajHLeyQ).

The Bobby Lees recently wrapped up a European tour that included the Woodstock, N.Y-based band’s first stint in the UK. The four-piece band have several shows coming over the next few months including a free show on Sept. 17 at Rockefeller Center for Indieplaza Fest and an Oct. 9 performance at Aftershock 2022.

The Bobby Lees tour dates:

September 17 New York, NY Rockefeller Plaza (Indieplaza Fest)

September 18 Durham, NC The Pinhook

September 20 Atlanta, GA Masquerade Purgatory

September 22 Asheville, NC The Grey Eagle

September 23 Baltimore, MD Ottobar

October 9 Sacramento, CA Aftershock 2022

October 25 Brooklyn, NY Baby’s All Right

October 28 Woodstock, NY Colony

November 5 Tulsa, OK Cain’s Ballroom

September 18 to 23 w/Geese

“I named the album Bellevue because when I listen back, I hear someone going through that stuff, who is now able to laugh about it and have fun re-telling the stories,” Sam explains. “It’s a reminder for me that the most painful and intense things I go through end up being the most rewarding creatively.” The 13-song album, which was recorded live in-studio, was produced by Vance Powell (Jack White, Chris Stapleton, The Raconteurs).

Iggy Pop, Debbie Harry, Henry Rollins…these are just a few of the punk icons who have shown support for Woodstock, NY based band The Bobby Lees. Sam Quartin [vocals, guitar], Macky Bowman [drums], Nick Casa [guitar], and Kendall Wind [bass] — make music that is punk in spirit and soul; unfettered and resolutely honest. To say their sound is wild and untethered is an understatement. It’s the kind of aural exorcism any listener can tap into, something that struck a chord with Henry Rollins who brought them to Ipecac Recordings where Mike Patton and Greg Werckman signed them.

Bellevue tracklist:

1. Bellevue

2. Hollywood Junkyard

3. Ma Likes To Drink

4. Death Train

5. Strange Days

6. Dig Your Hips

7. Have You Seen A Girl

8. In Low

9. Little Table

10. Monkey Mind

11. Greta Van Fake

12. Be My Enemy

13. Mystery Theme Song

Album pre-orders, which include three vinyl variants: standard black, and limited-edition white and Coke bottle clear as well as a limited-edition white cassette, CD digipak, and digital pre-saves, are available now: https://thebobbylees.lnk.to/bellevue.

Keep your mind open.

[I like it when you subscribe.]

[Thanks to Monica at Speakeasy PR.]