Durand Jones and the Indications drop wicked new single – “Witchoo.”

Photo by Ebru Yildiz

Durand Jones & The Indications announce their new album, Private Space, out July 30th on Dead Oceans in association with Colemine Records, and a fall North American tour. Following the “immaculate and eternal soul” (The Guardian) of The Indications’ 2019 album, American Love CallPrivate Space unlocks the door to a wider range of sounds, boldly launching the band into a world of synthy modern soul and disco beats dotted with strings. Anchored by the high-low harmonies of Aaron Frazer (drums/vocals) and Durand Jones (vocals), and rounded out by Blake Rhein (guitar), Steve Okonski (keys), and Mike Montgomery (bass), The Indications are true masters at melding revival sounds with a modern attitude. The ten tracks across Private Space provide for both an escapist fantasy and a much-needed recentering after a tumultuous 2020.
 
In conjunction with today’s announcement, they share Private Space’s lead single/video “Witchoo.” Reflective of the track’s vibrant, playful energy, the Weird Life-directed video features the five band members and close friends, transitioning from a live performance to an electric backstage soirée.
 

Watch the Video for “Witchoo”

 
“At the end of the day, I just want people to close their eyes and forget where they are. Just the way a Stevie Wonder album does for me,” says Jones. Developed after being apart for much of the year, Private Space is creatively explosive and delights in upending expectations. Throughout, The Indications highlight a collective resiliency – as well as the power of a good song to be a light in the darkness. From an Indiana basement (where the band recorded their 2016 self-titled debut LP as college students), The Indications have catapulted into the soul limelight and an international stage. Following their sophomore album American Love Call — a dreamy but pensive record of big string arrangements and sweet soul stylings — The Indications became revered by vintage music fans, the lowrider community and late-night television.
 
Between production work, solo efforts and major sold-out shows, Durand Jones & The Indications continue on an unstoppable upswing. With live music temporarily out of the equation, The Indications were able to dive deep into recording their third LP. Uptempo tracks like “Witchoo,” “The Way That I Do” and “Sea of Love” practically manifest the flicker of a disco ball, their pop-funk grooves recalling Idris Muhammad and Raphael Saadiq as well as Pete Rock and DJ Premier. You’ll slow it down as the group evokes the likes of Teddy Pendergrass, the Isley Brothers and Sylvia on “Ride or Die” or “More Than Ever” (“I’ve never felt so sexy as when I was singing that track,” says Jones).
 
While Private Space is an intentional departure from The Indications’ roots in ‘60s funk and soul, its exploratory vibe is true to their origins and evolving tastes. “There’s a lot of the band’s original DNA, but it’s not a time capsule,” says Rhein. The sound of Private Space isn’t a stretch, Frazer adds. “We’re actually revealing more of ourselves, a deeper and broader look into who we are as musicians and fans.”
 
Settled in a cabin in upstate New York, the five-piece spent significantly more time experimenting with sound than previous releases. “It was like this buildup of all the ideas, the love, and the need to make music with these guys again,” Jones says. They leaned into songwriting and brought in vibraphonist Joel Ross (Blue Note), an eight-piece string section and friends from the group 79.5 to sing backups. From ideation to the final album cut, Private Space is a meditation on what gets us through isolation and loss: community, love and friendship.
 
Each Indications album opens with a statement of political consciousness; a musical State of the Union that sets a tone. As Nina Simone once declared, “I choose to reflect the times and situations in which I find myself. That to me is my duty.” Private Space leans into hope, coalescing around the idea that joy can set us free. “I want listeners to know that through really rough times something beautiful can be birthed,” says Jones, who proclaims on “Love Will Work It Out” that “All the people lost made me fall right onto my knees/all I could do was cry and shout/I knew I had to trust the faith that love would work it out.”
 
As the world slowly resets from the chaos of the past year, Private Space is arriving at just the right time. “I feel we’ll be arriving into people’s lives as they’re exiting a really tough period,” Frazer theorizes. “We’re not out of the woods, but hopefully this allows people to get together again, to share and experience catharsis.”
 

Pre-order Private Space
 
Private Space Tracklist
01. Love Will Work It Out
02. Witchoo
03. Private Space
04. More Than Ever
05. Ride or Die
06. The Way That I Do
07. Reach Out
08. Sexy Thang
09. Sea of Love
10. I Can See
 
Durand Jones & The Indications Tour Dates
(on sale this Friday at 10am local time)
Tue. Sept. 7 – Boston, MA @ Paradise Rock Club
Wed. Sep. 8 – Philadelphia, PA @ Union Transfer
Fri. Sept. 10 – Brooklyn, NY @ Brooklyn Steel
Sat. Sept. 11 – Washington DC @ 9:30 Club
Mon. Sept. 13 – Chicago, IL @ Vic Theatre
Tue. Sept. 14 – Minneapolis, MN @ Fine Line
Thu. Sept. 16 – Denver, CO @ Gothic Theater
Fri. Sept. 17 – Salt Lake City, UT @ The Commonwealth Room
Mon. Sept. 20 – San Diego, CA @ Soma
Wed. Sept. 22 – Los Angeles, CA @ Hollywood Palladium
Fri. Sept. 24 – Dana Point, CA @ Ohana Fest

Keep your mind open.

[I can get witchoo if you subscribe.]

[Thanks to Sam at Pitch Perfect PR.]

TORRES puts a sweet song in our heads with “Don’t Go Puttin’ Wishes in My Head.”

Photo by Shervin Lainez

TORRES (moniker of Mackenzie Scott) announces her new album, Thirstier, out July 30th on Merge Records, and a North American and European tour. In conjunction, she unveils the album’s first single/video, “Don’t Go Puttin Wishes in My Head.” Thirstier, the follow-up to 2020’s Silver Tongue, is Scott’s most exuberant and daring record to date, showcasing her in thrilling freefall. “I’ve been conjuring this deep, deep joy that I honestly didn’t feel for most of my life,” says Scott. “I feel like a rock within myself. And I’ve started to feel that I have what it takes to help other people conjure their joy, too.” The album revolts against the gray drag of time, a searing and life-affirming eruption of an album that wonders what could happen if we found a way to make our fantasies inexhaustible. Thirstier explodes the borders of imaginative possibility.

Recorded in the fall of 2020 at Middle Farm Studios in the UK, Thirstier marks a turn towards a bigger, more bombastic sound for TORRES. The anxious hush that fell over much of Scott’s previous music gets turned inside-out in songs tailored for post-plague celebration. Scott co-produced the album with Rob Ellis and Peter Miles, drawing on her experience self-producing Silver Tongue to push her music onto an even broader scale. Guitar-driven walls of sound, reminiscent of producer Butch Vig’s work with Garbage and Nirvana, surge and dissipate like surf in high winds, carrying Scott’s commanding voice to the fore.

I wanted to channel my intensity into something that felt positive and constructive, as opposed to being intense in a destructive or eviscerating way,” Scott notes. “I love the idea that intensity can actually be something life-saving or something joyous.”

This massive sound and celebratory mood is evident in lead single “Don’t Go Puttin Wishes in My Head,” a sparkling country romp. Bolstered by glistening synth, it’s a defiant yet disarming number that sees Scott singing of a love that knows no bounds, while sharing her vulnerabilities with remarkable candor. Its charming video was shot in Scott’s apartment with her partner. In her own words, it’s “my relentless arena country star moment—my shameless Tim McGraw cheeseball hit.” 
Watch TORRES’ “Don’t Go Puttin Wishes in My Head” Video
Thirstier clasps together love songs from all angles. Romantic love, platonic love, familial love, self-love, and freeing spiritual love all commingle, all feeding one another and vaulting toward the horizon. Scott sings of love that never knows scarcity. With Thirstier, TORRES clears the way to that wellspring and invites others to follow her there. 
Pre-order Thirstier

Thirstier Tracklist
1. Are You Sleepwalking?
2. Don’t Go Puttin Wishes in My Head
3. Constant Tomorrowland
4. Drive Me
5. Big Leap
6. Hug From a Dinosaur
7. Thirstier
8. Kiss the Corners
9. Hand in the Air
10. Keep the Devil Out

TORRES Tour Dates
(tickets on sale May 12 @ 10am Eastern)
Sun. Aug. 29 – Fairfield, CT @ StageOne
Mon. Aug. 30 – Portsmouth, NH @ Press Room
Tue. Aug. 31 – Cambridge, MA @ Sonia
Fri. Sept. 3 – Buffalo, NY @ Mohawk Place
Mon. Sept. 13 – Cleveland, OH @ Beachland Tavern
Tue. Sept. 14 – Columbus, OH @ Ace of Cups
Wed. Sept. 15 – Detroit, MI @ Marble Bar
Thu. Sept. 16 – Chicago, IL @ Empty Bottle
Fri. Sept. 17 – Minneapolis, MN @ 7th Street Entry
Sat. Sept. 18 – Kansas City, MO @ Record Bar
Sun. Sept. 19 – St. Louis, MO @ Off Broadway
Tue. Sept. 21 – Denver, CO @ Larimer Lounge
Wed. Sept. 22 – Salt Lake City, UT @ Kilby Court
Sat. Sept. 25 – Boise, ID @ Treefort Music Festival
Mon. Sept. 27 – Seattle, WA @ Tractor Tavern
Tue. Sept. 28 – Portland, OR @ Doug Fir Lounge
Thu. Sept. 30 – San Francisco, CA @ Brick & Mortar Music Hall
Fri. Oct. 1 – Santa Cruz, CA @ Atrium @ Catalyst
Sat. Oct. 2 – San Diego, CA @ Soda Bar
Sun. Oct. 3 – Los Angeles, CA @ Troubadour
Mon. Oct. 4 – Phoenix, AZ @ Rebel Lounge
Wed. Oct. 6 – Dallas, TX @ Deep Ellum Art Co.
Thu. Oct. 7 – Houston, TX @ Bronze Peacock
Fri. Oct. 8 – Austin, TX @ 3TEN @ ACL Live
Mon. Oct. 11 – Chattanooga, TN @ House Show
Tue. Oct. 12 – Atlanta, GA @ The Earl
Wed. Oct. 13 – Asheville, NC @ ISIS Asheville
Thu. Oct. 14 – Nashville, TN @ EXIT/IN
Fri. Oct. 15 – Knoxville, TN @ Open Chord
Sat. Oct. 16 – Durham, NC @ The Pinhook
Sun. Oct. 17 – Washington, DC @ Union Stage
Mon. Oct. 18 – Philadelphia, PA @ Johnny Brenda’s
Thu. Oct. 21 – New York, NY @ The Bowery Ballroom
Fri. March 11, 2022 – Glasgow, UK @ Mono
Sat. March 12, 2022 – Leeds, UK @ Brudenell Social Club
Sun. March 13, 2022 – Manchester, UK @ Night & Day
Mon. March 14, 2022 – Bristol, UK @ Exchange
Tue. March 15, 2022 – London, UK @ Bush Hall
Thu. March 17, 2022 – Paris, FR @ La Boule Noire
Fri. March 18, 2022 – Gent, BE @ Charlatan
Sat. March 19, 2022 – Utrecht, NL @ Ekko
Mon. March 21, 2022 – Berlin, DE @ Frannz Club
Tue. March 22, 2022 – Hamburg, DE @ Uebel & Gefährlich (Turmzimmer)
Wed. March 23, 2022 – Cologne, DE @ Bumann & SOHN
Thu. March 24, 2022 – Heidelberg, DE @ Karlstorbahnhof
Fri. March 25, 2022 – Zürich, CH @ Rote Fabrik
Sat. March 26, 2022 – Bologna, IT @ Locomotiv

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[Go put your e-mail in the subscription box while you’re here.]

[Thanks to Jessica at Pitch Perfect PR.]

Max Bloom’s “Palindromes” is a delightful love song.

Photo by Bex Day

Today Max Bloom (previously of Yuck) has shared a second single from his forthcoming solo record ‘Pedestrian’, which is set for release on June 18 through Bloom’s own new label, Ultimate Blends. He will also be playing a socially-distanced show at London’s Oslo on July 2nd.

Palindromes is a wistful, understated love song. Bloom explains: “This song is about how I got together with my girlfriend Anna, who also plays bass in my live band (and co-wrote two songs on the album). We were best friends for years, then she broke up with her boyfriend and we got together quite suddenly. It was completely unplanned, but when it happened it felt like a lucid dream. I wanted to write something to commemorate it (Anna has also written a few songs about it too), and after the darkness and grief of Perfume, it felt cathartic for me to write this song.”

“Palindromes” video:https://youtu.be/Uv7y47iMoNM

The album ‘Pedestrian’ takes its listener into the outside world. And it was here, wandering the city streets and parks against the surreal backdrop of the last twelve months, that Bloom discovered his inspiration for this latest collection of songs. He found himself observing his surroundings and people’s behaviour in a new light. 

Over the months, a regular cast of companions (namely Spoon, Beck, and Yellow Magic Orchestra) accompanied Bloom on his increasingly lengthy runs. These references, alongside core influences like Wilco, George Harrison, and Grandaddy, helped bring a fresh pallet of sonic colours and textures to ‘Pedestrian’.

‘Pedestrian’ is the first release on Bloom’s new label, Ultimate Blends, which will be a home to all of his future projects and productions. Bloom has also designed individual artworks for every song on this album, and animations for its forthcoming singles. He also hosts podcast JEW-ISH, a series of one-to-one interviews with Jews from a range of different cultures and backgrounds, aiming to show the nuance that exists within the Jewish world. Listen here.

‘Pedestrian’ will be released on June 18th via Ultimate Blends.
Max Bloom will play Oslo in London on July 2nd. Ticket info here.

‘Pedestrian’ track list:
1. Pedestrian – Official video
2. Palindromes – Official video
3. All The Same
4. America
5. The Weatherman
6. Imposter Syndrome
7. Under Green Skies
8. How Can I Love You
9. Twenty-Two
10. Cat On Your Lap

Links:
JEW-ISH podcast
https://maxbloom.bandcamp.com/
https://www.facebook.com/MaxBloomMusic/

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[Thanks to Kate at Stereo Sanctity.]

Bnny take us for a “Time Walk” on their new single.

Photo by Alexa Viscius

Chicago-based band Bnny, led by Jess Viscius alongside her twin sister Alexa Viscius, plus best friends Tim Makowski and Matt Pelkey, is Fire Talk’s newest signing. In conjunction with their signing announcement, they present their new single, “Time Walk.” The song is featured in the finale of the new season of Shrillwhich drops in its entirety tomorrow. 

Jess Viscius started Bnny in the moment, after someone’s guitar had been left at her apartment. After teaching herself a few chords, she quickly found songwriting to be therapeutic in ways visual art couldn’t touch. Eventually, her sister Alexa and former Bnny drummer Drew Ryan persuaded Jess to start a band, and it ultimately stuck, along with a newfound community and friendships.

Their new song, “Time Walk,” is a taste of Bnny’s crackling energy, clocking in at just over a minute and a half. It layers in quick succession with plucky bass, uncomplicated drums, and jumpy guitar lines. Throughout, Viscius’ half-whispered vocals are cool to the touch. It was produced by fellow Chicago musician and Fire Talk artist, Dehd’s Jason Balla. The video, which features Jess, was partly shot on the Lake Michigan coastline. It offers a glimpse of Bnny’s strong visual aesthetics.

“‘Time Walk’ is about the clarity you find when in motion—walking, driving, running,” says Jess. “It’s about a friendship ending, but still feeling connected to the person. It’s about looking back while moving forward in slow motion. Time walk is a wake-up call.” 

Watch Bnny’s Video for “Time Walk”

Keep your mind open.

[Thanks to Jacob at Pitch Perfect PR.]

King Gizzard and the Lizard Wizard set to release a mysterious new album, “Butterfly 3000,” June 11th.

Photo by Jason Galea

King Gizzard & The Lizard Wizard proudly announce their second album of 2021, Butterfly 3000, which will be released on June 11th via the band’s own KGLW label. The band have decided to play this one close to the vest, and will drop the album in its entirety on June 11th without any advance singles, or sharing the album artwork, which will be a cross-eyed autostereogram created by long-time collaborator Jason Galea. The countdown to Butterfly 3000 begins today. 
 
Their 18th studio album, Butterfly 3000 might be their most fearless leap into the unknown yet; a suite of ten songs that all began life as arpeggiated loops composed on modular synthesisers, before being fashioned into addictive, optimistic and utterly seductive dream-pop by the six-piece. The album sounds simultaneously like nothing they’ve ever done before, and thoroughly, unmistakeably Gizz, down to its climactic neon psych-a-tronic flourish. This is undoubtedly the most accessible and jubilant album of their career.
 

Pre-Save/Add Butterfly 3000
https://kglw.lnk.to/butterfly3000
 

Butterfly 3000 Tracklisting
1.    ?
2.    ?
3.    ?
4.    ?
5.    ??
6.    ?????
7.    ?????
8.    ?????
9.    ?????
10. ?!?!?!?!
 

King Gizzard & The Wizard Lizard Online:
https://kinggizzardandthelizardwizard.com/
https://www.instagram.com/kinggizzard/
https://www.facebook.com/kinggizzardandthelizardwizard/
https://twitter.com/kinggizzard
https://kinggizzard.bandcamp.com/
https://gizzverse.com/

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[Thanks to Jacob at Pitch Perfect PR.]

Museum of Love give us our “Marching Orders” with their new single.

Photo by Kasia Walicka-Maimone
Museum Of Love – the New York-based duo of Pat Mahoney and Dennis McNany – shares the new single/video, “Marching Orders,” from their forthcoming album, Life Of Mammals, out July 9th on Skint Records. It follows lead single/video “Cluttered World” and their  “Cluttered World / Marching Orders (Remixed)” EP featuring remixes by Parrot and Cocker Too and Justin Van Der Volgen. “Marching Orders” starts with an irresistible cowbell driven rhythm track. It builds with a propulsive bass riff, a casually whistled melody, and a whole studio load of chaos. Combined together, it’s a hypnotic musical invitation to join Museum of Love’s carnival procession that’s part Blackstar, part NYC block party and part after hours smash up at Mardi Gras.
 
The video, featuring footage deconstructed and edited by Shaun MacDonald, “is a hallucinogenic dreamscape describing the collective feelings everyone went through over the last year of the pandemic,” says Museum Of Love. “All of us feeling crammed in our tiny apartments like an elephant in a tiny tea house.  Time and reality, not computing for many of us.
 
Watch Museum Of Love’s Video for “Marching Orders”

Life Of Mammals is a dizzying swirl of chaotic art rock and metronomic dance music. The creative process for Life Of Mammals was approached like an art project while the lyrics throughout are delightfully elliptical, with a thousand valid interpretations. The album was recorded in bursts between Mahoney’s LCD Soundsystem touring commitments. It has been mixed in its entirety by James Murphy (LCD Soundsystem/DFA) and features guest appearances from legendary saxophonist and Arthur Russell collaborator Peter Gordon (The Love of Life Orchestra) and Matt Shaw.
 
If you’ve ever imagined what a band influenced by Scott Walker, John Cale, Jonathan Richman, dub, Robert Wyatt, post-punk and Krautrock might sound like, then you might finally have your answer – Museum Of Love. Weird, perhaps, but also enormous knockabout fun, at times approaching their song craft with the bombast of “Bohemian Rhapsody,” the outlook of the Marx brothers and matched with the production knowledge of a Basic Channel record. A bewitching combination that rewards repeat listens, it’s doubtful anyone will release a more compelling and beguiling album this year. 

Watch “Cluttered World” Video

Stream “Cluttered World / Marching Orders (Remixed)” EP

Pre-order Life Of Mammals

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[Thanks to Ahmad at Pitch Perfect PR.]

Levitation Austin returns…on Halloween weekend, no less.

The Reverb Appreciation Society has announced the return of the Levitation Austin music festival this year, and it’s on Halloween weekend just to make it weirder.

The festival will take place at various downtown Austin venues (Stubb’s, Mowhawk, Empire Garage, Hotel Vegas, and more) and coming in early for the Thursday night shows is well worth your time and money. Lineup announcements and ticket sales will start this summer, so keep your eyes peeled, book your travel, and plan your Halloween costume.

Keep your mind open.

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Clutch announces winter tour with Stöner and The Native Howl.

Clutch has just announced a string of Winter 2021 headline tour dates celebrating 30 years of rock and roll starting on December 27th in Baltimore, MD. Supporting the tour will be STONER, the brand new band featuring Brant Bjork (Kyuss) and Nick Oliveri (Queens Of The Stone AgeKyuss). 

The run will also include Detroit natives and “thrash grass” pioneers, The Native Howl.  

“We are incredibly excited to hit the road again” states Clutch. “We’ve missed the shows, the fans, the venues and the opportunity to watch the other bands we share the stage with. It’s going to feel like our first show all over again and we can’t wait! Come out and let’s make some Rock and Roll!.” 

Tickets will go on sale to the general public Friday, May 21st at 10:00 am at www.ClutchOnTour.com.

CLUTCH Celebrating 30 Years of Rock N Roll Winter Tour Dates: Dec. 27 – Baltimore, MD – Rams Head Dec. 28 – Sayreville, NJ – Starland Ballroom Dec. 29 – Cleveland, OH – Agoura Theatre Dec. 30 –  Detroit, MI – Filmore Theatre Dec. 31 – Cincinnati, OH – The Icon 

Keep your mind open.

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[Thanks to Doug at New Ocean Media.]

Chicago’s Pitchfork Music Festival returns September 10-12th.

The Pitchfork Music Festival will return to Chicago’s Union Park Friday, September 10 through Sunday, September 12. Today, the Festival announces the full 2021 lineup, including headliners Erykah Badu, St. Vincent, and Phoebe Bridgers.
 
The Festival opens on Friday with Phoebe BridgersBig ThiefAnimal CollectiveYaeji, The Fiery Furnaces (their first show in over a decade), black midiHop Along, Kelly Lee Owens, Ela Minus, DEHD, The Soft Pink TruthDJ NateDogleg, and Armand Hammer.
 
Saturday features St. VincentAngel Olsen, Kim Gordon, Ty Segall & Freedom Band, Waxahatchee, Jay Electronica, Jamila Woods, Georgia Anne Muldrow, Faye Webster, Amaarae, Maxo Kream, Divino Niño, Bartees Strange, and Horsegirl.
 
On Sunday, the Festival hosts Erykah Badu, Flying Lotus, Thundercat, Danny Brown, Cat Power, Andy Shauf, Caroline Polachek, Yves Tumor, The Weather Station, Mariah the Scientist, oso oso, KeiyaA, Special Interest, and Cassandra Jenkins.
 
For 15 years, the Pitchfork Music Festival has delivered an eclectic musical lineup, singular in its ability to place contemporary, cutting-edge acts alongside some of the most revered artists of our time. It’s this unique blend of discovery and tradition that makes the Pitchfork Music Festival stand out as one of the most celebrated weekends of the year.
 
“We are unbelievably excited to celebrate the return of live shows, our music community, and, most importantly, the artists and events crews who have made this year’s festival possible,” says editor in chief of Pitchfork, Puja Patel. “I know this will be a cathartic weekend for all of us, and that it lands right before the 25th anniversary of the publication makes it all the more special.”
 
Pitchfork Music Festival tickets are on sale now. Three-day passes are $195 and single-day passes are $90. The Pitchfork PLUS upgrade, including a range of exclusive amenities, is $385 for a three-day pass and $185 for a single-day pass. If the festival is postponed or rescheduled due to COVID-19, ticket buyers can keep their passes for the new dates or request a refund. More details are available here.
 
To ensure the health and safety of guests, artists, and staff, the Pitchfork Music Festival will adhere to the city of Chicago’s COVID-19 protocol, and will keep attendees updated as federal, state, and local regulations evolve. For the latest safety guidelines, visit Pitchfork Music Festival’s FAQ page, and follow @PitchforkFest on Instagram and Twitter.
 
COVID-19 regulations currently include:
 
●      Attendees aged 12 and older will be required to provide proof of a COVID vaccination or a negative PCR test within the past 24 hours, each day of the festival. Visit the city of Chicago’s website for a list of local COVID-19 test providers (here), and vaccination providers (here).
●      In accordance with current IDPH and CDPH guidelines, masks will be required throughout festival grounds. Masks may be removed when eating and drinking. Pitchfork is working closely with local health officials and will continue to update this policy as local guidelines become available.
 
PURCHASE TICKETS HERE
 
FRIDAY
Phoebe Bridgers
Big Thief
Animal Collective
The Fiery Furnaces
Yaeji
black midi
Hop Along
Kelly Lee Owens
Ela Minus
DEHD
The Soft Pink Truth
DJ Nate
Dogleg
Armand Hammer
 
SATURDAY
St. Vincent
Angel Olsen
Kim Gordon
Ty Segall & Freedom Band
Waxahatchee
Jay Electronica
Jamila Woods
Georgia Anne Muldrow
Faye Webster
Amaarae
Maxo Kream
Divino Niño
Bartees Strange
Horsegirl
 
SUNDAY
Erykah Badu
Flying Lotus
Thundercat
Danny Brown
Cat Power
Andy Shauf
Caroline Polachek
Yves Tumor
The Weather Station
Mariah the Scientist
oso oso
KeiyaA
Special Interest
Cassandra Jenkins
 
For more information, including lineups, event news, and the latest updates, please visit PitchforkMusicFestival.com or facebook.com/pitchforkmusicfestival and follow Pitchfork Music Festival on Instagram and Twitter.

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Jessica at Pitch Perfect PR.]

Sam Gellaitry is a one-man “Duo” on his new single.

Photo by Sabb Adams

Scottish producer Sam Gellaitry announces his new EP, IV, out May 14th (digital) and June 11th(vinyl) via the new home to Sam’s own Viewfinder RecordingsFFRR Records/Parlophone, and shares the lead single/video, “Duo.” Between 2015 and 2017, Sam put out three EPs as a series – EscapismEscapism II, and Escapism III. He’s always used instruments to convey voices – high pitched flute sounds to evoke falsetto sounds and female vocals, for example, or top lines made from melodics. But after taking a break for a few years since the release of his Escapism series, he decided the time was right to start singing on his own music. You can hear this for the first time on IV. Produced, written, vocalized, mixed and mastered by Sam, its name is a subtle nod to the Escapism trilogy and the work he’s released so far. More literally, it’s also called IV because it’s a collection of four songs and four emotions.

Born far away from key electronic music hubs like LA, Glasgow and London, Sam, now 24, grew up in Stirling – an old town in central Scotland that’s rich in medieval history and visually stunning views. Living here led Sam’s older brother to happy hardcore – a kind of hard dance music born from the UK and Europe’s breakbeat and rave scenes – which in turn lead to Sam learning to produce. YouTube granted unfettered access to the world’s electronic scenes, with the array of sounds pushing Sam to pick up production in his early teens. He dove into Daft Punk’s robotic space realm where looped up disco samples reigned supreme and LA producers Samiyam and Flying Lotus were early inspirations. But no matter the genre, one thing remained constant: the idea that music can take your imagination on a voyage through color, place and sound, via combinations of notes.

Sam views the world through palettes of vivid color. A C minor scale becomes purple, plum and grape. C-sharp minor is cool and blue. Night time is best evoked in dark F minor reds and D minor induces rich forest green. His music is a journey through experience, circumstance and surroundings, told through his impressive, synesthesia-informed knowledge of different musical tones. For him, songwriting and producing has always connected to a process of pairing and contrasting different tones – “using the notes to create different sensations – like tension or relief in your head.” In practice, this technique has seen him experiment with high definition club music, crisp hip hop production, dabs of orchestral instrumentation and more.

Lead single “Duo” hones in on the French house music Sam discovered in his early teens. It’s the first track ever that features his voice. Presented with high octane and eclectic visuals, the video directed by Ethan + Tom, transitions rapidly through a scene of animated and inverted clips of Sam before it takes a psychedelic-feeling thrill ride. “It feels like I’m dropping my first ever song. It’s a crazy feeling to go from hiding behind instrumentation to finally finding my voice. It’s super liberating being able to explore more refined soundscapes by using my vocals as the glue. I return to my roots with ‘Duo’ by venturing into a more funk oriented sonic and I’m going to continue to showcase all my past and present tastes that have brought me to this point musically.”

This new phase of Sam’s career is an embrace of his unparalleled and unadulterated passion for creativity. “I’m at an age now where I feel ready to talk and tell people what I’ve experienced in life. It’s perfect timing in that sense,” says Sam. “I’ve done three EPs. I’m at the point now where I’m like – I want all the smoke. Now I’m comfortable singing on my songs, I want to go back to each point in my musical journey and tap into it. I’m using the voice as my anchor, then tapping into other sonics that have influenced me.

Watch “Duo” Video

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[Thanks to Patrick at Pitch Perfect PR.]