You’ll be “Moonstruck” over Sheer Mag’s new single.

Photo By Chris Postlewaite

Sheer Mag break significant musical ground on their forthcoming album Playing Favorites, elevating their signature approach to rock and roll to lushly cinematic new heights. Their latest single “Moonstruck” lives up to its titular reference of Hollywood-sized surprise romance, spooling out a charming story of desire. Guitarist and lyricist Matt Palmer tells, “‘Moonstruck’ is about how invigorating it is to have a new crush. After too long lost in the wilderness, it’s gratifying to find a beacon of tenderness to help reorient yourself in the maze of love. Written in 2021 and originally intended for a disco EP, ‘Moonstruck’ has been reworked as a more expansive and lush arrangement and features some of our favorite guitar work on the new record.” 

The accompanying video for “Moonstruck” was inspired by Rush’s “Limelight visuals which featured footage from their wintertime recording sessions at Le Studio in Quebec. Sheer Mag enlisted director and longtime friend Ryan Schnackenberg (Cult Images) to bring it to life. Watch below.

WATCH / SHARE “MOONSTRUCK” OFFICIAL MUSIC VIDEO

Sheer Mag have labored to carve out a discernibly singular position within the canon of contemporary rock: toggling with ease between the refined flourishes of a “connoisseur’s band” and the ecstatic colloquialism of populist songwriting—yet displaying no strict loyalty to either camp—their sound, while oft-referenced, is unmistakably and immediately recognizable as theirs alone. On Playing Favorites, Sheer Mag’s third full-length and first with Third Man Records, the band capitalize on a decade’s worth of devotion to their own collective spirit—a spirit refined in both the sweaty trenches of punk warehouses and the larger-than-life glamour of concert halls—emerging with a dense work of gripping emotions, massive hooks, and masterfully constructed power-pop anthems. This is the record the Philadelphian rock and roll four-piece has always been destined to make.

Playing Favorites expands with a sense of undeniable vitality, buoyed by rock and roll’s singular capacity to channel a relentless compassion for human life. While at times marked by an intensified sense of melancholy, this newest offering takes stock of the confusing flow of daily life without moralizing, refusing to fall into antagonistic cynicism. Sheer Mag leans into the chaotic thrall of city living, of a life subdivided by the jagged highs and lows of bars, parties, and nightlife culture, with sweetly empathetic remove. 

The album burns with a sweetened gratitude for the lot one has been given in life: the luck of coming up punk; the luck of living an unalienated life; the luck of feeling love, and losing love. Sheer Mag began to work in earnest on their follow up to 2019’s A Distant Call in the summer of 2021, which they originally imagined would take the shape of a tautly constructed 4-song disco EP. Before long, the band realized this new material would perhaps be better served within the context of a fully fleshed out rock LP, bracketed by the support of a wider array of juxtaposing psychic moods and sonic textures. 

Over a six-month stretch spanning the fall of 2022 to the winter of 2023, guitarist Kyle Seely and his brother Hart Seely (bass) set about tracking the instrumentals for the record, resetting their studio configuration each week in order to impose a more tailored, multi-session atmosphere upon the record’s acoustic landscape. Palmer rejoined vocalist Tina Halladay in Philadelphia the following spring to write and record the vocals for Playing Favorites, which depart rather markedly from the band’s prior material, placing an added emphasis on pronouncedly existential, interpersonal storytelling and ornate background harmonies. 

Playing Favorites is undoubtedly a record by the same Sheer Mag that audiences of all stripes have spent the last decade falling in love with. In fact, for all of its sonic departures and evolutions, this record is perhaps the most “Sheer Mag” release yet. Not so much a return to form, but rather a realization of those greatest promises that the band has up until now only hinted at. With Playing Favorites, Sheer Mag cater to their tastes and their tastes alone: so long as they continue to do so, the future of rock and roll, that great human tradition, is in the best of hands.

Sheer Mag embark on an extensive headlining tour this Spring which kicks off in D.C. late March and routes them coast to coast through early May. Today they’ve confirmed performances at NYC’s Bowery Ballroom, a hometown show at Philadelphia’s First Unitarian Church and more. See below for a full list of dates. For tickets and updates, go here.

PRE-ORDER / PRE-SAVE PLAYING FAVORITES HERE

Sheer Mag Live Dates:

Mar 29: Washington, DC – Songbyrd
Mar 30: Carrboro, NC – Cat’s Cradle – Back Room
Mar 31: Asheville, NC – Eulogy
Apr 01: Nashville, TN – The Blue Room at Third Man Records
Apr 02: Atlanta, GA – The Masquerade, Purgatory
Apr 04: New Orleans, LA – Siberia
Apr 05: Houston, TX – The End
Apr 06: Austin, TX – Far Out Lounge
Apr 07: Dallas, TX – Double Wide
Apr 09: Mesa, AZ – The Underground
Apr 10: Tucson, AZ – Club Congress
Apr 11: San Diego, CA – The Casbah
Apr 12: Santa Ana, CA – Constellation Room
Apr 13: Los Angeles, CA – Lodge Room
Apr 15: San Francisco, CA – Rickshaw Stop
Apr 17: Portland, OR – Star Theater
Apr 18: Seattle, WA – The Vera Project
Apr 19: Boise, ID – The Shredder
Apr 20: Salt Lake City, UT – Kilby Court
Apr 22: Denver, CO – Hi Dive
Apr 24: Omaha, NE – Reverb Lounge
Apr 25: Minneapolis, MN – 7th St. Entry
Apr 26: Madison, WI – High Noon Saloon
Apr 27: Chicago, IL – Sleeping Village
Apr 29: Kalamazoo, MI – Bell’s Eccentric Cafe
May 05: Somerville, MA – Crystal Ballroom
May 06: East Haven, CT – Beeracks
May 08: New York, NY – Bowery Ballroom
May 10: Philadelphia, PA – First Unitarian Church
May 01: Toronto, ON – Velvet Underground
May 03: Buffalo, NY – Mohawk Place
May 04: Troy, NY – No Fun
May 31 – Jun 02: Northampton, MA – Field Day Music Festival

Keep your mind open.

[I’ll be moonstruck if you subscribe.]

[Thanks to Bailey at Another Side.]

NORMANS unleash “Schloss Loss” from their upcoming debut album.

Southern California noise-punk band NORMANS share the last single today from their forthcoming debut self-titled album, to be released on January 12th, 2024 on Solid Brass Records. Hear/share “Schloss Loss” and 3 other singles on all DSPs HERE.

CvltNation recently launched the official video for “Murder Rich” HERE & on YouTube.

In 2021, in the lingering haze of the global pandemic and several nautical miles off the coast of Los Angeles in a broken down boat, Southern California natives and stalwarts of the local DIY music scene Matthew Reid (Blonde Summer) and Michael Perry Rudes (FEELS) decided it was time to embark on a new musical odyssey together; one that championed fearlessness, rawness, and above all, freedom. 

NORMANS was born on the dirty streets of L.A. and baptized in the punk rich waters of Hermosa Beach; the city that gave us Black Flag, Redd Kross, Minutemen and more. Years of exposure and participation in the myriad of genres and sounds that make up the vibrant music scene resulted in a multi-genre-bending, bass and synth fueled cacophony that pays homage to the ghosts of Killing JokeThe Jesus LizardGVSB and The Birthday Party

NORMANS have managed to stitch together elements of surf, post punk, noise rock and Wax Trax era electro-industrial music for a sound that is urgent, angry, and simultaneously danceable. Oozing with satire and shrouded in bizarre visual art and imagery, bassist and vocalist Matthew Reid explores issues of violence, drug use, and the terrified animal caged within us all. Where their musical journey takes them will keep us wondering. What is certain is the band’s willingness to propel themselves into uncharted waters, unlike the boat they started on just a few short years ago.

NORMANS will be available on LP and digital on January 12th, 2024 via Solid Brass Records. Pre-orders are available for North America HERE, UK/EU orders HERE.

Keep your mind open.

[I’ll be at a loss if you don’t subscribe.]

[Thanks to Dave at US / THEM Group.]

Church Chords releases “She Lays on a Leaf” from their upcoming album due Feb. 23, 2024.

Stephen Buono (by Matt Gribben) / Finom (by Alex Viscius) / Nels Cline / Ricardo Dias Gomes
Last month, Church Chords announced their debut album, elvis, he was Schlager, set to release on February 23rd via Otherly Love Records. The collaborative recording project led by musician/producer Stephen Buono brings together accomplished musicians from his time spent in Philadelphia, New York City, Chicago, and Los Angeles, to create music that honors experimentation and collaboration.  

Today, Church Chords returned to share “She Lays on a Leaf,” their avant-pop krautrock featuring guitar from Nels Cline (Wilco) and vocals by Finom‘s Macie Stewart and Sima Cunningham alongside Ricardo Dias Gomes (Caetano Veloso), who also penned the song’s lyrics. 

When asked about the track, Buono shared more about collaborating with Cline: “For this song, I asked Nels to imagine John McLaughlin playing the opening guitar solo on ”Mother Sky” by Can. I think the solo on the alternate version is one of his best on record. It is such an integral part of the song that I gave him writing credit. On the album version, I love how co-producer John Herndon synthesized the solo to sound like I don’t know what.”
STREAM: “SHE LAYS ON A LEAF”

The story of elvis, he was Schlager, begins ca. 2016 in Chicago where Buono had relocated after four decades as a Philadelphia area resident, who frequently traveled to New York in his 20s & 30s soaking up the scenes at Tonic and The Village Vanguard. In Philly, in addition to his ubiquitous presence at a multitude of performances, Buono notably volunteered for the renowned avant garde presenter Ars Nova Workshop and put on his own live events at a series of West Philadelphia spaces. He also founded, wrote music for, and played guitar in the post-punk outfit, Split/Red, which BrooklynVegan called “Beefheart-ian….punk with an unbridled, avant-garde antagonism.”

Deeply embedded and inspired by the fertile music scene in the Windy City, where he moved at 38, he wanted his first Church Chords album to be fully Chicago-centric, using only locals. Buono oversaw a session at Steve Albini’s famed Electrical Audio that attempted to, as he puts it, “synthesize ‘electric-era’ Miles Davis with Black Sabbath.” A laudable experiment that he felt was ultimately a failure, opting to stick it in his back pocket for re-evaluation later on.

In Fall 2016 Buono relocated to Los Angeles and, a year to the day after his Electrical Audio session, dusted off the shelved material in a session with bassist Devin Hoff (Julia Holter, Sharon Van Etten), percussionist John Herndon, and multi-instrumentalist Ben Boye (Ty Segall, Bonnie “Prince” Billy). The trio laid down new rhythm tracks for six songs from the original session — a 35-minute continuous improvisation that changed the dynamic and structure of the work. In addition, Buono produced an additional 4 songs from tracks laid down by Chicagoan multihyphenate Jim Baker on ARP2000. Elliot Bergman (Wild Belle) produced one of these songs, “Recent Mineral” aka “Renda,” which has versions in both English and Portuguese.

For the next little while, Buono started massaging this mass of material into shape alongside co-producers in the vein of a hip-hop producer. As he did, more voices and players from an equally vibrant L.A. scene were folded into the proceedings. Among them, keyboardist Sam Barsh (Kanye West, Kendrick Lamar); guitarists Nels Cline, Jeff Parker (Tortoise), Mark Shippy (US Maple), Brandon Seabrook; horn player Josh Johnson (Leon Bridges’ musical director); percussionist Kenny Wollesen (Bill Frisell, Tom Waits); and Nate Walcott (a multi-instrumentalist known for his work with Bright Eyes, Red Hot Chili Peppers, and Phoebe Bridgers).

It was at this point that Buono made some crucial decisions related to the album and the Church Chords project as a whole. The biggest was that he opted to lessen his contributions as a performer; to instead take on the role of a producer in the mode of Teo Macero or a member of Public Enemy’s Bomb Squad. He would be directing the sessions and helping finesse the finished product but otherwise staying out of the musicians’ way as they wrote lyrics and improvised.

As well, Buono decided early on that the material he was conceptualizing for elvis, he was Schlager needed vocals, and lyrics. Through his many connections in the community, he became friends with Ricardo Dias Gomes, a Brazilian artist who has worked with the likes of Caetano Veloso and Arto Lindsay. Initially, Gomes was going to contribute lyrics to a single song, but as he heard more of the music, he was inspired to write words for the majority of the tracks. Also making vital contributions were multi-instrumentalist/producer Matt Mehlan, who wrote “Warriors of Playtime,” a powerful song written in the wake of George Floyd’s murder; and old friend Kristin Slipp (Dirty Projectors, Mmeadows) who contributed words and vocals to “Alone, Under The Water” and several others.

Gomes, Slipp, and Mehlan’s lyrics were treated with immense care and compassion by the people Buono tapped to sing on elvis, he was Schlager. As with the rest of the album, the vocalists are an array of jaw-dropping talent from Genevieve Artadi, here singing in Portuguese for the first time on record, Brazilian Thalma de Freitas (Kamasi Washington, Madlib), electropop genius Takako Minekawa to L.A. dynamo zzzahara (the Simps) to the avant pop group Finom (f.k.a. Ohmme) to Ako Castuera, an artist who worked behind on Adventure Time. 

The number of contributors and the storyline behind elvis, he was Schlager, is a little dizzying to comprehend. And it may sound like a recipe for a mess — a situation with too many cooks. But thanks to Buono’s steady hands guiding each step of the process, the album is a complete, cohesive statement. An exploratory, daring, and engaging expression of music’s transformative power. A mood piece that flows steadily and smoothly from vibe to vibe, guiding the listener through each melodic twist and rhythmic turn.

Keep your mind open.

[Lay your e-mail address on the subscription box while you’re here.]

[Thanks to Cody at Terrorbird Media.]

Mac Sabbath announces early 2024 western U.S. tour with The Darts.

Drive-thru metal rockers Mac Sabbath are about to launch a short western U.S. tour with psych-rockers The Darts, starting at the legendary Pappy and Harriets in Pioneertown, California and ending at the wild Area 15 in Las Vegas, Nevada. Don’t miss them. Tickets are on sale now.

01/17/24 – Pioneertown, CA – MAC SABBATH – Pappy And Harriets

01/19/24 – Flagstaff, AZ – MAC SABBATH – Orpheum Theater 

01/20/24 – Tucson, AZ – MAC SABBATH – Rialto Theatre 

01/21/24 – Las Vegas, NV – MAC SABBATH – The Portal Inside AREA 15

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Maria at Adrenaline PR.]

TOOL announces 2024 European dates.

TOOL make their highly-anticipated return to Europe this Spring, with a month of dates slated for the 2024 trek, including outings at London’s The OArena, Stockholm’s Tele2 Arena and Paris’ Accor Arena, as well as festival outings at Graspop Metal Meeting, Tons of Rock and CopenHell.

News of the band’s European tour follows a particularly busy time for the Los Angeles-based band, with the foursome featuring Danny Carey, Justin Chancellor, Adam Jones and Maynard James Keenan, currently in the midst of a North American tour that extends into February. Over the last five months, TOOL has headlined Aftershock, Welcome to Rockville, Louder Than Life and the Sonic Temple Arts & Music festivals, as well as a once-in-a-lifetime performance at Power Trip, which Metal Hammer described as “a mind-melting, triumphant showcase of just how singular their art is, a transcendental experience that surpasses genre boundaries.”

Tickets for all headlining dates are on-sale now.

TOOL European tour dates:

25 May Hannover, DE ZAG Arena

27 May  Amsterdam, NL Ziggo Dome

30 May Birmingham, UK Resorts World Arena

1 June Manchester, UK AO Arena

3 June London, UK The O2 Arena

5 June Paris, FR Accor Arena

8 June Berlin, DE Parkbühne Wuhlheide

10 June Wien, AT Wiener Stadthalle

11 June Kraków, PL Tauron Arena

13 June Budapest, HU BudapestAréna

18 June Köln, DE Lanxess Arena

20 June Dessel, BE Graspop Metal Meeting

22 June Copenhagen, DK CopenHell

25 June Stockholm, SE Tele2 Arena

27 June Oslo, NO Tons of Rock

TOOL North American tour dates:

10 January Baltimore, MD CFG Bank Arena

12 January New York, NY Madison Square Garden

13 January New York, NY Madison Square Garden

18 January Hollywood, FL Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood

19 January Hollywood, FL Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood

21 January Charlotte, NC Spectrum Center

23 January Nashville, TN Bridgestone Arena

24 January Atlanta, GA State Farm Arena

26 January Birmingham, AL The Legacy Arena at The BJCC

27 January Biloxi, MS Mississippi Coast Coliseum

30 January Corpus Christi, TX American Bank Center

31 January Austin, TX Moody Center

2 February Dallas, TX American Airlines Center

3 February Oklahoma City, OK Paycom Center

5 February Denver, CO Ball Arena

7 February El Paso, TX UTEP Don Haskins Center

9 February Phoenix, AZ Footprint Center

10 February Phoenix, AZ Footprint Center

12 February Fresno, CA Save Mart Center

14 February Los Angeles, CA Crypto.com Arena

15 February Los Angeles, CA Crypto.com Arena

17 February Ontario, CA Toyota Arena

18 February Las Vegas, NV T-Mobile Arena

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Monica at Speakeasy PR]

Ty Segall announces new album due January 26 – “Three Bells.”

Photo Credit – Denée Segall

Ty Segall returns with his most ambitious, elastic set of songs to date, Three Bells, to be released January 26th via Drag City. Following 2022’s acoustic introspection opus, “Hello, Hi,”Three Bells is a deeper, wilder journey to the center of the self, with Ty using his musical vocabulary with ever-increasing sophistication. In conjunction with today’s announcement, Tyunveils the new single/video, “My Room.”

Three Bells is an obsessive quest for expression. With much of the album being played by Ty in conversation with himself, a decision that further elevates the album’s conception, it answers back to the riptide always pulling Ty subconsciously into the depths. Questions we all ask in our own private mirrors are faced down here — and regardless of what the mysterious “Three Bells” mean in the context of the album’s libretto, you can be assured that Ty’s ringing them for himself, and for the rest of us in turn. With all fifteen songs brimming with perspectives, shape-shifting incessantly, Ty pushed them out farther and farther compositionally, challenging the way they’d be played. Each song moves through repetitive, thematic material in its own way, building a claustrophobic/paranoia vibe, cycling bold thrusts forward into ego deaths, the one-step-forward, two-steps-back patterns framing an overriding ask: what can we do to get past the back-and-forth conversation, to arrive at a place of acceptance?

On Three Bells, Ty and Denée Segall collaborated on five of the songs, including the previously released single, “Eggman.” Some of the songs needed the kind of playing Ty couldn’t get alone. Emmett Kelly’s bass parts not only addressed that need, but inspired the way the songs eventually went down. The remaining members of the Freedom Band were called in to play, transforming the material. Co-producer Cooper Crain, who deeply contributed to both Harmonizer and “Hello, Hi”, engineered and mixed most of the album.

With todays’ single, “My Room,” Ty rings the bell of the introvert who is empowered by the world inside his own room. The layers of acoustic and electric guitars dance around each other, quickening the already swinging tempo, while fuzz distortion blows the walls farther back as he takes us deeper. The accompanying music video was directed by longtime collaborators MattYoka and Ty, and features Ty steadfastly performing the song on stage as bananas are launched in his direction. He remains resolute in dedication to the craft, only to reveal a surreal dialogue between the dual facets of his own identity.

Three Bells takes Ty Segall’s trips so much deeper and farther than they’ve gone before — a masterpiece of personal expression, expressed through words, music and production, parabolically addressing malaise with compassion in a flowing, unstoppable hour-plus of intoxicating sound. Following the album’s release, Ty will tour throughout North America. Tickets are on sale now.
 

Pre-order Ty Segall’s Three Bells

Listen/Watch Ty Segall’s “My Room”

Listen/Watch Ty Segall’s “Void”

Listen/Watch Ty Segall’s “Eggman”

Three Bells Tracklisting:
1. The Bell
2. Void
3. I Hear
4. Hi Dee Dee
5. My Best Friend
6. Reflections
7. Move
8. Eggman
9. My Room
10. Watcher
11. Repetition
12. To You
13. Wait
14. Denée
15. What Can We Do

Ty Segall 2024 Tour Dates:
(new dates in bold)


Tue. Feb. 20 – San Francisco, CA @ Great American Music Hall
Wed. Feb. 21 – San Francisco, CA @ Great American Music Hall
Fri. Feb. 23 – Los Angeles, CA @ The Wiltern *
Sat. Feb. 24 – Solana Beach, CA @ Belly Up
Fri. Apr. 19 – Tucson, AZ @ 191 Toole
Sat. Apr. 20 – Albuquerque, NM @ Sister Bar
Mon. Apr. 22 – Austin, TX @ Mohawk (Outside) 
Tue. Apr. 23 – Jackson, MS @ Duling Hall
Wed. Apr. 24 – Nashville, TN @ Brooklyn Bowl
Fri. Apr. 26 – Asheville, NC @ The Orange Peel
Sat. Apr. 27 –  Washington DC @ Lincoln Theatre 
Sun. Apr. 28 – Philadelphia, PA @ Union Transfer
Mon. Apr. 29 – New York, NY @ Webster Hall
Wed. May 1 – Boston, MA @ Royale
Thu. May 2 – Montreal, QC @ Club Soda
Fri. May 3 – Toronto, ON @ Danforth Music Hall
Sun. May 5 – Cleveland, OH @ Beachland Ballroom
Mon. May 6 – Chicago, IL @ Thalia Hall
Tue. May 7 – Omaha, NE @ The Waiting Room
Thu. May 9 – Englewood, CO @ Gothic Theatre
Sat. May 11 – Sacramento, CA @ Harlow’s
Fri. June 28 – London, UK @ Roundhouse

# w/ Mike Donovan
* w/ White Fence

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Jessica at Pitch Perfect PR.]

Caroline Rose announces 2024 North American tour dates.

Photo Credit: CJ Harvey

Caroline Rose’s live show “explodes in color. Angry reds, deep blues, vibrant yellows, and every shade in-between flex and melt onstage in a dazzling light show dance that only grows in intensity as the set goes on” (NYLON). Today, Rose announces a 2024 North American tour in support of “their strongest and most resonant record yet” (Under The Radar), The Art of Forgetting, out now on New West Records. The Art of Forgetting was released earlier this year to a wealth of praise from the likes of The New York TimesNPR, and Document Journal, who hailed it as “a confessional, layered with personal anecdotes, Southern storytelling sensibilities, and unreserved exploration of the ever-evolving self.”

Rose’s 2024 tour includes stops in ChicagoWashington, DC, and Boulder, plus two-night stints in Los AngelesPortlandSeattle, and San FranciscoMetropolis Ensemble, founded by Grammy award nominated conductor Andrew Cyr, will join Rose in Brooklyn and Northampton for a special set-up featuring eight auxiliary players. Fans will also have the opportunity to attend VIP screenings of Rose’s The Art of Forgetting short film, taking place in many of the venues following soundcheck. The film has earned many accolades, including the title of Best Music Video at Hollywood Shorts Fest, New York Indie Shorts Awards, and ARFF Amsterdam, in addition to being a semifinalist at Indie Shorts Awards Cannes and an official selection at Hollyshorts Film Festival. A full list of tour dates are below, and tickets are on sale to the general public now.

Stream/Purchase The Art of Forgetting
Watch the “Miami” Video
Watch “Tell Me What You Want” Video
Watch the “The Doldrums” Visualizer

Caroline Rose 2024 Tour Dates
Sun. March 31 – Portland, ME @ State Theatre
Tue. April 2 – Northampton, MA@ Bombyx
Wed. April 3 – Northampton, MA @ Bombyx
Fri. April 5 – Brooklyn, NY @ Brooklyn Steel
Sat. April 6 – Fairfield, CT @ The Warehouse
Sun. April 7 – Boston, MA @ Royale
Tue. April 9 – Montreal, QC @ Studio TD
Wed. April 10 – Toronto, ON @ Concert Hall
Fri. April 12 – Philadelphia, PA @ Union Transfer
Sat. April 13 – Washington, DC @ 930 Club
Sun. April 14 – Cleveland, OH @ Beachland Ballroom
Tue. April 16 – Chicago, IL @ Thalia Hall
Fri. April 19 – Madison, WI @ High Noon Saloon
Sat. April 20 – Minneapolis, MN @ First Ave
Tue. April 23 – Iowa City, IA @ Englert Theatre
Wed. April 24 – Kansas City, MO @ RecordBar
Fri. April 26 – Fort Collins, CO @  Aggie Theatre
Sat. April 27 – Boulder, CO @ Fox Theatre
Sun. April 28 – Santa Fe, NM @ Meow Wolf
Fri. May 3 – Tucson, AZ @ Congress Plaza
Sat. May 4 – Solana Beach, CA @ Belly Up
Mon. May 6 – Los Angeles, CA @ Lodge Room
Tue. May 7 – Los Angeles, CA @ Lodge Room
Fri. May 10 – Santa Cruz, CA @ Rio Theatre
Sat. May 11 – San Francisco, CA @ The Chapel
Sun. May 12 – San Francisco, CA @ The Chapel
Tue. May 14 – Sonoma, CA @ Gundlach Bundschu Barn
Thu. May 16 – Portland, OR @ Wonder Ballroom
Fri. May 17 – Portland, OR @ Wonder Ballroom
Sat. May 18 – Seattle, WA @ The Showbox
Sun. May 19 – Seattle, WA @ The Showbox

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Ben at Pitch Perfect PR.]

Austin Psych Fest announces first wave of 2024 lineup.

The first lineup announcement for the 2024 Austin Psych Fest is here, and it’s already impressive. The Saturday lineup alone is worth the price of admission.

Friday’s top three, Courtney Barnett, Chicano Batman, and Psychedelic Porn Crumpets are top draws at festivals around the country. The Black Angels are must-see whenever they play, and All Them Witches are finally playing a Levitation festival!

Saturday is a “witchy” day all-around with not only All Them Witches, but also WITCH, Frankie and The Witch Fingers, and L.A. Witch all playing that day, and don’t miss Earthless or Minami Deutsch that day.

Alvvays and Kurt Vile and The Violators closing out Sunday is a big score, not to mention indie-rock stars Dehd.

More bands will be announced in the coming months, and tickets are on sale now. See you there?

Keep your mind open.

[Don’t forget to subscribe before you go.]

Slowdive announces 2024 North American tour.

Photo Credit: Ingrid Pop

Earlier this year, Slowdive released everything is alivetheir first record since 2017’s self-titled album and first record with Dead Oceans. The record was met with critical and commercial acclaim, garnering praise from the likes of Vulture (“hypnotically gorgeous”), Billboard (“a dreamy yet taut melding of their strengths”), Brooklyn Vegan (“perhaps the best record of their career”), and more. On the heels of their sold-out fall U.S. tour, Slowdive have announced they’ll be returning to the US for a spring North American tour next year. Including the already sold out Sick New World festival in Las Vegas, they’ll play many cities not yet played in support of everything is aliveAtlanta, Dallas, Denver, New Orleans, and more.
 
As the Chicago Tribune commented, “Experimental and shimmery, [everything is alive] packs a lush and enigmatic punch. Don’t take their latest releases and live shows for granted. Who knows when this influential band will be back in town?” Tickets for all shows will be on sale Friday, December 8th at 10AM local time and more information can be found here.

 
Slowdive Tour Dates
(new dates in bold)

Tue. Jan. 16 – Amsterdam, NL @ Paradiso
Wed. Jan. 17 – Paris, FR @ La Cigale
Thu. Jan. 18 – Cologne, DE @ Live Music Hall
Sat. Jan. 20 – Hamburg, DE @ Grosse Freiheit 36
Sun. Jan. 21 – Copenhagen, DK @ VEGA
Mon. Jan. 22 – Oslo, NO @ Sentrum Scene
Tue. Jan. 23 – Stockholm, SE @ Munchenbryggeriet
Wed. Jan. 24 – Copenhagen, DK @ VEGA
Thu. Jan. 25 – Berlin, DE @ Columbiahalle
Sat. Jan. 27 – Warsaw, PL @ Progresja
Sun. Jan. 28 – Prague, CZ @ Divaldo Archa
Mon. Jan. 29 – Munich, DE @ Muffathalle
Tue. Jan. 30 – Zurich, CH @ Volkshaus
Wed. Jan. 31 – Milan, IT @ Alcatraz Club
Fri. Feb. 2 – Bologna, IT @ Estragon Club
Sun. Feb. 4 – Lyon, FR @ La Transbordeur
Mon. Feb. 5 – Barcelona, ES @ Razzmatazz
Tue. Feb. 6 – Madrid, ES @ La Riviera
Thu. Feb. 8 – Brussels, BE @ Cirque Royale
Fri. Feb. 16 – Brighton, UK @ Brighton Dome
Sat. Feb. 17 – London, UK @ Eventim Apollo
Sun. Feb. 18 – Birmingham, UK @ O2 Institute Birmingham
Mon. Feb. 19  – Norwich, UK @ LCR UEA
Wed. Feb. 21 – Liverpool, UK @ O2 Academy Liverpool
Thu. Feb. 22 – Newcastle-Upon-Tyne, UK @ NX
Fri. Feb. 23 – Glasgow, UK @ Barrowland Ballroom
Sat. Feb. 24 – Edinburgh, UK @ Liquid Room
Mon. Feb. 26 – Cardiff, UK @ Cardiff University Great Hall
Tue. Feb. 27 – Manchester, UK @ Manchester Academy
Mon. Mar. 11 – Tokyo, JP @ Toyosu Pit
Wed. Mar. 13 – Osaka, JP @ Namba Hatch
Thu. Apr. 25 – Ventura, CA @ The Majestic Ventura Theater
Fri. Apr. 26 – Pomona,CA @ The Fox Theater Pomona
Sat. Apr. 27 – Las Vegas, NV @ Sick New World Festival
Sun. Apr. 28 – Phoenix, AZ @ The Van Buren
Tue. Apr. 30 – Albuquerque, NM @ The Historic El Rey Theater
Wed. May 1 – Denver, CO @ Levitt Pavilion Denver
Fri. May 3 – Kansas City, MO @ The Truman
Sat. May 4 – St. Louis, MO @ The Pageant
Sun. May 5 – Indianapolis, IN @ Egyptian Room at Old National Centre
Tue. May 7 – Louisville, KY @ Old Forester’s Paristown Hall
Wed. May 8 – Pelham, TN @ The Caverns
Fri. May 10 – Dallas, TX @ Longhorn Ballroom
Sat. May 11 – Houston, TX @ White Oak Music Hall
Sun. May 12 – Austin, TX @ ACL Live at The Moody Theater
Tue. May 14 – New Orleans, LA @ The Civic Theatre
Thu. May 16 – Birmingham, AL @ Avondale Brewing Company
Fri. May 17  – Atlanta, GA @ The Eastern
Sun. May 18 – Asheville, NC @ Rabbit Rabbit
 
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Watch “kisses” Video
Watch “skin in the game” Visualizer
Watch “the slab” Video

Keep your mind open.

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[Thanks to Jaycee at Pitch Perfect PR.]

A Place to Bury Strangers announces European tour dates.

A Place to Bury Strangers are gearing up to crush Europe in April 2024 with shows ranging from the Netherlands to France. Don’t miss them if you’re in any of these cities. Heck, make a trip to see them while you’re are it. You won’t regret it.

They’re also doing a New Year’s Eve DJ set in Brooklyn!

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Steven Matrick.]