Bodysync get us moving with their new single, “Bailiar (I Want to Dance).”

Photo Credit: Ryan Hemsworth
Today, Bodysync return with the euphoric rave-pop single “Bailiar (I Want To Dance),” featuring the beloved Honduran-Canadian singer-songwriter Daniela Andrade. The final single ahead of their second album, NUTTY, set to drop next Friday, June 28, via Buddies Inc, pushes the tempo with energetic piano chords and Andrade’s soft-spoken, ethereal voice controlling the melody. 
“Daniela is one of our favorite artists to work with. She never overwrites and seems to instinctively know how much a track needs,” Bodysync remarked on their second collaboration with Andrade. Following previous singles “Rock It” and “Babies,” the latest offering from the new electronic producer duo of Ryan Hemsworth and Charlie Yin (AKA Giraffage) continues to build anticipation for their second full-length, which has already garnered attention from CBC, Exclaim!, Paste, Stereogum, Uproxx, and many more.
STREAM: “BAILAR (I WANT TO DANCE)”
The record features twelve new belters, rooted in 90’s rave music but embracing all shades of dance music, alongside indie, and pop punk influences. Bodysync is Ryan Hemsworth and Charlie Yin (AKA Giraffage), and this project has been their core focus since their well-received debut album Radio Active was released in 2022. In their own words – “it’s dance music by fans of DIY punk and Y2K pop, with a healthy dose of absurdity.” Previous Bodysync collaborations include Tinashe, Devin Morrison, Dazy, and Nite Jewel. As individual producers, Ryan & Charlie have worked with the likes of Joji, Japanese Breakfast, Mitski, E-40, Doss, alongside official remixes for Carly Rae Jepsen, Porter Robinson, ODESZA, and Lana Del Rey. 
Giving more context on the album, Bodysync share: “Keeping things a little nutty has just been like, the mantra. The discourse in electronic music is so enveloping and polarising. We just choose to focus on our legends – Todd Terry, Paul Johnson. There’s so much comedy in their stuff and that has really resonated lately, which shamelessly gets mixed up with the stuff we enjoyed at a young age – Venga Boys, Daft Punk, and Mad Magazine.“

A fitting acronym for Bodysync could be “Be Open, Do You, Say You’ll Never Change” – it’s for everyone, all ages, no gatekeeping. It has that optimistic feel-good energy that was felt at the free party movement in the UK, and the desert parties in the US decades ago. The universal language of music remains the same – bring the people together, it’s best experienced communally. 

Listen to “Bailiar (I Want To Dance)” above and look out for the full album release of NUTTY on Friday, June 28th, and details for a North American tour kicking off in August.
PREORDER / SAVE

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L7’s Donita Sparks teams up with Dick Dale for “Rhythm Surfer” on Dark Brown’s upcoming “American Instrument” album.

L.A. based composer/musician Bryan Lee Brown shares the first single today from his forthcoming album under the Dark Brown moniker, American Instrument. The track, “Rhythm Surfer” features one of the last recordings of guitar icon Dick Dale — lending his legendary and oft-imitated “Machine Gun Staccato” style to the track, alongside L7 guitarist/vocalist Donita Sparks on the entrancing tune. Hear/share “Rhythm Surfer” on all DSPs HERE and Bandcamp HERE.

Brown has assembled a short series of mini-documentaries about the sessions for the album, with the first episodes covering the “Rhythm Surfer” sessions at Dave Catching‘s fabled Rancho De La Luna. Watch/share Dick Dale‘s fight club (HERE), Donita Sparks on Dick Dale fandom (HERE). Official video HERE. More to come soon.

American Instrument is conceptually just as expansive and ambitious as the lush soundscapes within. An 18-song album featuring an array of legendary guest musicians, its theme likewise embodies a profound meditation on selfhood and the Other.

Dark Brown is the creation of Los Angeles composer and musician Bryan Lee BrownAmerican Instrument is the fifth album under that pseudonym, but Brown has an extensive life-long career in music: Scoring Dave Grohl’s HBO series Sonic Highways (2014) and documentary film What Drives Us (2021) as well as countless other films, TV shows and commercials, drumming for Dick Dale, as well as numerous stints as a session musician.

The album was recorded over a 12-year period at 7 different studios. It features guest appearances by surf guitar innovator Dick DaleJohn Stanier (Battles, Helmet), Brad Wilk (Rage Against The Machine, Audioslave), Alfredo Ortiz (Los Lobos ,Beastie Boys), Eric McFaddenJon Theodore (QOTSA), Donita Sparks (L7), marching percussionist Marcus JoynerDave Catching (Desert Sessions), Jose Medeles (The Breeders, Author) and more.

The predominantly drummer-heavy line up is another element of the album’s exploration into Brown’s relationship with drumming, both musically and socially. Brown has a personal connection to almost everyone who played on the album. In a way, the album unites many common threads (personal and philosophical) throughout the musician’s life.

Slated for release in Fall 2024, American Instrument combines abstract minimalism with melodic psychedelia to create a vast ranch of soundscapes. Brown’s now signature sounds of melodic percussion, droning guitars, tremolo and propulsive rhythms permeate the tracks, with each guest musician’s personality leading the songs in many directions with each of their unique personalities shining through. Case in point, Dick Dale’s unmistakable guitar pyrotechnics on 2 album tracks, recorded in 2013 at Rancho De La Luna in Joshua Tree, bring all of his larger-than-life sonic imprint into a completely new world where the surf guitar meets counterpoint rhythms, post-rock ethereality and anthemic hooks. “Spacetime (feat. Brad Wilk)” finds the Rage Against The Machine drummer’s powerful backbeat driving a psychedelic haze of Hendrix-style guitar warped through haunting sounding tubular bells. “Miami Rute (feat. Jon Theodore and Alfredo Ortiz)” juxtaposes Latin percussion with soaring Pink Floyd-ian drones and ominous vocal chants. Throughout, a wide variety of sounds and musical styles explore the very meaning of rhythm and impact of the uniquely American instrument, the drum set, and its place in the course of human history.

American Instrument will be available digitally via Memory Bulldozer Records on September 10, 2024. Pre-order/pre-save HERE

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Bremer / McCoy go into the “Kosmos” with their upcoming album due September 06, 2024.

(Photo Credit: Søren Lynggaard Andersen)

Today, the Danish duo consisting of bassist Jonathan Bremer and pianist Morten McCoy, announce their sixth album, Kosmos, out September 6th via Luaka Bop, and share the album’s lead single “Alting Løser Sig” (Danish for “Everything Will Work Out”). Against all odds, the duo have created their own understated cosmos in a noisy time. The appropriately titled Kosmos sees Bremer/McCoy aiming to convey a worldview founded on deep connectedness and a sense of freedom. 

Some of the wholly improvised, airy melodies that make up Kosmos have been simmering for the 15 years that Bremer and McCoy have been playing with each other; and together with new material, they create a statement without exclamation marks or large fonts. Kosmos is two Danish musicians’ attempt to capture the world they stand for—and that they wish to share with others. The album represents a worldview, and in Bremer/McCoy’s cosmos, we can meet each other without words. “Humans have always played music. We’ve sat around campfires and sung. We’ve danced. When we play together or listen together, we communicate wordlessly. And right now, it’s important to remember to communicate, as many feel we are living in difficult times. I believe everyone feels a fundamental joy and peace when experiencing something beautiful being created,” McCoy says. 

On “Alting løser sig,” what started as a loose theme became only more fitting as the duo played together, exploring the idea that fear is a poor driving force; instead, one should try to trust that things will work out. 

Listen to “Alting Løser Sig”

Formed in 2012 by two former schoolmates, Bremer/McCoy initially started playing dub music. It’s hard to imagine that that’s how they started when you listen to the ethereal sounds they make now, but the influence becomes clearer when you see them live: they insist on traveling with their own sound system. Both musicians have been nominated for the Danish music award Steppeulven, with Bremer winning the award for “Musician of the Year” in 2020.

“We are very flow-oriented. You have to be careful not to try to force too much into the music and have a plan for what you want. Only when you remove all ego is there room for what needs to happen,” explains Bremer. “If, as a musician, you think, ‘Now this and that must happen,’ you place yourself outside the music. We want to play as if we are merely listening to the music emerge. That is the ultimate freedom.” This approach is more evident on Kosmos than any of the duo’s previous work. The tracks embody themes such as meditation, prayer, gratitude, and a quiet optimism on behalf of all of us. 

At the group’s concerts, this intimate and immediate atmosphere emerges. The basis for Kosmos was to capture the emotions from their concerts on record. Therefore, they approached the initial studio session as if they were performing, and from there, they began to improvise. Their form of improvisation:  They don’t improvise solos, but songs. They delve into a story. They don’t know what the story will be when they start, but they discover it together.

Bremer/McCoy will follow Kosmos with a series of concerts in DenmarkSweden, and Norway before concluding with three concerts at the Conservatory Concert Hall in Copenhagen. Next year will see the duo tour outside of Scandinavia for the first time, taking their own soundsystem on the road through Northern Europe. 

Pre-order Kosmos

Listen to “Higher Road”

Bremer/McCoy Tour Dates:
Wed. Sept. 11 – Horsens, DK @ Sønderbro Kirke
Fri. Sept. 13 -Køge, DK @ Tapperiet
Sat. Sept. 14 – Bornholm, DK @ Strandhotellet Sandvig
Thu. Sept. 19 – Haderslev, DK @ Spillestedet Månen
Fri. Sept. 20 – Esbjerg, DK @ Musikhuset
Sat. Sept. 21 – Odense, DK @ Magasinet
Thu. Sept. 26 – Viborg, DK @ Paletten
Fri. Sept. 27 – Aalborg, DK @ Musikkens Hus
Fri. Nov. 8 – Aarhus, DK @ Musikhuset

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[Thanks to Sam at Pitch Perfect PR.]

Riot Fest announces 2024 lineup.

Chicago’s Riot Fest has announced it’s full lineup for 2024. The festival is being held at SeatGeek Stadium this time around, much to the annoyance of the Chicago Red Stars NWSL team, and I’m curious how many stages they’ll have in and around the stadium.

The lineup is better than Lollapalooza or Pitchfork Music Festival this year, but that’s not a new thing. The Slayer reunion was rumored to be defunct, but is now apparently back on the schedule. Beck will be a must-see, as he hasn’t toured in a few years. Public Enemy will also be a good set, and seeing all of the Marley Brothers on the same stage would be wild.

It’s nice to see a big punk rock lineup at this year’s festival, including a final NOFX tour, Circle Jerks, Descendents, and Buzzcocks. Don’t miss The Hives, as they’re one of the best live bands of the last twenty years. Clutch are always good, and Cypress Hill is enjoying a big resurgence right now as people are discovering their classic records.

Go see Dead Milkmen and The Dickies if you want some fun. Go see Pixel Grip if you want sexy synthwave, and The Mysterines if you want good garage rock.

Find the shady spots while you’re there. There aren’t many around SeatGeek Stadium, so grab one whenever you can.

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The Black Angels announces European and western U.S. tours.

The Black Angels are soon back on tour, this time heading to Europe in mid-September through early October with pals The Dandy Warhols.

A good chunk of those shows probably will sell out, so don’t hesitate to get tickets.

Not to rest for too long, the psych-giants come back to the U.S. afterwards to embark on a west coast tour just ten days later, this time with Soriah and Daiistar.

They’ll also headline a stage at the 2024 Levitation festival sometime during Halloween weekend as well. Don’t miss them. They never disappoint.

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Friko releases Radiohead cover and announces 2024 tour dates.

Photo Credit: Pooneh Ghana

Chicago band Friko  — vocalist/guitarist Niko Kapetan and drummer Bailey Minzenberger — shares a cover of Radiohead’s Weird Fishes/Arpeggi” and announces performances at LollapaloozaNewport Folk Festival, and Fuji Rock, a North American tour supporting Royel Otis, and the band’s first European headline run. The band just wrapped their first North American tour in support of Where we’ve been, Where we go from here (out now on ATO Records), playing shows with Water From Your EyesWILLIS and Mind’s Eye. Their cover of Radiohead’s “Weird Fishes/Arpeggi” has become an exciting surprise during recent live dates. They performed it at their sold-out, headlining record release show at the 1000-capacity Metro in Chicago, and will continue to captivate larger and larger audiences throughout the rest of 2024.

 
Listen to “Weird Fishes/Arpeggi” (Radiohead Cover)
 

An essential new addition to Chicago’s long lineage of forward-thinking indie rock, Friko transforms every song into a moment of collective catharsis. Known for their high-energy live show, Friko aims to deliver a live experience that’s fantastically disorienting in its emotional arc. Mastered by Heba Kadry (Björk, Big Thief) and engineered by Jack Henry and Scott Tallarida, Where we’ve been, Where we go from here embodies a sonic complexity befitting of a band that names Romantic-era classical music and the more primal edges of art-rock among their inspirations. Friko hopes that their music’s emotional potency might have a galvanizing impact on audiences.

 
Purchase Where we’ve been, Where we go from here
 
Watch Friko’s “Where We’ve Been” Video
Watch “Crashing Through” Video
Watch “For Ella” Video
Watch “Crimson to Chrome” Lyric Video
Listen to Friko’s “Get Numb To It!”
 
Friko Tour Dates:
Fri. June 14 – Chicago, IL @ Q101 PIQNIQ (Taste of Randolph)
Tue. July 9 – Evanston, IL @ SPACE
Thu. July 18 – Indianapolis, IN @ Rock The Ruins ^
Fri. July 26 – Niigata, JP @ Fuji Rock Festival
Sun. July 28 – Newport, RI @ Newport Folk Festival
Sat. Aug. 3 – Chicago, IL @ Lollapalooza
Sun. Aug. 4 – Chicago, IL @ Lincoln Hall (Lollapalooza Aftershow)
Thu. Aug. 8 – Nashville, TN @ Bobby Nashville (WNXP Event)
Wed. Aug. 28 – Louisville, KY @ WFPK Waterfront Wednesday
Mon. Sept. 9 – Columbus, OH @ Newport Music Hall %
Wed. Sept. 11 – Rochester, NY @ Essex Music Hall %
Thu. Sept. 12 – Toronto, ON @ History %
Fri. Sept. 13 – Detroit, MI @ Majestic Theatre %
Sat. Sept. 14 – Madison, WI @ The Sylvee %
Sun. Sept. 15 – Minneapolis, MN @ First Avenue %
Thu. Sept. 19 – Champaign, IL @ Canopy Club (Pygmalion Fest)
Tue. Sept. 24 – Philadelphia, PA @ Union Transfer %
Wed. Sept. 25 – Brooklyn, NY @ Brooklyn Steel %
Thu. Sept. 26 – Brooklyn, NY @ Brooklyn Steel %
Fri. Sept. 27 – Washington, DC @ 9:30 Club %
Sat. Sept. 28 – Boston, MA @ House of Blues %
Mon. Sept. 30 – Atlanta, GA @ The Eastern %
Tue. Oct. 1 – Nashville, TN @ Brooklyn Bowl %
Tue. Oct. 8 – Denver, CO @ Ogden Theatre %
Wed. Oct. 9 – Lawrence, KS @ Granada Theater %
Mon. Oct. 14 – Los Angeles, CA @ The Bellwether %
Tue. Oct. 15 – Los Angeles, CA @ The Bellwether %
Wed. Oct. 16 – Los Angeles, CA @ Palladium %
Fri. Oct. 18 – Oakland, CA @ The Fox %
Sun. Oct. 20 – Portland, OR @ McMenamins Crystal Ballroom %
Mon. Oct. 21 – Seattle, WA @ Moore Theatre %
Tue. Oct. 22 – Vancouver, BC @ PNE Forum %
Sat. Nov. 2 – Amsterdam, NL @ Bitterzoet
Sun. Nov. 3 – Brussels, BE @ Les Nuits Weekender
Tue. Nov. 5 – Rennes, FR @ L’Antipode
Thu. Nov. 7 – Paris, FR @ Pitchfork Avant Garde
Sat. Nov. 9 – London, UK @ Pitchfork Festival London
Sun. Nov. 10 – Bristol, UK @ Louisiana
Tue. Nov. 12 – Manchester, UK @ YES
Wed. Nov. 13 – Glasgow, UK @ King Tuts
Thu. Nov. 14 – Dublin, IR @ Workman’s Club

^ supporting Hippo Campus 
% supporting Royel Otis

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Brijean takes us down “Euphoric Avenue” with their new single.

Photo by Swanson Studio

Brijean, the project of percussionist/singer-songwriter Brijean Murphy — the percussive heartbeat for live bands like MitskiPoolside, and Toro y Moi — and multi-instrumentalist/producer Doug Stuart, unveils the new single, “Euphoric Avenue,” from Macro, their new album out July 12th via Ghostly International. Following lead singles “Workin’ On It” and “Roller Coaster,” “Euphoric Avenue” was one of the first tracks recorded at the band’s new home in Altadena on the outskirts of Los Angeles. It took shape on organ and drum machine, later welcoming live contributions from Stephanie Yu (strings), Logan Hone (flute), and Kosta Galanopoulos (drums).
 
“Worlds of beauty and pain / I spy comedies in the most mundane,” Murphy sings on “Euphoric Avenue,” the rainbow road to Macro that expands Murphy and Stuart’s shared sense for storytelling. “Being in this beautiful part of town nestled up against the Angeles National Forest played a big role in how comfortable we felt stretching out and trying to push our musical boundaries,” says Murphy. “Anytime we brought someone into the world to add their musical touch, it felt like a highlight.” Macro’s sequencing elicits an exploratory vibe with high-tempo peaks and breezy valleys in the psyche especially on astral drifts like “Euphoric Avenue.”

 
Watch the Visualizer for “Euphoric Avenue”
 

Since their debut in 2019, Brijean has moved with ingenuity, fusing psych-pop abstraction with dancefloor sensibilities. Through the body and mind, rhythm and lyricism, they make sense of the worlds around and within; 2021’s Feelings celebrated self-reflection; 2022’s Angelo processed loss, coinciding with the duo’s first headlining tour, which doubled down on the material’s desire to move. Now, across the playful expanse of Macro, Brijean engages different sides of themselves, the paradox of being alive. They’ve leveled up to meet the complexities and harmonies of the human experience with their most dynamic songwriting yet. Colorful, collaborative, sophisticated, and deeply fun, the album animates a macrocosm with characters, moods, and points of view rooted in the notion that no feeling is final and the only way out is through.
 
The band’s collaborative streak extends to their recent team-up with Toro y Moi for A24’s Everyone’s Getting Involved: A Tribute to Talking Heads’ Stop Making Sense where they cover “Genius Of Love.”

 
Pre-order Macro
 
Watch the Visualizer For “Workin’ On It”
 
Watch the Visualizer for “Roller Coaster”
 
Brijean Tour Dates
Fri. Jul. 12 – Chicago, IL @ Sleeping Village
Sat. Jul. 13 –  Detroit, MI @ El Club
Sun. Jul. 14 Toronto, ON Velvet Underground
Wed. Jul. 17 – Washington, DC @ Atlantis
Thu. Jul. 18 – New York, NY @ MHOW
Sat. Jul. 20 – Philadelphia, PA @ Johnny Brenda’s
Mon. Jul. 22 – Asheville, NC @ Grey Eagle
Tue. Jul. 23 – Atlanta, GA @ Vinyl
Thu. Jul. 25 – Houston, TX @ White Oak Music Hall (Upstairs)
Fri. Jul. 26 – Dallas, TX @ Club Dada
Sat. Jul. 27 – Austin, TX @ ACL Live at 3TEN
Mon. July 29 – Phoenix, AZ @ Valley Bar
Thu. Aug. 1 – Los Angeles, CA @ Lodge Room
Fri. Aug. 2 – San Francisco, CA @ The Independent
Sun. Aug. 4 – Portland, OR @ Mississippi Studios
Tue. Aug. 6 – Vancouver, BC @ Biltmore Cabaret
Wed. Aug. 7 – Seattle, WA @ Neumos
Fri. Aug. 9 – Boise, ID @ Neurolux
Sat. Aug. 10 – Salt Lake City, UT @ Kilby Court
Mon. Aug. 12 – Denver, CO @ Larimer Lounge

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[Thanks to Patrick at Pitch Perfect PR.]

Woodsist Festival releases 2024 lineup.

The beloved Woodsist Festival returns to Arrowood Farms in Accord, New York, on September 21-22, 2024. Performers this year include headliners Yo La Tengo, Real Estate, and Jessica Pratt, along with WoodsHailu Mergia, Bonnie “Prince” Billy, Jeff Parker, Etran de L’Aïr, The Messthetics, 75 Dollar Bill Big Band, Rosali, Mystic 100s, Florry, and Sylvie. Arrowood Farms, a sustainably-minded farm, brewery and distillery located in New York’s scenic Hudson Valley, will host the performers on two alternating stages throughout the weekend and feature food from local Hudson Valley-based vendors and craft beer brewed directly on site. Tickets go on sale Friday, April 26th at 10:00AM ET and are available via www.woodsistfestival.com.

As in previous years, Jeremy Earl of Woods has curated the festival’s lineup. Formed in 2004, Woods have matured into a true independent institution, above and below the root, reliably emerging every few years with new music that grows towards the latest sky. On top of a new EP release, the band has embarked on a full year of touring, including shows with Waxahatchee, Avey Tare, and Natural Information Society.
 
The inaugural Woodsist Festival took place in Brooklyn in 2009 with Thee Oh Sees headlining alongside a number of acts including Beach Fossils, Real Estate, and Kurt Vile. Since then, the festival has been presented in various locations including Big Sur, Point Reyes National Seashore, and Pioneertown, CA. The festival found its home at Arrowood Farms in 2019, presented in partnership with Ground Control Touring and premiere Hudson Valley concert promoters Impact Concerts, and has returned annually since 2021.
 
We hope to see you on the farm, With Light and With Love.

 
Watch the Woodsist Festival 2023 Recap Video
 

For more information, including lineups, event news, and the latest updates, please visit www.woodsistfestival.com.

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The Hope Conspiracy release punk rager – “The West Is Dead.”

Photo credit: The Hope Conspiracy

he Hope Conspiracy will release their long-awaited new full-length album, Tools of Oppression / Rule by Deception on May 31st.  Today, the group has shared the record’s dystopian, hook-laden second single, “The West Is Dead.”  Vocalist Kevin Baker states, “Politicians in the west, whether they are on the left or right, all eat from the same pig trough. Corporations own every single one of them. The working people were sold down the river decades ago. The professional liars are not concerned with fair wages, human rights, affordable healthcare or the poison in our air, water and food. Both sides play on everyone’s sensitivities to keep us hating one another while they take lucrative donations and marching orders from rent seeking billionaires. The tent cities and rampant homelessness would go away tomorrow if they really wanted it to be so. The system is designed to crush the common people. If you don’t feel it now you will. If you don’t see it now you will. It’s the approaching storm on the horizon and there is no escaping it. The west is dead and our end is near.”

Watch / share “The West Is Dead” on YouTube.

True sonic violence aimed at political division, economic manipulation, war profiteering, media propaganda and other vile forms of global oppression, Tools of Oppression / Rule by Deception  is an ominous soundtrack to the steady decline of our modern age.  There is no question, The Hope Conspiracy is back to make a cold hard statement about existence in the end times.

Tools of Oppression / Rule by Deception was engineered by Kurt Ballou and Zach Weeks at God City Studios, and artwork for the release was created by acclaimed artist Alexander Heir (Death/Traitors).  The album is available for pre-order here and The Hope Conspiracy will be playing select shows this summer and fall.  

The Hope Conspiracy, on tour:
June 7  Cambridge, MA @ Sonia
June 8  Brooklyn, NY @ The Meadows
June 9  Philadelphia, PA @ First Unitarian Church
July 20  Chicago, IL @ Cobra Lounge – The Rumble
September 6  Los Angeles, CA @ 1720
September 7  Berkeley, CA @ 924 Gilman
September 8  Anaheim, CA @ Chain Reaction
September 9  Giant Rock, CA @ Ask A Punk
September 12  San Diego, CA @ Soda Bar
September 13  Seattle, WA @ The Vera Project
September 14  Portland, OR @ Dante’s
September 15  Tacoma, WA @ Real Art

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[Thanks to Stephanie at Another Side.]

Chanel Beads releases new single, “Unifying Thought,” and album, “Your Day Will Come.”

Photo Credit: Lauren Davis

Today, Chanel Beads — the project of New York-based musician Shane Lavers — unveils the new single / video “Unifying Thought” from his anticipated debut album, Your Day Will Come, out today via Jagjaguwar.  

Your Day Will Come marks Lavers’ arrival as a new force in experimental music. Throughout the album, Lavers captures the many contradictions of modern existence and the strange infiniteness of the digital world. Though he incorporates the scrappy sonics of post-punk, the gripping sentimentality of pop tunes, and the spectral artifice of electronic music, he blurs lines through unconventional song structures that build into transcendental climaxes. Throughout, Lavers weaves in contributions from singer-songwriter Maya McGrory and multi-instrumentalist Zachary Paul, who offer their own layers of feeling that add to the huge emotionality of the album. 

Today’s single, “Unifying Thought,” showcases Chanel Beads singular use of clunky acoustic guitar, cinematic strings, and vocal harmonies as Laver sings “Focus on the love in your heart / I had a unifying thought / But I missed / Like the seasons that we lost.” The accompanying video, directed by Harleigh Shaw, showcases a day in the life of a young boy as he bikes his way through New York City. 

Watch the Video for “Unifying Thought”

Following their sold out record release show in New York City, Chanel Beads will open for Mount Kimbie on their May North American tour. Named one of Rolling Stone’s Best of SXSW, Chanel Beads’ live show is not to be missed — a full list of dates is below and tickets are on sale now.

Listen/Purchase Your Day Will Come 

Listen to “Embarrassed Dog” 

Watch “Police Scanner” Video

Listen to “Idea June”

Chanel Beads Tour Dates

Wed. May 1 – Queens, NY @ TV Eye – Record Release Show [SOLD OUT]

Fri. May 17 – San Francisco, CA @ Great American Music Hall *

Sat. May 18 – Los Angeles, CA @ The Fonda Theatre *

Tue. May 21 – Denver, CO @ Perplexiplex *

Thu. May 23 – Austin, TX @ Parish *

Sat. May 25 – Chicago, IL @ Lincoln Hall *

Tue. May 28 – Toronto, ON @ Axis *

Wed. May 29 – New York, NY @ Webster Hall *

* = supporting Mount Kimbie

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[Thanks to Patrick at Pitch Perfect PR.]