Pitchfork Music Festival 2017 tickets go on sale tomorrow.

THE PITCHFORK MUSIC FESTIVAL 2017 ANNOUNCES HOLIDAY SALE
BEGINNING NOVEMBER 28, 2016
JULY 14-16, 2017 AT CHICAGO’S UNION PARK
The Pitchfork Music Festival will return to Chicago’s Union Park next summer for its twelfth year. The 2017 event will run from Friday, July 14 through Sunday, July 16. This year, the festival is announcing a holiday sale beginning Monday, November 28. A holiday 3-day pass will be available to purchase for $140 for a short amount of time. Once those are gone, three-day passes will be on sale for the regular price of $165. Single day tickets will be available for $65. A layaway option for regularly priced three-day passes will also be offered, where you will be able to pay the $165 price over three installments. This offer will expire on March 1.

The Pitchfork Music Festival continues to be one the world’s most welcoming and exciting festivals, consistently dedicated to striking a balance between discovery and celebration. Stay tuned for the lineup announcement, as well as much more from Pitchfork Music Festival 2017!

PURCHASE TICKETS HERE BEGINNING NOV. 28 —  www.pitchforkmusicfestival.com 

Pitchfork is the most trusted voice in music. Over the last 20 years, Pitchfork’s online magazine has defined how music is covered in the digital era, leading The New York Times to call it “the most prominent brand in online music journalism” and TIME Magazine to recognize it as one of the world’s 50 best websites. In addition to setting a new standard in music coverage, Pitchfork has developed a global reputation for its music festivals. Chicago’s Pitchfork Music Festival has been held every year since 2006, and in 2011, Pitchfork launched Pitchfork Music Festival Paris, bringing its vision of the live music experience to Europe. In 2015, Pitchfork was acquired by Condé Nast, joining a family of brands that includes The New Yorker, Wired, and GQ, among many others, enabling growth in the U.S. and beyond.

Visit www.pitchforkmusicfestival.com and www.facebook.com/pitchforkmusicfestival for more information. Follow @pitchforkfest for the latest news, announcements and exclusive content.

Keep your mind open.

[Don’t forget to subscribe to us before you go.]

Electro duo Kllo release new single and upcoming tour dates.

KLLO SHARES “WALLS TO BUILD” (MALL GRAB REMIX)
https://soundcloud.com/kllomusic/walls-to-build-mall-grab-remix-1 ON TOUR NOW IN SUPPORT OF WELL WORN EP;
DATES WITH RÜFÜS DU SOL & NAO

“They’re poised to attract a ton of attention stateside.”
NYLON (“The 7 Breakout Stars Of Summer 2016”)“a pleasant and fluid pop tune that blurs lines between R&B and two-step”
Pitchfork“a velvety, warm, and comforting soundscape”
The FADER

Melbourne duo Kllo’s much anticipated new EP, Well Worn, came out back in August on Ghostly International (North America), Different Recordings/PIAS (UK/Europe/Japan) and Good Manners Records (AU/NZ/ROW). In just 3 months since release it has amassed over 10 million Spotify plays and established the group as one of the most exciting new electronic prospects. Today the band shares Mall Grab’s rework of “Walls To Build,” one of the lead singles from the EP.Handpicked by Kllo, up-and-coming Australian producer Mall Grab adds a driving bass beat while altering the pace of the original, injecting some space into the song to emphasize its depth. He’s effectively managed to turn Kllo’s smart pop into low light R&B, showcasing the duo’s wide, cross-genre appeal.

Guided by the ghosts of UK garage and like-minded strains of underground dance music, the original “Walls To Build” melds Simon Lam‘s synth lines with Chloe Kaul‘s vapor-trailed verses; “Bolide” sets a skittish beat against a clipped chorus: and the one-two punch of “Sense” and “On My Name” build a couple piano-laced ballads from a pillowy sound bed of laid-back loops and lovelorn melodies. “Don’t Be The One” is deceivingly simple as well, bringing the record to a close alongside a rubbery, elusive rhythm and a growing sense of tension and release. Catchy, yes, but also compelling enough to leave us all longing for the pair’s inevitable LP.

Things happen so fast these days that Kllo barely had a Facebook page or a proper song before a wave of interest began to build around their breakthrough EP, Cusp. What a telling record title; in the year since its release, cousins Lam and Kaul have played sold-out shows and festival slots throughout Australia (Dark Mofo, Splendour in the Grass and Melbourne Music Week among many others) and overseas (The Great Escape, Primavera Sound), racked up millions of plays on Spotify, and landed on several Artists to Watch lists.

The duo is currently on their first ever world tour taking them across Europe with RÜFÜS DU SOL and NAO and North America with RÜFÜS DU SOL again later this month. To cap off the year, they’ll make their New York City live debut at Baby’s All Right on December 8th. A full list of dates is below.

STREAM KLLO’S “WALLS TO BUILD” (MALL GRAB REMIX):
https://soundcloud.com/kllomusic/walls-to-build-mall-grab-remix-1
LISTEN & WATCH:
“Bolide” stream – https://soundcloud.com/kllomusic/bolide
“Bolide” video – https://youtu.be/NYd4t5uINNY
“Bolide” (Lone Remix) stream – https://soundcloud.com/kllomusic/bolide-lone-remix
“Walls To Build” stream – https://soundcloud.com/kllomusic/walls-to-build
“Walls To Build” video – https://youtu.be/PmiygZRFtvo
“Sense” video – https://youtu.be/kSPETjXwLOA
KLLO TOUR DATES:
Wed. Nov. 16 – Hamburg, DE @ Knust (w/ NAO)
Thu. Nov. 17 – Berlin, DE @ Berghain/Panorama Bar (w/ NAO)
Thu. Nov. 24 – Vancouver, BC @ Imperial (w/ RÜFÜS DU SOL)
Fri. Nov. 25 – Seattle, WA @ The Neptune (w/ RÜFÜS DU SOL)
Sat. Nov. 26 – Portland, OR @ Wonder Ballroom (w/ RÜFÜS DU SOL)
Wed. Nov. 30 – San Francisco, CA @ The Fillmore (w/ RÜFÜS DU SOL)
Thu. Dec. 1 – San Francisco, CA @ The Fillmore (w/ RÜFÜS DU SOL)
Fri. Dec. 2 – Los Angeles, CA @ The Wiltern (w/ RÜFÜS DU SOL)
Sat. Dec. 3 – San Diego, CA @ Music Box (w/ RÜFÜS DU SOL)
Sun. Dec. 4 – Los Angeles, CA @ Multiply
Thu. Dec. 8 – Brooklyn, NY @ Baby’s All Right

“Walls To Build” (Mall Grab Remix) artwork

American Wrestlers to begin North American tour next month.

AMERICAN WRESTLERS ANNOUNCE NEW TOUR DATES, SHARE TWO DEMO SONG VERSIONS

GOODBYE TERRIBLE YOUTH OUT NOW ON FAT POSSUM

American Wrestlers released their excellent sophomore album Goodbye Terrible Youth (Fat Possum) just over a week ago, and it’s been receiving praise from the likes of Pitchfork to Noisey to Wired and more. Today, the band announces a batch of new tour dates and shares two demo versions of songs that appear on Goodbye Terrible Youth, “Amazing Grace” and “So Long” (both of which appear on the deluxe Japanese edition of the album).
LISTEN TO “AMAZING GRACE” & “SO LONG” DEMOS
https://soundcloud.com/fatpossum/sets/aw-bonus-demo-tracks/s-GGpQY
The album is now streaming and available for purchase on all services. If you haven’t listened to Goodbye Terrible Youth yet, there’s no better time than the present.
LISTEN TO GOODBYE TERRIBLE YOUTH
http://smarturl.it/aw.gtyAMERICAN WRESTLERS TOUR DATES (new dates in bold)
Thu. Dec. 1 – Omaha, NE @ Slowdown Jr.
Fri. Dec. 2 – Minneapolis, MN @ 7th Street Entry
Sun. Dec. 4 – Toronto, ON @ The Garrison
Mon. Dec. 5 – Montreal, QC @ Le Divan Orange
Tue. Dec. 6 – Allston, MA @ Great Scott
Wed. Dec. 7 – Brooklyn, NY @ Baby’s All Right
Thu. Dec. 8 – Philadelphia, PA @ Boot & Saddle
Fri. Dec. 9 – Washington, DC @ DC9
Sat. Dec. 10 – Lakewood, OH @ Mahall’s
Sun. Dec. 11 – Chicago, IL @ Empty Bottle
Thu. Dec. 15 – St. Louis, MO @ Off Broadway
Tue. Jan. 10 – Nashville, TN @ The High Wattw/ NE-HI
Wed. Jan. 11 – Atlanta, GA @ Drunken Unicorn w/ NE-HI
Thu. Jan. 12 – New Orleans, LA @ Hi Ho Lounge w/ NE-HI
Fri. Jan. 13 – Houston, TX @ The Raven Tower w/ NE-HI
Sat. Jan. 14 – Austin, TX @ Sidewinder w/ NE-HI
Sun. Jan. 15 – Dallas, TX @ Three Links w/ NE-HI
Wed. Jan 18 – Phoenix, AZ @ Valley Bar
Thu. Jan. 19 – San Diego, CA @ Soda Bar
Fri. Jan. 20 – Los Angeles, CA @ Bootleg Theater
Sat. Jan. 21 – San Francisco, CA @ Bottom of the Hill
Tue. Jan. 24 – Seattle, WA @ The Crocodile
Wed. Jan. 25 – Portland, OR @ Bunk Bar
Thu. Jan. 26 – Boise, ID @ The Olympic
Fri. Jan. 27 – Salt Lake City, UT @ Kilby Court
Sat. Jan. 28 – Denver, CO @ Lost Lake Lounge

PRAISE FOR AMERICAN WRESTLERS

“These are unabashedly personal and reflective songs, often filled with regret and loss, ugliness and shame.” – Pitchfork

“You can hear the bona fides of a skilled singer-songwriter. McClure’s cool charm makes these homespun songs feel like long-lost guitar-pop gems, newly discovered and barely dusted off.” Rolling Stone

“For Goodbye Terrible Youth, the group’s amped-up follow-up, frontman and songwriter Gary McClure has doubled down on spectral keyboards and fuzz-muscled riffs—pretty much always a good idea… Equal parts diffuse and direct, Youth ages nicely with each listen.” – Wired

“This is, quite simply, one of the most beautiful songs I’ve heard in 2016.” – USA Today, on “Amazing Grace”

“Even though he’s Scottish, Gary McClure’s new LP Goodbye Terrible Youth is the jangly guitar record this country needs right now.” – Noisey

“Scottish expat Gary McClure sings with a fragile-but-hopeful tenor like a beam of light from a discount flashlight, and as American Wrestlers, he’s stumbled upon a scrappy underdog lo-fi sound that lets his songs shine properly.” – Stereogum (Band to Watch; 50 Best New Bands of 2015)

“American Wrestlers have the potential to win over legions of fans based on their broad musical range. Goodbye Terrible Youth is music for tiny, sweaty clubs, with amps turned up loud and a knack for sophisticated tunes at the ready.” – PopMatters

Ty Segall’s new album due January 27th.

TY SEGALL SET TO RELEASE NEW, SELF-TITLED ALBUM ON JANUARY 27TH
VIA DRAG CITY;  
NORTH AMERICAN TOUR TO FOLLOWLISTEN TO DEBUT SINGLE, “ORANGE COLOR QUEEN”
https://soundcloud.com/drag-city/ty-segall-orange-color-queen

[above image by Kyle Thomas]

Ty Segall has made whole records that wrestle with realities – fighting against some, pulling mightily to bring others into being. His new self-titled record – the next record after Emotional Mugger, Manipulator, Sleeper, Twins, Goodbye Bread, Melted, Lemons and the first self-titled album that started it up in the now-distant year of 2008 – is a clean flow, a wash of transparency falling into a world that needs to see a few things through clearly, to their logical end. It’s got some of the most lobe-blasting neckwork since the Ty Segall Band’s Slaughterhouse (from way back in the long, hot summer of 2012), but it also features a steep flight of fluent acoustic settings.

The construction and destruction of his chosen realities has, until now, been a luxury Ty has rightfully reserved for himself, striping overdubs together to form the sound – but for this new album, he entered a studio backed by a full band – Emmett Kelly, Mikal Cronin, Charles Moothart and Ben Boye – to get a read on this so-called clarity. This leads to a new departure in group sound, as well as some of the most visceral and penetrating vocal passages yet heard from Ty Segall. Take debut single, “Orange Color Queen,” for example — a supreme moment of tenderness.

Ty Segall keeps you guessing, bracing your skin with a welcome astringency, seeking to stem the bleeding with chunks and splashes of guitar, tight beats, audio-verite toilet smashes, a Wurlitzer electric piano in a jam, blazing harmonies, and LOTS of songs to sing. There’s no concept beyond that; finding the right places to be is a momentary thing. Ty Segall is the sum of his songs – and about getting the free. The free to be!

Ty Segall is out January 27th on Drag City Records, and available for pre-order now. All iTunes pre-orders come with an instant grat download of “Orange Color Queen,” which is also available to stream and download via dragcity.com. Ty Segall and his magick band will tour throughout 2017. All dates are listed below, with more to be added!

Listen To Ty Segall’s “Orange Color Queen”
https://soundcloud.com/drag-city/ty-segall-orange-color-queenTy Segall Tracklisting:
1. Break A Guitar
2. Freedom
3. Warm Hands (Freedom Returned)
4. Talkin’
5. The Only One
6. Thank You Mr. K
7. Orange Color Queen
8. Papers
9. Take Care (To Comb Your Hair)
10. Untitled

Ty Segall Tour Dates:
Fri. Jan. 27 – San Diego, CA @ Belly Up Tavern
Thu. Feb. 2 – Los Angeles, CA @ Teragram Ballroom
Fri. Feb. 3 – Los Angeles, CA @ Teragram Ballroom
Mon. Feb. 27 – Oakland, CA @ Fox Theater
Wed. March 1 – Portland, OR @ Aladdin Theater
Thu. March 2 – Seattle, WA @ Neumos
Wed. May 10 – Tulsa, OK @ Cain’s Ballroom
Thu. May 11 – Indianapolis, IN @ Irving Theater
Sun. May 14 – Chicago, IL @ Thalia Hall
Wed. May 17 – Brooklyn, NY @ Warsaw
Sat. May 20 – Philadelphia, PA @ Trocadero Theater
Sun. May 21 – Pittsburgh, PA @ Mr. Small’s Theater
Mon. May 22 – Louisville, KY @ Headliner’s Music Hall
Thu. May 25 – Nashville, TN @ Mercy Lounge
Sat. May 27 – Austin, TX @ Stubb’s Waller Creek Amphitheatre

Ty Segall Pre-order:
Via iTunes – http://geni.us/iTunesTySegall
Via Drag City – http://www.dragcity.com/products/ty-segall

[Ty Segall Cover Art]

Psych-pop outfit Ne-Hi release catchy single from upcoming album due out in February.

NE-HI ANNOUNCE SOPHOMORE RECORD, SHARE TOUR DATES

WATCH VIDEO FOR “STAY YOUNG“; OFFERS OUT 2/24 ON GRAND JURY

“‘Stay Young,’ the lead single from Offers, is as hopeful as its title suggests. With lush, dreamy vocals and tinny instrumentation, the song is bright; the video, likewise, is washed in muted pastels and midday sun.” – NPR Music
Emerging from underground venues in Chicago’s Northwest side, NE-HI made its name on both its live energy and cleverly wrought guitar anthems. Today, they announce their second album Offers (out 2/24 on Grand Jury), and share the video for their first single, “Stay Young,” directed by Weird Life Films. On Offers, the band takes those basement-forged instincts and refines them; lets its guitars explore new angles, and focuses its songwriting. The result is, we daresay, a stunner if not a statement that there is a wide range of post-punk possibilities yet to be explored.

Born in Chicago’s vibrant DIY scene during the summer of 2013 – specifically within the walls of now-defunct basement venue Animal Kingdom – three friends from college, Jason Balla (guitar/vocals), Mikey Wells (guitar/vocals) and James Weir (bass) linked up with drummer Alex Otake with the purpose of scoring a friend’s film, which resulted in the formation of NE-HI. They tapped into what Balla calls the scene’s “wild, young energy,” playing go-for-broke at its home base. But quickly the band’s disparate influences — Wire’s post-punk, Springsteen’s everyman anthems, along with echoes of dreamy atmospheres of Dave Roback’s Rain Parade and the jangly buzz of Kiwi pop legends The Clean began burning through. Their self-titled debut was released in April of 2014 on Manic Static to critical acclaim, both locally (Chicago Tribune & Sound Opinion’s Greg Kot listed it as his #4 local album of the year) and nationally (Paste, Noisey, Stereogum, and Consequence of Sound have all pointed to NE-HI as a band to keep on your radar).

Offers drones, it captivates with soaring pop, it shimmers with atmosphere, always changing, looking. It finds the distant influence of forebears in cerebral guitar pop presented with a familiarity that typifies great FM rock hits. The Midwestern boys (two from Chicago, one from Wisconsin, and one from Minnesota) in NE-HI have a knack for knitting something comfortable and warm from those art school cast-offs and cult favorites. NE-HI’s music demands to be lived in.
WATCH THE VIDEO FOR “STAY YOUNG”
https://youtu.be/ukGoMog-RYk

OFFERS TRACKLISTING
1. Palm Of Hand
2. Sisters
3. Don’t Wanna Know You
4. Offers
5. Prove
6. Out of Reach
7. Everybody Warned You
8. Drag
9. Every Dent
10. Buried On The Moon
11. Stay Young

NE-HI TOUR DATES
Tue. Jan. 10 – Nashville, TN @ High Watt w/ American Wrestlers
Wed. Jan. 11 – Atlanta, GA @ Drunken Unicorn w/ American Wrestlers
Thu. Jan. 12 – New Orleans, LA @ Hi Ho Lounge w/ American Wrestlers
Fri. Jan 13 – Houston, TX @ Raven Tower w/ American Wrestlers
Sat. Jan. 14 – Austin, TX @ Sidewinder w/ American Wrestlers
Sun. Jan. 15 – Dallas, TX @ Three Links w/ American Wrestlers
Wed. Feb. 22 – Ft. Wayne, IN @  Brass Rail
Thu. Feb. 23 – Kalamazoo, MI @ Shakespeare’s Pub
Fri. Feb. 24 – Chicago, IL @ Empty Bottle
Sat. Feb. 25 – Cincinnati, OH @ MOTR Pub
Wed. Mar. 1 – Kansas City, MO @ Riot Room
Thu. Mar. 2 – Omaha, NE @ Reverb Lounge
Sat. Mar. 4 – St. Louis, MO @ Off Broadway
Sun. Mar. 5 – Milwaukee, WI @ Riverwest Public House
Fri. Mar. 10 – Lexington, KY @ Cosmic Charlie’s
Tue. Mar. 21 – Memphis, TN @ Hi-Tone backroom
Wed. Mar. 22 – Birmingham, AL @ The Syndicate
Thu. Mar. 23 – Asheville, NC @ The Mothlight
Fri. Mar. 24 – Durham, NC @ Duke Coffeehouse
Sat. Mar. 25 – Richmond, VA @ Hardywood
Mon. Mar. 27 – Washington, DC @ DC9
Tue. Mar. 28 – Philadelphia, PA @ PhilaMOCA
Thu. Mar. 30 – Brooklyn, NY @ Baby’s All Right
Fri. Mar. 31 – Cambridge, MA @ Middle East Upstairs
Mon. Apr. 3 – Kingston, NY @ BSP Kingston
Tue. Apr. 4 – Albany, NY @ The Hollow
Wed. Apr. 5 – Rochester, NY @ Bug Jar
Thu. Apr. 6 – Lakewood, OH @ Mahall’s
Fri. Apr. 7 – Columbus, OH @ Spacebar
Sat. Apr. 8 – Detroit, MI @ Marble Bar
Tue. Apr. 19 – Denver, CO @ Hi Dive
Wed. Apr. 19 – Salt Lake City, UT @ Kilby Court
Thu. Apr. 20 – Boise, ID @ Neurolux
Fri. Apr. 21 – Spokane, WA @ The Bartlett
Sat. Apr. 22 – Seattle, WA @ Barboza
Tue. Apr. 25 – San Francisco, CA @ Rickshaw Stop
Wed. Apr. 26 – Los Angeles, CA @ Bootleg Bar
Sat. Apr. 29 – Tucson, AZ @ Club Congress

PRAISE FOR NE-HI

“This quartet builds its songs on clean guitar lines, the kind of interwoven single-note patterns that suggest an exacting attention to melody and arrangement. The songs bob along without ever feeling rushed or unfinished, abetted by harmonies and choruses that stick around for the long haul.” – Greg Kot, Chicago Tribune/Sound Opinions

“NE-HI are Chicago’s latest breakout band, as they capture the city’s attention with their warm fuzzy tones and laid-back reverb.” – Stereogum
                              
“Drawing on influences as varied as R.E.M. and The Clean, NE-HI know how to lace their basement rock with a danceable twist.” – Noisey
                              
Best of What’s Next, March 2016 – Paste Magazine

“An 18-month turnaround from non-existence to the level of local establishment Ne-Hi has reached today is quick for any group, but that’s about the only thing that’s surprising about this band’s ascent.” – Consequence of Sound (CoSign Feature)

“NE-HI is one of Chicago’s most thrilling live bands” – Red Eye Chicago

“Expertly executed indie rock that features rotating vocal duties and an overall grandeur tied to gently whirling reverb and undeniably catchy guitar riffs.” – Chicago Reader
Bio, hi-res images – http://pitchperfectpr.com/ne-hi/

Ne-Hi Online:
http://nehiband.com/
https://www.facebook.com/nehichicago
http://pitchperfectpr.com/ne-hi/

Sharon Jones has left the building.

sharon-lafaye-jones2

Sharon Jones, lead singer of the funk / soul / R&B powerhouse band Sharon Jones and the Dap-Kings has died at the young age of 60 of pancreatic cancer.  She fought a good fight, even releasing two more records and touring after her cancer diagnosis.  Her albums with the Dap-Kings were a shot in the arm to the music industry which had pretty much ignored her for years.  They couldn’t ignore her when she was dropping future classics like “100 Days, 100 Nights,” “How Do I Let a Good Man Down?”, and “Your Thing Is a Drag.”

Her live performances (none of which I ever got to see, apart from recorded video) were fiery affairs, and she caught and held your attention from the moment she stepped onstage.  You knew things were about to get real when she’d kick off her shoes so she could get down harder.

She will be greatly missed, but take heart in knowing she’s strutting with James Brown somewhere right now.

Keep your mind open.

King Gizzard and the Lizard Wizard to release five albums in 2017.

kgatlw

Australian psych-rock workhorses King Gizzard and the Lizard Wizard have pledged to release five albums in 2017.  The band is already prolific and this feat, if they can do it, will make them legendary.

The first album is Flying Microtonal Banana.  It’s named after a guitar made for lead singer / guitarist Stu Mackenzie by a friend.  The guitar has extra frets on it so he and the other band members (who also have customized guitars) can play 24 notes per octave rather than 12.  Sounds crazy?  Wait until you hear it on the first single – “Rattlesnake.”

Keep your mind open.

[You can subscribe.  We won’t bite.]

Priests release single, “Pink White House,” from upcoming new album.

PRIESTS SHARE VIDEO FOR “PINK WHITE HOUSE” AND ANNOUNCE TOUR DATES

NOTHING FEELS NATURAL OUT 1/27 ON SISTER POLYGON

Today, Priests share the video for their new song, the presciently titled “Pink White House,” and announce an extensive tour in 2017. The song comes off their forthcoming debut full-length, Nothing Feels Natural, out 1/27 on Sister Polygon Records. Singer Katie Alice Greer had this to say of the song and video:

Lyrically, this is a Priests song I am maybe most proud of to date. I am very inspired by the filmmaker Adam Curtis, the first time I saw “It Felt Like A Kiss” I thought, man, I want to start a band where I can write lyrics the way this guy makes films, like these politically pointed surreal avant-garde narratives, and then I met Daniele and we started Priests. So for me, “Pink White House” is a step towards achieving this style of lyricism. I’m excited about that. Musically we wrote the first half and then were like, “where do we go from here?” We wanted the second half of the song to feel like you’re in a new scene of the story, where “come on palm trees” starts. It was very fun and adventurous for us, writing this way! For the video, I wanted to do something playing on the notion that pop culture repackages your identity and sells it back to you for “entertainment.”

WATCH “PINK WHITE HOUSE”
https://youtu.be/EXVIjFODaqQ

WATCH “JJ”
https://youtu.be/VbWfKVBpvZY

Priests have also announced and extensive tour in 2017 in support of the new record. Don’t miss a chance to see one of the most dynamic and exhilarating bands in the country.
PRIESTS TOUR DATES:
Thu. Nov. 10 – Los Angeles, CA @ The Broad w/ Rhys Chatham
Sat. Jan. 28 – Brooklyn, NY @ Brooklyn Night Bazaar
Fri. Feb. 3 – Philadelphia, PA @ Everybody Hits
Sat. Feb. 4 – Boston, MA @ Great Scott
Mon. Feb. 6 – Montreal, QC @ Casa del Popolo
Tue. Feb. 7 – Toronto ON @ Silver Dollar Room
Wed. Feb. 8 – Detroit, MI @ UFO Factory
Thu. Feb. 9 – Chicago, IL @ Beat Kitchen
Fri. Feb. 10 – Madison, WI @ Rathskeller
Sat. Feb. 11 – Minneapolis, MN @ 7th Street Entry
Wed. Feb. 15 – Vancouver, BC @ 333
Thu. Feb. 16 – Seattle, WA @ Vera Project
Fri. Feb. 17 – Portland, OR @ Disjecta
Sat. Feb. 18 – Eugene, OR @ The Boreal
Sun. Feb. 19 – Oakland, CA @ Starline Social Club
Mon. Feb. 20 – Los Angeles, CA @ The Echoplex
Wed. Feb. 22 – San Diego, CA @ Che Cafe
Thu. Feb. 23 – Phoenix, AZ @ Valley Bar
Fri. Feb. 24 – Tucson, AZ @ 191 Toole
Sat. Feb. 25 – Santa Fe, NM @ Meow Wolf
Mon. Feb. 27 – Austin, TX @ Barracuda
Tue. Feb. 28 – McAllen, TX @ Yerberia Cultura
Wed. Mar. 1 – Houston TX @ Walter’s
Thu. Mar. 2 – New Orleans LA @ Siberia
Fri. Mar. 3 – Tallahasee, FL @ Wolf’s Den
Sat. Mar. 4 – Atlanta, GA @ Drunken Unicorn
Sun. Mar. 5 – Durham, NC @ Pinhook
Sat. Mar. 11 – Washington, DC @ Black Cat
PRAISE FOR “JJ”

“‘JJ,’ the new song from the excellent Washington punk band Priests…begins with flickers of surf rock, the sort that inspired and also began to suffocate indie-punk circa 2009. But in the hands of this band, the sound gets harsher and less lithe. When the frontwoman Katie Alice Greer begins to sing, it eradicates any ease that style connotes: “I thought I was a cowboy/because I/Smoked Reds! Smoked Reds! Smoked Reds!” And in the video, the band members are filmed up close as their faces are aggressively poked and prodded. It is a siege — surf’s down.” – The New York Times

“Over surfy, shimmying guitars and a twinkling piano, Greer and her elastic growl reflect on bygone self-assurance, days when cigarette brands could work like masks.” Pitchfork [BEST NEW TRACK]

“If 2014’s Bodies And Control And Money And Power EP explored how politics informed the band’s personal lives, then “JJ” dives into the weirdness of the interpersonal — not offering solutions, just asking more questions, which has long been Priests’ M.O. In the melodic mayhem, a “rich kid, low life in a very big jacket” becomes a stream-of-consciousness portrait of human relationships, particularly from a woman’s point of view. Greer doesn’t so much howl and scream but rather growls and coos like Eartha Kitt wound up and snapped into a surrealist punk rage.” – NPR Music [Songs We Love]

“Priests veer hard here into groovy ’50s sock-hop sounds without losing the immediacy that marks them as one of the greatest young DIY bands of this moment.” – Stereogum [5 Best Songs of the Week]

Aussie surf-psych rockers Rolling Blackouts Coastal Fever release SubPop single.

ROLLING BLACKOUTS COASTAL FEVER SIGN TO SUB POP,

SHARE NEW SINGLE “JULIE’S PLACE

Born from late night jam sessions in singer/guitarist Fran Keaney’s bedroom and honed in the thrumming confines of Melbourne’s live music venues, Rolling Blackouts Coastal Fever began to take shape as audiences got moving. Sharing tastes and songwriting duties, cousins Joe White and Fran Keaney, brothers Tom and Joe Russo, and drummer Marcel Tussie started out with softer, melody-focused songs. The more shows they played, the more those driving rhythms that now trademark their songs emerged. Since then, Rolling Blackouts Coastal Fever rode that wave from strength to strength. Touring around the country on headline bills and festival slots, they entrenched themselves with their thrilling live shows.

In early 2016, Rolling Blackouts Coastal Fever released Talk Tight, their first EP. That effort put the group on the map with glowing support from SPIN, Stereogum, and Pitchfork, praising them as standouts even among the fertile landscape of Melbourne music. Chock full of snappy riffs, spritely drumming and quick-witted wordplay, Talk Tight was praised by Pitchfork “for the precision of their melodies, the streamlined sophistication of their arrangements, and the undercurrent of melancholy that motivates every note.”

Julie’s Place,” the first single off Rolling Blackouts Coastal Fever’s forthcoming EP for Sub Pop (due in 2017), levels up on everything that made Talk Tight such an immediate draw. It’s about being young and dumb but full of bravado. Sprinting guitars mimic singer Keaney’s pangs of heartache, his awkwardly sensual lyrics calling to mind the chaos and confusion of being around someone you can’t get off your mind.

LISTEN TO “JULIE’S PLACE”
https://www.youtube.com/watch?v=KHduHoIzfq4

Foxygen release new single, “Follow the Leader,” in time for your post-election blues or euphoria. New album due in January.

FOXYGEN ANNOUNCE NEW ALBUM, HANG,
OUT JANUARY 20TH VIA JAGJAGUWAR, NORTH AMERICAN TOUR,
AND LEAD SINGLE, “FOLLOW THE LEADER”

WATCH “FOLLOW THE LEADER” VIDEO –
https://www.youtube.com/watch?v=_-tZ1gbc2pQ

(above image by Cara Robbins)
Foxygen, the duo of Sam France and Jonathan Rado, announce their new album Hang, out January 20th on Jagjaguwar, its lead single, “Follow The Leader” and accompanying video, and a North American tour.

On their first proper studio record, the Los Angeles pair once again present their uncanny knack for pulling together myriad strands of influences to an elaborate, uncompromising vision. And this time, they’ve gone true big band! Every song on Hang features a 40-plus-piece symphony orchestra arranged and conducted by Trey Pollard with additional arranging from Matthew E. White. Additionally, Hang was recorded with the brother rhythm section duo of Brian and Michael D’Addario, also known as the Lemon Twigs, and features Steven Drozd of the Flaming Lips on select tracks. Written and produced entirely by Foxygen, Hang was recorded on 2” tape at Electro Vox Studios in Los Angeles.

Lead single, “Follow The Leader,” is one of the album’s most upbeat songs. As described by the band, “it was a blast to make! It’s a positive anthem, with some lyrical scenarios we don’t quite understand.” The song’s video was directed Cameron Dutra (who directed Foxygen’s “San Francisco” video).

Foxygen’s Hang is available for pre-order now. All digital pre-orders come with instant grat downloads of “America” and “Follow The Leader.” The Jagjaguwar album bundle will include Hang Demos flexi disc with “Follow The Leader (demo)” and “On Lankershim (demo)”. The first 50 preorders will also receive an autographed piece of sheet music from the Hang recording sessions.

Watch “Follow The Leader” Video –
https://www.youtube.com/watch?v=_-tZ1gbc2pQ

“Follow The Leader” Video Embed Code —
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Listen To Foxygen’s “America” –
https://youtu.be/8sUUGgWeeqE

Hang Tracklisting:
1. Follow The Leader
2. Avalon
3. Mrs. Adams
4. America
5. On Lankershim
6. Upon A Hill
7. Trauma
8. Rise Up

Foxygen Tour Dates:
Wed. Nov. 9 – London, UK @ Oslo – SOLD OUT
Thu. Dec. 1 – Brooklyn, NY @ Rough Trade – SOLD OUT
Tue. Mar. 21 – Richmond, VA @ The National
Wed. Mar. 22 – Washington, DC @ 9:30 Club
Fri. Mar. 24 – New York, NY @ Terminal 5
Sat. Mar. 25 – Boston, MA @ The Paradise
Sun. Mar. 26 – Philadelphia, PA @ Union Transfer
Tue. Mar. 28 – Toronto, ON @ Opera House
Thu. Mar. 30 – Columbus, OH @ Newport Music Hall
Fri. Mar. 31 – Chicago, IL @ Vic Theatre
Sat. Apr. 1 – Madison, WI @ Majestic Theatre
Sun. Apr. 2 – Minneapolis, MN @ First Ave
Tue. Apr. 4 – Denver, CO @ Gothic Theatre
Wed. Apr. 5 – Salt Lake City, UT @ The State Room
Fri. Apr. 7 – San Francisco, CA @ The Independent
Sat. Apr. 8 – Los Angeles, CA @ The Fonda
Sun. Apr. 9 – Santa Ana, CA @ The Observatory
Tue. Apr. 11 – Phoenix, AZ @ Crescent Ballroom
Thu. Apr. 13 – Dallas, TX @ Trees
Fri. Apr. 14 – Austin, TX @ The Mohawk
Sat. Apr. 15 – Houston, TX @ White Oak Music Hall
Mon. Apr. 17 – New Orleans, LA @ One Eyed Jacks
Tue. Apr. 18 – Atlanta, GA @ Terminal West
Wed. Apr. 19 – Asheville, NC @ Orange Peel
Thu. Apr. 20 – Carrboro, NC @ Cat’s Cradle

Pre-order Hang
https://foxygentheband.lnk.to/Hang

(Hang cover art)