Category: News

Protomartyr and Preoccupations to release split 7″ single covering each other’s tunes.

PROTOMARTYR AND PREOCCUPATIONS ANNOUNCE SPLIT 7″,
OUT 11/16 ON DOMINOLISTEN TO PROTOMARTYR COVER PREOCCUPATIONS’ SONG “FORBIDDEN”

CO-HEADLINING TOUR BEGINS NEXT MONTH

(photo by Daniel Topete)
Today, Protomartyr announce the upcoming release of a split 7″ with their friends and future tourmates Preoccupations. Conceptually similar to Protomartyr’s recent split 7″ with Spray Paint, the release features each band covering the other, with Protomartyr performing their rendition of Preoccupations’ “Forbidden,” while Preoccupations give Protomartyr’s “Pontiac ’87” a reworking. You can listen to Protomartyr’s cover of “Forbidden” now, with the 7″ being released by Domino on Nov. 16th. Protomartyr’s singer Joe Casey had this to say of the band’s cover: “There’s an old adage that goes something like, ‘if you’re going to cover a song by a beloved Canadian band, it’s best to pick the second shortest one.’ So, ‘Forbidden’ it is. We all really liked the outro part and had the brilliant idea to extend it. And that, my friends, is how you make musical history.”For those who find this sonic pairing palatable to the ear, the two bands will join up for a co-headlining tour in late November, almost exactly one month from now and shortly after the release of the 7”. Additionally, Protomartyr have just been announced as the “special guest” for the anticipated grand reopening of Detroit’s UFO Factory, a much beloved venue that was damaged by developers one year ago.

LISTEN TO “FORBIDDEN (PREOCCUPATIONS COVER)”
http://smarturl.it/ForbiddenYT

PRE-ORDER PROTOMARTYR/PREOCCUPATIONS SPLIT 7″
http://smarturl.it/Telemetry7inch

PROTOMARTYR TOUR DATES
Fri. Oct. 26 – Detroit, MI @ UFO Factory w/ Deadbeat Beat, Double Winter
Fri. Nov. 23 – Toronto, ON @ Lee’s Palace * ^
Sat. Nov. 24 – Ottawa, ON @ 27 Club * ^
Mon. Nov. 26 – Boston, MA @ Brighton Music Hall * ^
Wed. Nov. 28 – Brooklyn, NY @ Warsaw * ^
Thu. Nov. 29 – Washington, DC @ Union Stage * ^
Fri. Nov. 30 – Philadelphia, PA @ The Foundry * ^
Sat. Dec. 01 – Columbus, OH @ The Basement * ^
Mon. Dec. 03 – Buffalo, NY @ Mohawk Place * ^
Tue. Dec. 04 – Ann Arbor, MI @ Blind Pig * ^
Thu. Dec. 06 – Chicago, IL @ Thalia Hall * ^
Fri. Dec. 07 – Omaha, NE @ Waiting Room * ^
Sat. Dec. 08 – Kansas City, MO @ Record Bar * ^
Mon. Dec. 10 – Denver, CO @ Bluebird *
Wed. Dec. 12 – Salt Lake City, UT @ Metro Music Hall *&
Thu. Dec. 13 – Boise, ID @ Olympic *&
Fri. Dec. 14 – Portland, OR @ Mississippi Studios *&
Sat. Dec. 15 – Vancouver, BC @ Venue *&
Sun. Dec. 16 – Seattle, WA @ Crocodile *&
Tue. Dec. 18 – San Francisco, CA @ Independent *&
Wed. Dec. 19 – Los Angeles, CA @ Regent *&* = w/ Preoccupations
^ = w/ Rattle
& = w/ Hurry Up

Download album art & hi-res images of Protomartyr – http://pitchperfectpr.com/protomartyr/

Purchase “Consolation E.P.”:
Domino Mart – https://protomartyr.dominomart.com/
iTunes – http://smarturl.it/ConsolationEPDL

Purchase Relatives In Descent:
Domino Mart – https://protomartyr.dominomart.com/
iTunes – http://smarturl.it/RIDDownload

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SOM release shoegaze / metal track “Open Wounds” from their upcoming debut.

SOM share animated video for first song from forthcoming debut

 Ex-members of Constants, Junius, Caspian. Animated video by Josh Graham (Neurosis, Soundgarden, A Storm of Light)

Watch & share “Open Wounds” (YouTube) (Brooklyn Vegan)

 

“SOM craft songs of epic melancholy that stagger the ears as well as the heart.” — Onion AV Club
“Serenely slowdive into shoegaze.” — SPIN
“A big, atmospheric mix of shoegaze, post-rock, space rock, and sludge metal, all led by Will’s ethereal vocals.” — Brooklyn Vegan
Post-metal shoegaze trio SOM premiere the first track from their forthcoming debut album today via Brooklyn Vegan. The animated clip for “Open Wounds” is created by visual artist Josh Graham (Neurosis, Soundgarden) and available to watch and share HERE. (Direct YouTube.)
On their debut record, SOM “craft songs of epic melancholy that stagger the ears as well as the heart” (Onion AV Club) and “serenely slowdive into shoegaze” (SPIN). Drummer Duncan Rich and bassist Justin Forrest build thunderous rhythms that give drive and pulse to the fuzzed out wall-of-synth-and-guitar-noise. Dark and heavy throughout, their music is complemented by memorable hooks and melodies in singer/guitarist Will Benoit’s somber, lamenting vocals.
Featuring founding members of seminal Boston space rockers Constants — and former and touring members of Adai, Junius, Rosetta, and Caspian — SOM wrote and recorded their debut album at Benoit’s solar powered The Radar Studio, along with engineer Daryl Rabidoux (Doomsday Student, Drowningman).
The Fall will be available on CD, cassette and download on November 9th, 2018. Pre-orders are available via Bandcamp HERE.

Artist: SOM
Album: The Fall
Record Label: self-released 
Release Date: November 9th, 2018
01. Prayers
02. Chemical Joy
03. Open Wounds
04. Black Out The Sky
05. Ten Years
06. Starless Sky
07. Stranger
08. Reflection
09. Aerosols
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Caroline Rose releases “Jeannie Becomes a Mom” from her sharp album, “Loner”

CAROLINE ROSE PRESENTS “JEANNIE BECOMES A MOM” VIDEO

WATCH HERE

ON TOUR NOW IN SUPPORT OF LONER,
RELEASED THIS YEAR ON NEW WEST

“Caroline Rose took her songwriting to a new level of wit and heart with LONER . . . It’s full of deftly drawn characters, like the numbingly normal partygoers in ‘More of the Same’ or the comically exaggerated versions of Rose herself in ‘Money’ and ‘Soul No. 5.’ One of her best creations is the lost suburbanite in ‘Jeannie Becomes a Mom,’ drifting through the cul-de-sacs outside Topeka, Kansas in search of her dream life.” — Rolling Stone

“LONER finds [Caroline Rose] abandoning preconceived notions, resulting in a great deal of sonic expansion . . . By embracing her humorous nature and getting more aggressive and adventurous with her music, she was able to create something that felt more natural. While the album title suggests that Rose may feel like she’s on an island of sorts, she’s far from alone.”
— NPR Music’s Favorite Albums of 2018 (So Far)

Caroline Rose has spent a majority of the past year touring in support of LONER, released this past February via New West. Today via Rolling Stone, Rose premieres the “Jeannie Becomes A Mom” video which comically illustrates the daunting notion of being unable to outrun time. Directed by Amanda Speva and produced by Sarah Slevin, and shot outside of Chicago, Rose’s satirical and witty nature shines through with her creative direction, showcasing her ability to process serious subjects with dark humor.

“Jeannie was my first foray into making really fun, sort of weird pop music. I wrote the whole song, including the programmed drums, on a little digital synthesizer called the OP-1. It felt like a relief making something that still told a serious story but tasted like candy to my ears. It’s a direction I’m definitely going to keep exploring. The story, like life, is meant to be a kind of grotesque, whimsical tragi-comedy. This was especially fun for me because I get to play more of a voyeuristic role, which is how I feel in the narrative of the song itself.”

Rose continues on her headlining tour in support of LONER and as support for Rainbow Kitten Surprise with several dates sold out. All dates are listed below.

Watch Caroline Rose’s “Jeannie Becomes A Mom” Video –
Stream Caroline Rose’s LONER –
http://geni.us/crloner?track=pr

Watch/Listen/Share:
“Bikini” video – https://youtu.be/MZYtOBkICDg
“Soul No. 5” video – https://youtu.be/zzIfmtKSLTE
“Money” video – https://youtu.be/NcOPz7Kby1A
“Getting To Me” – https://youtu.be/9JV4wU9Axsk

Caroline Rose Tour Dates:

Thu. Nov. 1 – Cambridge, MA @ The Sinclair
Fri. Nov. 2 – Hamden, CT @ Space Ballroom
Sat. Nov. 3 – New York, NY @ Bowery Ballroom
Tue. Nov. 6 – Toronto, ON @ Velvet Underground
Wed. Nov. 7 – Ferndale, MI @ The Loving Touch
Thu. Nov. 8 – Chicago, IL @ Lincoln Hall
Fri. Nov. 9 – Iowa City, IA @ The Mill
Sat. Nov. 10 – St. Paul, MN @ Turf Club
Tue. Nov. 13 – Louisville, KY @ Zanzabar
Wed. Nov. 14 – Columbus, OH @ Rumba Cafe
Thu. Nov. 16 – Philadelphia, PA @ Underground Arts
Fri. Nov. 17 – Washington, DC @ Rock & Roll Hotel

Smalltown Supersound to release massive mix of their catalogue to celebrate their 25th anniversary.

Smalltown Supersound Celebrates 25 Years With 
The Movement Of The Free Spirit Mix by Prins Thomas, Out November 30th

3 Hours & 40 Minute Mix of 80 Tracks Exclusively from the
Smalltown Supersound Catalogue
Smalltown Supersound, the Norwegian label run by Oslo-based Joakim Haugland, celebrates its 25th anniversary this year. To mark the occasion, the label is releasing The Movement Of The Free Spirit, an epic new mix album of the Smalltown Supersound catalogue by Prins Thomas, out November 30th. As Thomas’s follow up to Paradise Goulash, The Movement Of The Free Spirit is a 3-disc mix comprised of 80 tracks and 3 hours and 40 minutes of music featuring artists including Sonic Youth, DJ Harvey, Studio, Yoshimi (Boredoms), Kim Gordon, Oneohtrix Point Never, Todd Rundgren, Stereolab, High Llamas, Neneh Cherry, Ricardo Villalobos, Four Tet, Bjørn Torske, Dungen, The Orb, Kelly Lee Owens, Lindstrøm, Unknown Mortal Orchestra, Biosphere, Peter Brötzmann, and many more (full track list is below). The mix will be released as a CD box set, digitally (mixed and unmixed) and disc 1 will be available as a double LP.

The title, The Movement Of The Free Spirit, was borrowed from a Bruce Russell (of The Dead C) 10” Smalltown Supersound released in 2000. Russell had borrowed it from the book by legendary Situationist activist and author Raoul Vaneigem.
Pre-order The Movement Of The Free Spirit – http://smarturl.it/sts300-preorder
 Download artwork and press images – http://pitchperfectpr.com/prins-thomas/

The Movement Of The Free Spirit liner notes

Trying To Be Like SST. Since 1993.

 

I started Smalltown Supersound in 1993 while in high school in Flekkefjord, a small town of 4,000 inhabitants in the south of Norway. There was obviously no supersound in our small town. It was just an ironic name I came up with to release some tapes with lo-fi/noise/bedroom recordings by my brother and his friends. The name was inspired by my hometown and the catalogue number STS was a homage to SST, a label I deeply admired at the time (and still do). Little did I know that I would have to live with that name for the rest of my life.

 

I started the label before I knew what a record label was. So I gradually learned it by doing. And it was part of me growing up. It might sound like a cliché, but in many ways the label is the soundtrack of my life. Thomas has now made it into a mixtape.

 

We all hate to see photos of ourselves when we were younger, the bad haircuts and the strange clothes. It is the same thing when you run a label. You constantly look back on things you regret. This mix makes me see the label from the outside in a way I don’t think I have before. And to my surprise the haircuts and the clothes weren’t as bad and strange as I remembered.

I have to admit that I when I listened to it the first time, I was moved. First of all, because of the deep and true love Thomas has put into this mix. Second, because some of these tracks I haven’t heard in 20-25 years. It really felt like revisiting the past. And in a very good way.

 

Thomas has followed the label since the early beginnings. Back in the days I was always thinking: “He’s a house/disco DJ – why does he want my noise records?”. I realize now I wasn’t smart enough to understand his scope. I didn’t understand it until his mix album Cosmic Galactic Prism, which is one of my favorite mix albums of all time. So for me it was very obvious that Thomas should make the Smalltown Supersound mix. I just couldn’t imagine that he would go this beautifully far with it.

 

Since day one I have tried to have a red thread run through the releases and the label’s DNA. Most of the time I am probably the only one who sees it. And many times I don’t even see it myself. Now Thomas has found the spiritual unity.

While I have always struggled to describe what the label is, only now – with this mix – I can finally say: this is what it is.

Joakim Haugland Oslo, August 2018

The Movement Of The Free Spirit Tracklist:

Part 1
1. Echo Troopers – Fred Astaire Session (intro)
Deathprod – Orgone Donor
Yoshimi & Mats Gustafsson – Soundless Cries With Their Arms in the Air Yuichiro Fujimoto – Little Sun
2. Bendik Giske – Hole
Supersilent – 13.1
Biosphere – Aura in the Kitchen
Supersilent – 13.1
Elektro Nova/Electro Nova – T03
Bruce Russell – The Movement of the Free Spirit (The 1st Movement)
3. Carmen Villain – Safe
Alexander Rishaug – Time and Place
4. Monopot – Scena Napoletana
5. Continental Fruit – Dear Heart
6. Biosphere – Wyll and Purpose
Lindstrøm – Call Me Anytime (Oneohtrix Point Never Remix)
Deathprod – Orgone Donor
Arp – V2 Slight Return
Monopot – Dronningen
7. Monopot – Dronningen
Jaga Jazzist – Plym
Todd Rundgren – Anything (vocal outtake)
8. Todd Rundgren – Anything (vocal outtake)
9. Todd Rundgren, Emil Nikolaisen & Hans-Peter Lindstrøm – Wrap Your Arms Around Me (Stereolab vs High Llamas Remix)
10. 120 Days – Sleepless Nights
11. Carmen Villain – The Moon Will Always Be There
Continental Fruit – The Moon Was My Only Witness
Mats Gustafsson & Sonic Youth – Part 3 (Contrabass Sax)
12. Erik Wøllo – Ody At Sea
Alexander Rishaug – Satellites
Prins Thomas – B (Sun Araw Saddle Soap Remix)
13. Prins Thomas – B (Sun Araw Saddle Soap Remix)
Bjørn Torske & Prins Thomas – Arthur’s Return (long unreleased)
Serena Maneesh – Introspection
Serena Maneesh – Leipziger Love Life (ancient mix)
Mats Gustafsson & Sonic Youth – Part 4 (Voice)
14. Wildest Dreams – Off The Lip

Part 2
1. Lindstrøm & Christabelle – Lovesick (Four Tet Remix) 2. Dungen – Franks Kaktus
3. Idjut Boys – One for Kenny (Bjørn Torske remix)
Idjut Boys – One for Kenny (Idjut Version)
4. Dungen – Alberto Balsam
5. Prins Thomas – H (The Orb Remix)
Bjørn Torske & Prins Thomas – Arthur
Kjetil D. Brandsdal – Komboloi
Lindstrøm – No Release (Owen Pallett Remix)
6. Lindstrøm – No release (Owen Pallett Remix) Diskjokke – Cold Out
Yoshinori Hayashi – Bit of Garden
7. Yoshinori Hayashi – Bit of Garden
Diskjokke – Cold Out
Meanderthals – Andromeda (Basic Idjut Version)
Arp – The Past (Version by Studio)
Meanderthals – Andromeda
8. Prins Thomas – C (I:Cube Remix)
9. Lindstrøm – Another Station
10. Bjørn Torske – Se Torsken (Mungolian Jetset Remix) Dan Lissvik – Airwalk
Dan Lissvik – G
11. Neneh Cherry – Slow Release
Bjørn Torske & Prins Thomas – K16
12. Bjørn Torske – Totem Expose
13. Kim Hiorthøy – Door Opens Both Ways
14. Toy – Don’t Be
15. Lindstrøm – Raakost (Unknown Mortal Orchestra Version)

Part 3
1. Lindstrøm – The Contemporary Fix (Bjørn Torske Remix)
2. Matt Karmil – Morals
Biosphere – With Their Paddles in a Puddle
Andre Bratten – Minor Misconception
Carmen Villain – Planetarium (Gigi Masin Remix)
3. Andre Bratten – Minor Misconception
Carmen Villain – Planetarium (Gigi Masin Remix) Brian Reitzell – Ozu Choral
4. Carmen Villain – Planetarium (Gigi Masin Remix) Mungolian Jetset – Mush in the Bush
Bjørn Torske – Langt fra Afrika
5. Kelly Lee Owens – CBM
Carmen Villain – Obedience (Bjørn Torske Remix) Elektro Nova/Electro Nova – Phase One
Elektro Nova/Electro Nova – Phase Two Part 3 Brian Reitzell – Honeycomb
6. Prins Thomas – C (Ricardo Villalobos King Crab Remix) Bendik Giske – Adjust
Elektro Nova/Electro Nova – T03
Prins Thomas – C (Ricardo Villalobos Knödel Prince Dub) Mungolian Jetset – Shelton’s on a Bender
7. Neneh Cherry – Everything Is Everything (Villalobos & Loderbauer: Vilod High Blood Pressure Mix)
8. Bjørn Torske – Furu
9. Andre Bratten – Pax Americana
10. Lars Horntveth – Kaleidoscopic
11. Peter Brötzmann Chicago Tentet – II (Performed by Joe McPhee & Ken Vandermark)

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Sharon Van Etten announces tour dates for 2019.

Sharon Van Etten Announces 2019 Remind Me Tomorrow World Tour

New Album, Remind Me Tomorrow, Out January 18 On Jagjaguwar

(photo credit – Ryan Pfluger)
“A blustery, marchlike (but shifty) beat and pealing organ chords orchestrate an encounter between a ‘runaway’ and a ‘comeback kid’ — or maybe it’s an internal debate
for someone re-entering the pop fray.“
— New York Times

“[Sharon Van Etten’s] voice sounds almost like Siouxsie Sioux here—deep, bellowing, and fuzzed out at the edge of the distorted signal—and her tone is muscular and triumphant, with a controlled vibrato that suggests someone shouldering into a brisk wind.” — Pitchfork

“‘Comeback Kid,’ an energetic, scrappy-kid rock song, is a horns-blaring entrance.” — FADER

“[Sharon Van Etten’s] stunning show anticipated a welcome return to music with next year’s Remind Me Tomorrow.” — Austin Chronicle

“Based on her set alone, Remind Me Tomorrow is now easily one of the most anticipated records of 2019.”
— Consequence of Sound (ACL recap)

Sharon Van Etten returned earlier this month with the announcement of her fifth full-length album and first in over 4 years, Remind Me Tomorrow, out January 18th on Jagjaguwar, and new single, “Comeback Kid.” Following the album announcement, Van Etten also made her return to the stage, giving “one of the weekend’s most stunning sets . . . a first live taste of her expansive new sound on Remind Me Tomorrow” (Rolling Stone) at the Austin City Limits Music Festival, followed by Red Rocks, and Treasure Island Music Festival.  Today, she announces her 2019 world tour featuring performances at the Beacon Theater in New York, Theatre at the Ace Hotel in Los Angeles, The Fillmore in San Francisco, Thalia Hall in Chicago, 9:30 Club in Washington, D.C., London Roundhouse and beyond. Nilüfer Yanya will support on all North American dates and Fred Armisen will be a special guest for the New York show. All dates are below and tickets are on sale this Friday at sharonvanetten.com.

In addition to garnering a great deal of media and fan attention from around the world for “Comeback Kid,” the “rousing, serrated anthem” (NPR Music) was the #1 most added at AAA radio in its first week, the lead in the New York Times’ “Playlist” and a top 10 New Music Friday pick (it was featured in 23 New Music Fridays, globally).

Written while pregnant, going to school for psychology, and after taking The OA audition, Remind Me Tomorrow was written in stolen time: in scraps of hours wedged between myriad endeavors — Van Etten guest-starred in The OA, and brought her music onstage in David Lynch’s revival of Twin Peaks. Off-screen, she wrote her first score for Katherine Dieckmann’s movie Strange Weather and the closing title song for Tig Notaro’s show, Tig. The breadth of her passions (musical, emotional, otherwise), of new careers and projects and lifelong roles, have inflected this album with a wise sense of a warped-time perspective. It reckons with the life that gets lived when you put off the small and inevitable maintenance in favor of something more present.

Remind Me Tomorrow follows Are We There, a top 10 critically praised album of 2014. Working alongside producer John Congleton, the resulting songs are as resonating as ever, the themes are still an honest and subtle approach to love and longing, but Congleton has plucked out new idiosyncrasies from Van Etten’s sound. He helped flip the signature Van Etten ratio, making the album more energetic-upbeat than minimal-meditative.

Listen To Sharon Van Etten’s “Comeback Kid” –
https://youtu.be/US4xCFUuHuQ

Pre-order Remind Me Tomorrow –
https://sharonvanetten.ffm.to/remindmetomorrow

Sharon Van Etten Tour Dates:
Wed. Feb. 6 – Washington, DC @ 9:30 Club #
Thu. Feb. 7 – Philadelphia, PA @ Union Transfer #
Fri. Feb. 8 – Boston, MA @ Royale #
Sat. Feb. 9 – New York, NY @ Beacon Theatre $ #
Mon. Feb. 11 – Toronto, ON @ Danforth Music Hall #
Wed. Feb. 13 – Detroit, MI @ Majestic Theatre #
Thu. Feb. 14 – Chicago, IL @ Thalia Hall #
Sat. Feb. 16 – Minneapolis, MN @ First Avenue #
Mon. Feb. 18 – Englewood, CO @ Gothic Theatre #
Tue. Feb 19 – Salt Lake City, UT – Metro Music Hall #
Thu. Feb 21 – Portland, OR – Crystal Ballroom #
Fri. Feb 22 – Vancouver, BC – Imperial #
Sat. Feb 23 – Seattle, WA – Neptune Theatre #
Tue. Feb. 26 – San Francisco, CA @ The Fillmore #
Thu. Feb 28 – San Diego, CA – The Observatory North Park #
Fri. March 1 – Los Angeles, CA – The Theatre at Ace Hotel #
Thu. March 21 – Birmingham, UK @ The Mill
Fri. March 22 – Manchester, UK @ Albert Hall
Sat. March 23 – Dublin, IE @ Vicar Street
Sun. March 24 – Glasgow, UK @ St. Luke’s
Tue. March 26 – London, UK @ Roundhouse
Wed. March 27 – Bristol, UK @ SWX
Fri. March 29 – Amsterdam, NL @ Paradiso Noord
Sat. March 30 – Brussels, BE @ Orangerie (at Botanique)
Mon. April 1 – Paris, FR @ La Maroquinerie
Tue. April 2 – Koln, DE @ Luxor
Wed. April 3 – Munich, DE @ Strom
Fri. April 5 – Berlin, DE @ Lido
Sat. April 6 – Hamburg, DE @ Grünspan
Sun. April 7 – Copenhagen, DK @ Studio 2 (DR Concert House)
Tue. April 9 – Gothenburg, SE @ Pustervik
Wed. April 10 – Oslo, NO @ Parkteatret
Thu. April 11 – Stockholm, SE @ Kagelbanen

# = with Nilüfer Yanya
$ = with Fred Armisen

Download hi-res jpegs of Sharon Van Etten and cover art –
http://pitchperfectpr.com/sharonvanetten/

(Remind Me Tomorrow cover art, photo by Katherine Dieckmann)

Official Website | Instagram | Twitter | Facebook

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Enjoy Mk.gee’s quirky new single, “Come On (You Know that I’m a Fool).”

Mk.gee Shares New Single “Come On (You Know That I’m A Fool)”
Watch The Video Here

Announces Fool EP Out November 16th

Catch SF & LA Shows Next Month

[Photo by Erica Hernandez]
Originally from New Jersey, Michael Gordon, who creates under the name Mk.gee, has spent the last few years living in Los Angeles. The multi-instrumentalist took some time this summer between tours with Omar Apollo and select dates with Dr. Dog, to complete his new Fool EP. In line with his debut release from May, Pronounced McGee, the project sees Gordon handling all of the writing, recording and mixing duties himself.

Today, Mk.gee shares his new single, “Come On (You Know That I’m A Fool),” taken from his new Fool EP to be self-released on November 16th. The track is accompanied by a video premiering via Paste. Mk.gee says, “I wanted the video to be a bit of an ironic juxtaposition to the song. The music is pretty somber and deals with change and loneliness, but ironically the video is pretty light hearted and it’s just me and my friends doing dumb shit.” Furthermore, director Erica Hernandez comments, “The song itself is very introspective so when Mike and I talked about the visual approach, we decided it would be interesting to try something more counter-intuitive and make the visuals fun and ironic. Also, Mike has the coolest friends of all time so it was a win-win situation for all of us.”

Mk.gee will play shows in San Francisco and Los Angeles next month in support of his new Fool EP.

Watch “Come On (You Know That I’m A Fool)” Video – https://youtu.be/awFrlrfWZYw

Fool EP Tracklist:
1. Brick

2. Suburban Luv
3. Come On (You Know That I’m A Fool)
4. New Years
5. Num
6. Drown
7. Wheel

Mk.gee Live:
Fri. Nov. 9 – San Francisco, CA @ Rickshaw Stop
Sat. Nov. 24 – Los Angeles, CA @ The Moroccan Lounge

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Stream “Out of This World” from Preacherman’s upcoming reissue of his classic, hard-to-find material.

Listen To Preacherman’s “Out Of This World”

Luaka Bop’s Forthcoming Reissue, Universal Philosophy: Preacherman Plays T.J. Hustler’s Greatest Hits, Out This Friday
(photo credit: Eric Welles-Nystrom)

This Friday sees the release of Luaka Bop’s forthcoming reissue of Preacherman’s (aka Tim Jones) music, Universal Philosophy: Preacherman plays T.J. Hustler’s Greatest Hits. After sharing “Feel It,” Luaka Bop is pleased to share another cut from the release, titled “Out Of This World.”
Stream Preacherman’s “Out Of This World” — 
https://soundcloud.com/luakabop/preacherman-out-of-this-world/

In 1979, under the name T.J. Hustler, Jones self-released one extremely rare LP, Age Of Individualism. In the years since, he’s released two even rarer CD’s as Preacherman, of which the tracks on this forthcoming reissue are taken.

Throughout the 1980’s, Jones was a technician for IBM in both Las Vegas and San Jose. At night he world perform in the Las Vegas lounges. Thoroughly fascinated by technology and also an engineer in his own right, Jones adapted a Hammond B3 organ to play a Moog synth with some of the organ’s keys (some still played the organ) and also adapted the organ’s foot controlled bass levers to play two Moog synth bass pedals (a failed item Moog made for a few years). Thinking he wasn’t much of a live performer, he had a custom wooden puppet made named T.J. Hustler. Together, Tim Jones/Preacherman and T.J. Hustler would perform long philosophical soliloquies.

These days, Jones is CEO and founder of Up Productions and lives with his 103 year-old mother in Oakland, CA. With his Casio CTK-7200 keyboard, equipped with five wireless mics, a P.A., Jones performs karaoke, easily matching whatever song request you might have.

Perhaps even more so than his first album, Universal Philosophy grants listeners access, virtually for the very first time, to Jones’ outlook, his purpose, and the way he lives and experiences life on this planet. The music presented here is otherworldly, homespun, folk art funk; concise and stream-of-consciousness simultaneously.
Watch/Listen/Share:
“Feel It” stream – https://youtu.be/35waZLUTbU0
Universal Philosophy Teaser Video – https://youtu.be/S4xHRkwlWUY

Pre-order Universal Philosophy: Preacherman Plays T.J. Hustler’s Greatest Hits — 
https://luakabop.lnk.to/Preacherman

Download album art & hi-res images of Preacherman — 
http://pitchperfectpr.com/preacherman/

(Universal Philosophy: Preacherman Plays T.J. Hustler’s Greatest Hits album art by Kevin Harris)
Luaka Bop online:
luakabop.com
instagram.com/luakabop
facebook.com/luakabop1989
soundcloud.com/luakabop
youtube.com/luakabop
twitter.com/LuakaBop

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Satan’s Satyrs release title track from upcoming album, “The Lucky Ones,” ahead of tour with Windhand.

Satan’s Satyrs premiere title track from forthcoming album, tour w/ Windhand starts Monday
 Produced by Windhand guitarist on RidingEasy / Bad Omen Records
Hear & share “The Lucky Ones” (YouTube) (CvltNation)

 

“Channels high-speed, denim and leather ’70s rock but gives it a slightly modern touch. You could imagine hearing it on the Dazed and Confused soundtrack just as easily as you could imagine hearing it on the radio next to Queens of the Stone Age.” — Brooklyn Vegan
 
“Rooted in a glammy early Seventies rock sound, ‘She Beast’ is the sort of head-nodding cut that you’d expect to hear blaring out of a muscle car, with a beautiful feathered-hair couple taking the front seats.” — Revolver
Richmond, VA quartet Satan’s Satyrs premiere the title track from their forthcoming album The Lucky Ones today via CvltNation. Hear and share “The Lucky Ones” HERE. (Direct YouTube.)
 
Satan’s Satyrs hit the road in support of the album with doom faves Windhand in October. See all dates below.
Revolver Magazine recently shared album track “She Beast” HERE. Brooklyn Vegan previously launched album opener “Thrill of the City” HERE.
 
Upon recovering from being steamrolled over by the onslaught of Satan’s Satyrs‘ new album The Lucky Ones, you’ll likely wonder just what exactly it was that hit you. A punky, sleaze rock groove (perhaps even a whiff of 70s glam) meets NWOBHM melodic fury, Blue Cheer mass and volume, and Ozzy‘s dramatic charisma condensed into a sound all its own, perhaps. At its core is an unstoppable, unpretentious exorcism of rock’n’roll exuberance.
“It doesn’t sound like anything else happening right now,” says bassist/vocalist Clayton Burgess, who has spent the last few years splitting his time in British doom heroes Electric Wizard. “The band has its own unique idiosyncratic sound.”
A significant difference on this album is the addition of second guitarist Nate Towle, which expands the band’s steamrolling capacity tenfold. Burgess, Towle, guitarist Jarrett Nettnin and drummer Stephen Fairfield convened at the Richmond, VA studio of Windhand guitarist Garrett Morris, working in fits and starts over several months, first quickly capturing the raw energy of a band firing on all cylinders, then fine tuning the sounds and experimenting to get everything as massive as you hear it now. Likewise, Burgess’ lyrics show new levels of achievement.
“I pushed myself to get more of my own life in the songs, but open enough that anyone can interpret them in their own way,” he says. “I just wanted to capture weirdness. It reflects my unusual tastes, but also takes a personal perspective.”
The twin guitar assault begins from the very first beat of The Lucky Ones and never relents until the last second of the 9-track, 35-minute album. Opener “Thrill of the City” wastes no time launching into soaring harmonized riffs and swaggering rhythms setting the scene for a debauched good time. The title track, perhaps the most personal song on the album, is also the most unabashedly melodic. “Too Early To Fold” captures the frustrations and challenges of life as a touring musician, expressed through a belligerent 2-guitar attack and pounding snare on all 4 downbeats driving it all home. “Trampled By Angels” pits a swinging T Rex vibe against dizzy, noisy guitars and lyrics about a pioneer of fetish photography using his medium to express forbidden desires to the world. Likewise, The Lucky Ones itself is a vibrant, brash and loud expression of defiance against convention that refuses to be ignored.
The Lucky Ones will be available on LP, CD and download on October 19th, 2018 on Bad Omen Records, manufactured and distributed in North America by RidingEasy Records. Pre-orders are available HERE.
SATAN’S SATYRS LIVE:
10/08: Atlanta, GA – The Earl #
10/09: New Orleans, LA – Gasa Gasa #
10/10: Houston TX – White Oak Music Hall #
10/11: Dallas, TX – Club Dada #
10/12: Austin, TX – Barracuda #
10/14: Albuquerque, NM – Sister #
10/15: Phoenix, AZ – Valley Bar #
10/16: Los Angeles, CA – El Rey Theatre #
10/17: Oakland, CA – Starline Social Club #
10/19: Portland, OR – Aladdin Theatre #
10/20: Vancouver, BC – Venue #
10/21: Seattle, WA – Neumos #
10/23: Denver, CO – Larimer Lounge #
10/24: Kansas City, MO – The Riot Room #
11/01: Philadelphia, PA – Underground Arts #
11/02: Brooklyn, NY – Elsewhere #
11/03: Boston, MA – Brighton Music Hall #
11/04: Montreal, QC – Le Belmont #
11/05: Toronto, ON – The Legendary Horseshoe Tavern #
11/07: Chicago, IL – Subterranean #
11/08: Minneapolis, MN – Fine Line Music Cafe #
11/09: Milwaukee, WI – Cactus Club #
11/10: Indianapolis, IN – The Hi-Fi #
11/11: Nashville, TN – The Basement East #
11/12: Louisville, KY – Zanzabar #
11/13: Columbus, OH – Ace of Cups #
# w/ Windhand

Artist: Satan’s Satyrs
Album: The Lucky Ones
Label: RidingEasy Records/Bad Omen Records
Release Date: October 19th, 2018
01. Thrill of the City
02. The Lucky Ones
03. She Beast
04. Take It and Run
05. You and Your Boots
06. Too Early to Fold
07. Pulp Star
08. Trampled By Angels
09. Permanent Darkness
On the Web:

ridingeasyrecs.com/product/satans-satyrs-the-lucky-ones/

Keep your mind open.
[I’ll feel lucky if you subscribe.]

Unknown Mortal Orchestra surprises everyone with an instrumental album – “IC-01 Hanoi” – out later this month.

UNKNOWN MORTAL ORCHESTRA
ANNOUNCES SURPRISE INSTRUMENTAL ALBUM

IC-01 HANOI, OUT 10/26 ON JAGJAGUWAR; LISTEN TO “HANOI 6”

While recording Unknown Mortal Orchestra’s latest release, Sex & Food, Ruban Nielson, his longtime collaborator Jacob Portrait and his brother Kody Nielson, found themselves in the Vietnamese city of Hanoi at Phu Sa Studios.  During the recording process for Sex & Food the band recorded live sessions with local musician Minh Nguyen on Sáo Trúc, Đàn Môi, and Vietnamese Percussion and Nielson’s father, Chris, on Flugelhorn, Saxophone and keyboards.  These sessions became IC-01 Hanoi: a sonic distillation of the band’s influences in Jazz, Krautrock, and the avant-garde.  At its core Hanoi is a record of exploration, finding its closest antecedent in Miles Davis’ experimental On The Corner – itself a record full of nods toward avant-garde composers and jazz outsiders alike.  Hanoi finds Ruban amplifying and stretching out on lead guitar, with a blown-out and wandering fuzz tone that slinks throughout the sessions.  The rest of the group match Ruban’s melodic diversions with aplomb, mining their talents and finding as easy a role in the fusion of funk as they do in the more ambient and abstract tangents on Hanoi. IC-01 Hanoi will see release on October 26th via Jagjaguwar.

LISTEN TO “HANOI 6”
https://youtu.be/JDsmgYRh6nA

PRE-ORDER IC-01 HANOI
https://umo.ffm.to/ic-01hanoi

IC-01 HANOI TRACKLISTING
1. Hanoi 1
2. Hanoi 2
3. Hanoi 3
4. Hanoi 4
5. Hanoi 5
6. Hanoi 6
7. Hanoi 7

UNKNOWN MORTAL ORCHESTRA TOUR DATES
September 25 – Kuala Lumpur, MY @ The Bee
September 26 – Jakarta, ID @ Empirica
October 4 – Guadalajara, Mexico @ C3 Stage
October 6 – Lomas Atlas, Mexico @ Festival Hipnosis @ Deportivo Lomas Atlas
October 26 – Madrid, ES @ Sala Mon
October 27 – Bilbao, ES @ BIME Live
October 29 – Porto, PT @ Hard Club
October 30 – Lisbon, PT @ Aula Magna
November 1 – Clermont-Ferrand, FR @ La Cooperative de Mai
November 2 – Antwerp, BE @ Filter Festival
November 3 – Paris, FR @ Pitchfork Music Festival Paris
November 4 – Frankfurt, DE @ Zoom Frankfurt
November 6 – Copenhagen, DK @ Vega
November 7 – Stockholm, SE @ Kagelbanan
November 8 – Oslo, NO @ Parkteatret – SOLD OUT
November 9 – Bergen, NO @ Landmark – SOLD OUT
November 11 – Groningen, NL @ Oosterpoort
November 13 – Vienna, AT @ Flex
November 14 – Zurich, CH @ Rote Fabrik
November 15 – Vevey, CH @ Rocking Chair
November 16 – Amsterdam, NL @ Melkweg
November 17 – Leipzig, DE @ Trascentury Update No. 3 Festival
November 19 – Birmingham, UK @ O2 Institute
November 21 – London, UK @ Royal Albert Hall
November 22 – Brighton, UK @ Concorde 2 – SOLD OUT
November 23 – Sheffield, UK @ The Leadmill
November 25 – Dublin, Ireland @ The Academy
November 26 – Glasgow, UK @ SWG3
January 12 – Christchurch, NZ @ Hagley Park
January 14 – Queenstown, NZ @ John Davies Oval
January 19 – Auckland, NZ @ Western Springs – SOLD OUT

Listen to Sex & Food – https://unknownmortalorchestra.lnk.to/sexandfood
Watch “Hunnybee” – https://www.youtube.com/watch?v=IJrKlSkxRHA
Watch “Not In Love We’re Just High” – https://youtu.be/uY82vChor2A
Watch “Everyone Acts Crazy Nowadays” – https://youtu.be/ad2Iy0DMCWU
Watch “American Guilt” – https://www.youtube.com/watch?v=4-JlcmCxIXU
Download hi-res images here: http://pitchperfectpr.com/unknown-mortal-orchestra/
UMO Online:
https://twitter.com/umo
http://unknownmortalorchestra.com/
http://instagram.com/unknownmortalorchestra
http://www.jagjaguwar.com/artist.php?name=umo
https://www.facebook.com/unknownmortalorchestra

Keep your mind open.

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Public Practice releases “Foundation” from upcoming EP.

Public Practice Shares New Single “Foundation”
Listen Here

Distance Is A Mirror, Debut EP Out October 26th Via Wharf Cat Records

[“Foundation” artwork]

Last month, Public Practice announced their debut EP, Distance Is A Mirror, to be released October 26th via Wharf Cat Records and shared lead single “Fate/Glory.” Today, they’re back with another new single, “Foundation.” The song deep fries Beach Boys guitars in ice-cold-but-somehow-funky Scritti Politti grooves. Add a dead pan David Byrney vocal, and Public Practice remind us again how integral it is to use honesty and self-reflection to bring some of life’s double standards to light.

The four members of Public Practice—singer Sam York, guitarist Vince McClelland, synth/bassist and vocalist Drew Citron, and drummer/programmer and producer Scott Rosenthal—are no strangers to songwriting. A Brooklyn DIY super group of sorts, Public Practice combines members of freshly-dead punk project WALL and local pop band Beverly. Public Practice backs their ambitious songwriting with serious chops, their live shows already pulling them into the sharp foreground of a scene growing all too warm and fuzzy.

Distance is a Mirror is a confident, juried testimony of love steeped in dark optimism. By the end of the short and bittersweet 4-song EP, Public Practice anchors themselves as a new band with wisdom like their influences, bringing songs distinctly fresh as they are familiar. Public Practice will privately change your mind about where guitar music is going.

Stream “Foundation” – https://bit.ly/2N46WIZ

Stream “Fate/Glory” – https://bit.ly/2Iix5mp

Public Practice Live:
Fri. Oct. 5 – Brooklyn, NY @ Music Hall of Williamsburg (w/ Shame, BODEGA)
Fri. Oct. 26 – Brooklyn, NY @ Alphaville (Record Release Party)
Fri. Nov. 30 – Washington, DC @ Black Cat (w/ Flasher, Gong Gong Gong)
Mon. Dec. 3 – Cleveland, OH @ Beachland Tavern (w/ Flasher, Gong Gong Gong)
Tue. Dec. 4 – Chicago, IL @ Hideout (w/ Flasher, Gong Gong Gong)
Wed. Dec. 5 – Columbus, OH @ Ace of Cups (w/ Flasher, Gong Gong Gong)
Thu. Dec. 6 – Paterson, NJ @ A Red Wheelbarrow (w/ Flasher, Gong Gong Gong)

[Distance Is A Mirror artwork]
Keep your mind open.
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