Howard release new single, “Your Honor,” from album due September 14th.

Howard Announce New Album, Together Alone, Out September 14th on Fashion People; Watch Video For First Single, “Your Honor”
https://youtu.be/JXRHCs5ZZms

(photo credit: Sonya Kitchell)

“The video’s kitschy collage-style animation, as well as the zany, exaggerated expressions of the band’s characters, elevate the classic outsider-falls-for-girl narrative into something refreshing and whimsical.” — NPR Music on “Your Honor” video

“…a stellar introduction…” — Stereogum on Religion

“Slow building electronics swirl forward, urging you to get wrapped up in the call to prayer that is Feibusch’s vocals.” — Consequence of Sound on Religion
Howard, the Brooklyn-based outfit composed of Howard Feibusch (guitar, vocals), Alex Chakour (guitar, synth, backup vocals), Myles Heffernan (bass), and Chris Holdridge (drums), are thrilled to announce their new album, Together Alone, out September 14th on Fashion People.

The video for the album’s first single, “Your Honor,” was directed by Joey Abisso and premiered on NPR Music earlier this morning. He says, “We wanted to strike a unique balance between elegant, zany, and playful, which led to the ‘Life Magazine,’ Monty Python, construction paper visual combo of the final video. The weird little story came about pretty organically alongside the visual style…it was a lot of fun directing everyone to make silly facial expressions at various angles and dropping the results onto their animated bodies.” Watch the video below.

Watch Howard’s “Your Honor” video — 
https://youtu.be/JXRHCs5ZZms
Together Alone follows Howard’s debut album, 2015’s Religion, and it’s companion EP, Please Recycle. It’s the first album from 30-year-old multifaceted bandleader Howard Feibusch’s project to be recorded with the full band that so capably toured behind Religion; it’s also an aching, restless, and altogether lovely document of the paradoxical sensation in which we feel more isolated than ever in the face of increasing togetherness and connectivity—a modern sentiment wrapped in music that’s timeless in its timbre.

Together Alone finds Howard venturing further out of their comfort zone and using their full-band capabilities to their greatest advantage—a full-bodied warmth, aided by horn contributions from the famed Daptone musical family. No sonic stone is left unturned here, from the gently rollicking and subtly psychedelic “Mothers Wedding” (shared last fall) to the brittle, dusty desert rock of “Oh Dear Brother.” You can hear a variety of influences here, from the winsome sounds of Athens’ Elephant 6 collective to Amnesiac-era Radiohead and the distant lullabies of the Everly Brothers—but they all coalesce to form a sound that is truly its own. It’s untethered from the present and applicable to the plight of humanity at large—but it represents Feibusch and his band finding themselves, too, necessary hope for anyone who’s ever dreamed of turning the thoughts in their heads into something tangible and real.

Listen/Share:
“Mother’s Wedding” stream (first single from Together Alone) — https://spoti.fi/2xJ1Wab
“Ooh Baby Baby” stream (Smokey Robinson cover) — https://spoti.fi/2sFVyuK
“Tracks of My Tears” stream (Smokey Robinson cover) — https://spoti.fi/2Jku2dv
Stream Religion (2015) — https://spoti.fi/2xHCulr
Stream Please Recycle EP (2016) — https://spoti.fi/2HkDHyG



Pre-order Together Alone https://listentohoward.bandcamp.com/

Download hi-res images & album art — http://pitchperfectpr.com/howard/

(Together Alone Cover Art)

Website | Facebook | Twitter | Instagram | Soundcloud

Unknown Mortal Orchestra’s new single, “Hunnybee,” is a delightful treat.

UNKNOWN MORTAL ORCHESTRA SHARE VIDEO
FOR NEW SINGLE “HUNNYBEE”

Today, Unknown Mortal Orchestra share a new video for album track and single “Hunnybee.” From the day their new album Sex & Food was released, it was clear “Hunnybee” was really hitting a chord with fans in a special way.  A live show favorite, the song draws lyrical inspiration from UMO mastermind Ruban Nielson‘s daughter, whose middle name gave the song its title. A beautifully understated song, it still moves with propulsion that gives fans reason to dance. The video remains stylistically in tune with previous videos for Sex & Food‘s previous singles “Everyone Acts Crazy Nowadays” and “American Guilt.” Watch it below.
WATCH “HUNNYBEE”
https://www.youtube.com/watch?v=IJrKlSkxRHAYOUTUBE EMBED:
<iframe width=“560” height=“315″ src=”//www.youtube.com/embed/IJrKlSkxRHA” frameborder=”0″ allowfullscreen></iframe>

LISTEN TO SEX & FOOD
https://unknownmortalorchestra.lnk.to/sexandfood

UMO TOUR DATES:
June 10 – Hilvarenbeek, Netherlands @ Best Kept Secret Festival
July 6 – Richmond, VA @ The National w/ Shamir
July 7 – Asheville, NC @ The Orange Peel w/ Shamir
July 8 – Atlanta, GA @ Variety Playhouse w/ Shamir
July 9 – Athens, GA @ Georgia Theatre w/ Shamir
July 11 – New Orleans, LA @ Republic w/ Shamir
July 12 – Houston, TX @ White Oak Music Hall w/ Shamir
July 13 – Austin, TX @ Stubbs BBQ w/ Shamir
July 14 – Dallas, TX @ Granada Theater w/ Shamir
July 16 – Englewood, CO @ Gothic Theatre w/ Shamir
July 17 – Ogden, UT @ Ogden Amphitheatre w/ Sylvan Esso, Shamir
July 18 – Las Vegas, NV @ Vinyl at Hard Rock w/ Shamir
July 19 – Phoenix, AZ @ Crescent Ballroom w/ Shamir
July 21 – Santa Ana, CA @ The Observatory
July 23 – Missoula, MT @ The Top Hat
July 24 – Billings, MT @ The Pub Station
July 26 – Madison, WI @ Majestic Theatre
July 27 – Chicago, IL @ House of Vans
August 9 – Budapest, Hungary @ Sziget Festival
August 10 – Basel, Switzerland @ Open Air Basel
August 11 – Copenhagen, Denmark @ Haven
August 16 – Hasselt, Belgium @ Pukkelpop Festival
September 5 – Christchurch, New Zealand @ The Foundry Bar
September 6 – Dunedin, New Zealand @ Glenroy Auditorium
September 7 – Wellington, New Zealand @ Hunter Lounge
September 8 – Auckland, New Zealand @ Auckland Town Hall
September 12 – Melbourne, Australia @ Forum Theatre
September 14 – Adelaide, Australia @ Fat Controller
September 15 – South Brisbane, Australia @ Brisbane Festival
September 16 – Newtown, Australia @ Enmore Theatre
September 18 – Perth, Australia @ Badlands
September 23 – Tokyo, Japan @ WWWX
October 4 – Guadalajara, Mexico @ C3 Stage
October 6 – Lomas Atlas, Mexico @ Festival Hipnosis @ Deportivo Lomas Atlas
November 19 – Birmingham, UK @ O2 Institute
November 21 – London, UK @ Royal Albert Hall
November 22 – Brighton, UK @ Concorde 2
November 23 – Sheffield, UK @ The Leadmill
November 25 – Dublin, Ireland @ The Academy
November 26 – Glasgow, UK @ O2 ABC

Watch “Not In Love We’re Just High” – http://www.youtube.com/watch?v=uY82vChor2A
Watch “Everyone Acts Crazy Nowadays” – https://youtu.be/ad2Iy0DMCWU
Watch “American Guilt” – https://www.youtube.com/watch?v=4-JlcmCxIXU
Download hi-res images here: http://pitchperfectpr.com/unknown-mortal-orchestra/
UMO Online:
https://twitter.com/umo
http://unknownmortalorchestra.com/
http://instagram.com/unknownmortalorchestra
http://www.jagjaguwar.com/artist.php?name=umo
https://www.facebook.com/unknownmortalorchestraKeep your mind open.

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The Beths release catchy new single – “Happy Unhappy”

The Beths Share New Single “Happy Unhappy”
Watch The Video HereU.S. Tour Begins Next Week

Future Me Hates Me Out August 10th On Carpark Records

[Photo by Mason Fairey]

“a young band that knows exactly who they are flexing some impressive versatility” – Stereogum
The Beths are sharing the second single, “Happy Unhappy,” from Future Me Hates Me, their debut album coming out August 10th on Carpark Records. The accompanying video directed by Callum Devlin debuts today via Noisey. Front and center is lead singer and primary songwriter Elizabeth Stokes. Stokes commands a vocal range that spans from the brash confidence of Joan Jett to the disarming vulnerability of Jenny Lewis.The Beths occupy a warm, energetic sonic space between joyful hooks, sun-soaked harmonies, and acerbic lyrics. Future Me Hates Me delivers an astonishment of roadtrip-ready pleasures, each song hitting your ears with an exhilarating endorphin rush like the first time you heard Slanted and Enchanted or “Cannonball.”

All four members of The Beths studied jazz at university, resulting in a toolkit of deft instrumental chops and tricked-out arrangements that operate on a level rarely found in guitar-pop. The Beths’ guitarist and studio guru Jonathan Pearce (whose other acts as producer include recent Captured Tracks’ signing Wax Chattels) brings it all home with an approach that’s equal parts seasoned perfectionist and D.I.Y.

The Beths recently toured Europe and will begin a U.S. run next week at Alphaville in Brooklyn, NY. These early shows in support of Future Me Hates Me mark their first time ever playing outside of New Zealand and Australia. A full list of dates is below.

Watch The Beths’ “Happy Unhappy” Video:
https://www.youtube.com/watch?v=ct8AwQwlbNA

“Future Me Hates Me” Video:
https://www.youtube.com/watch?v=iVImwSb4EYU
The Beths Tour Dates:
June 11th – Brooklyn, NY – Alphaville *
June 13th – Philadelphia, PA – Ortlieb’s
June 14th – Washington, DC – Loves Me Not
June 16th – Chicago, IL – Charm School
June 20th – San Francisco, CA – The Battery
June 22nd – Los Angeles, CA – Make Out Music
* w/ Peach Kelli Pop

[Future Me Hates Me artwork]

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Here Lies Man release new single – “You Will Know Nothing” – from album due June 15th.

Here Lies Man share “Taking The Blame” from forthcoming album You Will Know Nothing
Antibalas members “if Black Sabbath played Afrobeat”
Hear & share “Taking The Blame” (YouTube) (Bandcamp)
“An evolutionary step forward for their sound.” – Metal Hammer
“A woozy wall of Afrobeat inspired fuzzbox riff worship and pounding circular rhythmic power, Here Lies Man connect the stoner rock underground straight to downtown Lagos.” – The Quietus
“This is a band ahead of their time.” — The Obelisk

Los Angeles quintet Here Lies Man share a new single from their forthcoming highly anticipated sophomore album today via The Obelisk. Hear and share “Taking The Blame” HERE and at Bandcamp and YouTube. The album, You Will Know Nothing will be released June 15th via RidingEasy Records.
Earlier in the month, the band released “That Much Closer To Nothing” via YouTube. Back in March, the band dropped the first song, “Fighting” via YouTube.
Here Lies Man play the prestigious Primavera Sound festival in Barcelona, Spain tomorrow before hitting the road with Earthless in June. Later in Fall, the band hits the massive Desert Daze festival in Southern California. Please see current dates below.
Here Lies Man took the music world by storm in 2017 with their self-titled debut positing the intriguing hypothesis: What if Black Sabbath played Afrobeat?
Rough Trade named Here Lies Man in their prestigious Top 10 Albums of 2017. BBC 6 & Classic Rock Magazine deemed it among the year’s best, as well as countless other press outlets singing its praises.
This June, the L.A. band comprised of Antibalas members quickly follow their auspicious debut with the even more thoroughly realized album You Will Know Nothing. Its 11 tracks expand upon the band’s exploration of heavy riff-based rock and psych within the ancient rhythmic formula of the clave.
“We’re very conscious of how the rhythms service the riffs,” explains founder and vocalist/guitarist/multi-instrumentalist Marcos Garcia (who also plays guitar in Antibalas) of the band’s sound. “Tony Iommi‘s (Black Sabbath) innovation was to make the riff the organizing principle of a song. We are taking that same approach but employing a different organizing principle: For Iommi it was the blues, for us it comes directly from Africa.”
Sonically, on You Will Know Nothing the dynamic range is thicker, crisper and more powerful. It glistens as much as it blasts. The songs are even catchier, more anthemic, and the production reflects that of a band truly come into its own. Lyrically, it’s an equally more conceptualized effort that reflects upon states of being and consciousness – a driving force that carries throughout the words and moods of all of the band’s releases, interconnected to their trancelike music. Here Lies Man have honed their sound and their focus, and soon, you will truly know Nothing.
“We wanted to go deeper with the sonic experience,” says Garcia. “Even though it sounds more hi-fi than the first record, it was important that it didn’t sound too polished.”
While You Will Know Nothing certainly maintains its gritty grooves, there’s an interesting conceptual mathematics to the entire proceedings. “There are interludes between each song that are 2/3 to 3/4 of the tempo of the previous song,” Garcia says. “The reason it breaks down to 2 over 3 or 3 over 4 is that everything in the music rhythmically corresponds to a set of mathematical algorithms known as the clave. The clave is an ancient organizing rhythmic principle developed in Africa.”
“We dove deep into the texture of the music, beyond the groove and the riff,” says HLM cofounder and drummer Geoff Mann (former Antibalas drummer and son of jazz musician Herbie Mann.) “Although something might sound like one instrument, there are subtle layers shifting through. It’s definitely a headphone album.”
Garcia and Mann recorded the album much like they did the debut, at their own L.A. studio on a Tascam 388 8-track tape machine. Congas were later recorded by percussionists Richard Panta and Reinaldo DeJesus. Then, Garcia went to NY to record interludes with former Antibalas keyboardist Victor Axelrod. Mixing took the most time in order to find the proper sonic space for each layer of musical detail, with first album engineer Jeremy Page mixing the drums and the band tackling the remainder while also juggling a hectic touring schedule.
Here Lies Man has already spent much of early 2018 on tour, with dates supporting Antibalas and Fu Manchu as well as a headlining trek through the EU & UK. Many summer festival dates and headline tours await later in the year as Here Lies Man continues its infectious charge onward.
You Will Know Nothing will be available on LP, CD and download on June 15th, 2018 via RidingEasy Records.
HERE LIES MAN LIVE 2018:
05/31 Barcelona, ES @ Primavera Sound Festival 
06/02 Dudingen, CH @ Bad Bonn Kilbi
06/05 Asheville, NC @ Mothlight *
06/06 Atlanta, GA @ Masquerade *
06/07 Spartansburg, SC @ Ground Zero *
06/08 Orlando, FL @ Wills Pub *
06/09 Tallahassee, FL @ The Wilbury *
06/10 Baton Rouge, LA @ Spanish Moon *
06/12 Houston, TX @ White Oak Upstairs *
06/13 Austin, TX @ Barracuda *
06/14 Ft Worth, TX @ Ridgela Room *
06/15 Memphis, TN @ Growlers *
06/26 Seattle, WA @ Nectar Lounge
06/27 Bellingham, WA @ The Shakedown
06/28 Vancouver, BC @ Fox Cabaret
06/29 Portland, OR @ Star Theater
06/30 Grant’s Pass, OR @ The Haul
07/01 Chico, CA @ Naked Lounge
07/02 San Francisco, CA @ The Chapel
07/05 Los Angeles, CA @ Resident DTLA
08/24 Hudson Valley, NY @ Huichica Festival
08/31 Los Angeles, CA @ Levitt Pavillion (MacArthur Park)
10/12-14 Lake Perris, CA @ Desert Daze 2018
* w/ Earthless

Artist: Here Lies Man
Album: You Will Know Nothing
Label: RidingEasy Records
Release Date: June 15th, 2018
01. Animal Noises
02. Summon Fire
03. Blindness
04. That Much Closer
05. Hell (Wooly Tail)
06. Voices At The Window
07. Taking the Blame
08. Fighting
09. Floating On Water
10. Memory Games
11. You Ought To Know

On The Web:

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Riot Fest announces first wave of 2018 lineup.

As usual, Chicago’s annual Riot Fest is the festival Lollapalooza used to be and now dreams of being.  Also as usual, the Riot Fest lineup is impressive.  This first wave announcement packs some wallops.  Beck, Interpol, Cypress Hill, Bad Religion, Clutch, Digable Planets, Gary Numan, Killing Joke, Wolfmother, and Bully are all worth your time.  Tickets are on sale, and layaway options are available, so don’t wait until the second wave announcement if you want to get in on this.

Keep your mind open.

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BODEGA release sexy new single – “Gyrate” – and announce more summer tour dates.

BODEGA Shares New Single “Gyrate”
Watch The Video

July/August North American Tour Announced

Endless Scroll Out July 6th On What’s Your Rupture?

BODEGA have unveiled another new single, “Gyrate,” from their forthcoming debut album, Endless Scroll, coming out July 6th on What’s Your Rupture?. Nikki Belfiglio from the band said of the song, “When I was a little girl I used to masturbate in public (once at a JC Penny perfume counter). My parents, not wishing to shame me told me I shouldn’t ‘gyrate’ in front of other people. My song uses the language of Top 40 pop to celebrate self-sustainability and female pleasure.” Note the lyrics, “In the middle of a party. In the middle of the floor. You can get it all out right now. Wiggle your ass around. Feel the vibes coming up through your toes. Let it all go. You must have to gyrate it,” sings Nikki who also directed the accompanying video.
Watch BODEGA”s “Gyrate” Video”
https://youtu.be/Pyr-gS3LCCA
Limited physical copies of Endless Scroll will be available at BODEGA’s Sunnyvale show in Brooklyn this Friday, June 1st, and throughout their June U.S. dates while supplies last. Following another European run in July, BODEGA will tour North America throughout July and August. This summer marks the first time BODEGA will play many of these cities. A full list of dates is below.
Watch:
“Gyrate” video – https://youtu.be/Pyr-gS3LCCA
“Jack In Titanic” video – https://youtu.be/2PmC3y-ktBM
“Can’t Knock The Hustle” video – https://youtu.be/sm5fWJDJicI
“How Did This Happen ?!” video – https://youtu.be/TKAzK41-YHM
BODEGA Tour Dates (new dates in bold):
Fri. June 1 – Brooklyn, NY @ Sunnyvale
Sat. June 16 – Toronto, ON @ The Rivoli
Sun. June 17 – Cleveland, OH @ Beachland Tavern
Mon. June 18 – Detroit, MI @ Marble Bar
Tue. June 19 – Chicago, IL @ Empty Bottle
Thu. June 21 – Nashville, TN @ The High Watt
Fri. June 22 – Bloomington, IN @ The Bishop
Sat. June 23 – Lawrence, KS @ Jackpot
Sun. June 24 – Iowa City, IA @ The Mill
Mon. June 25 – St. Paul, MN @ Turf Club
TUe. June 26 – Milwaukee, WI @ The Cactus Club
Wed. June 27 – Columbus, OH @ Used Kids Records
Thu. June 28 – Athens, OH @ The Union
Fri. June 29 – Washington, DC @ DC9
Sat. June 30 – Philadelphia, PA @ Everybody Hits
Tue. July 10 – Manchester, UK @ Soup Kitchen (tickets)
Wed. July 11 – Birmingham, UK @ The Sunflower Lounge (tickets)
Fri. July 13 – Beccles, UK @ Latitude Festival (tickets)
Mon. July 16 – Nijmegen, NL @ Valkhof Festival (tickets)
Thu. July 19 – Port Grimaud, FR @ Plage de Rock w/ Parquet Courts
Sat. July 21 – Benicassim, ES @ Benicassim Festival (tickets)
Sun. July 29 – Richmond, VA @ Strange Matter
Mon. July 30 – Durham, NC @ Pinhook
Tue. July 31 – Atlanta, GA @ The Earl
Wed. Aug. 1 – New Orleans, LA @ Gasa Gasa
Fri. Aug. 3 – Fort Worth, TX @ MASS
Sat. Aug. 4 – Austin, TX @ Austin
Tue. Aug. 7 – Phoenix, AZ @ Valley Bar
Wed. Aug. 8 – Los Angeles, CA @ Moroccan Lounge
Fri. Aug. 10 – San Francisco, CA @ Hemlock Tavern
Sun. Aug. 12 – Portland, OR @ Bunk Bar
Mon. Aug. 13 – Seattle, WA @ Barboza
Tue. Aug. 14 – Vancouver, BC @ Fox Cabaret

[Endless Scroll artwork]
Keep your mind open.
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Love Hustler signs with Jumpsuit Records and will release first single for them June 5th.

Love Hustler’s Adam Rudolph and Matt Cashdollar announced the official release of their single “Sinderella” with San Francisco’s Jumpsuit Records.

“We feel very fortunate to be a part of the Jumpsuit Records family. The label has proven to be driven by such a positive nature, we jumped at the opportunity to add to the vibe.” said Adam Rudolph, one half of the electronic band Love Hustler.

FIRST INDEPENDENT LABEL RELEASE

After two self-releases, Love Hustler set out to procure distribution in markets previously untapped. Love Hustler, an emerging electronic music duo, recently entered into a contract with Jumpsuit Records for the release of their new single “Sinderella”, available for purchase/download Tuesday, June 5th on iTunes, Spotify, Amazon and more. The debut release of with Jumpsuit Records will ultimately introduce the band to the growing audience commanded by label founder David Sugalski (AKA The Polish Ambassador) as well as the diverse audiences of all Jumpsuit Records artists.

“We plan to grow with the label,” said Matt Cashdollar, of Love Hustler. “Jumpsuit is making waves in the industry on many levels.”

“SINDERELLA” AVAILABLE FOR DOWNLOAD 6/5/2018

Formed in 2009, Love Hustler’s Adam Rudolph and Matt Cashdollar have created a live dance music experience merging analog and digital instruments in a live format. From synth pop styles to downtempo funk, the LH brand of electronic music is one to keep your eyes and ears on.

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Levitation France adds new artists to 2018 lineup.

Levitation France has added a few more artists to their 2018 lineup.  The Soft Moon, Flavien Berger, J.C. Satan, Rendez-vous, Sextile, the Blank Tapes, and Prettiest Eyes are all now on the bill.  Tickets are still available for the festival and it should be lovely in Angers in mid-September.  I’m happy to see the Soft Moon on the bill, as they always put on a good show, and Flavien Berger is a rather good DJ / electro artist indeed.

Keep your mind open.

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The Young Mothers release “Attica Black” from upcoming album due June 22nd.

The Young Mothers share first track from forthcoming album Morose

 Avant Jazz/Hip-Hop/Punk Rock hybrid featuring ex-MF Doom, Nenah Cherry, ex-White Denim, Shape of Broad Minds, Free Radicals members
Hear & share “Attica Black” (Soundcloud) (PopMatters)

“A sound that blends free jazz and hip-hop, seeing no distance between them… Latin fuses with African fuses with European and on and on until there is no distinction. This uncompromising group of players delivers an unforgettable listening experience that listeners will doubtless be parsing for some time to come.” — PopMatters
Austin, TX iconoclasts The Young Mothers share the first track from their forthcoming sophomore album today via PopMatters. Hear and share “Attica Black” HERE. (Direct Soundcloud.)
The band just wrapped up a handful of Texas dates and will head over to Europe for a summer tour. See current dates below.
Self Sabotage Records proudly presents Morose, the anticipated follow up by The Young Mothers, a juggernaut of a collective formed in 2012 and featuring a super group of heavy-hitters who have helped steer the direction of creative music in New York, Chicago, Texas, and Scandinavia.
Norwegian bassist Ingebrigt Håker Flaten (The ThingFree FallAtomic) moved to Austin, Texas in 2009. He’d experimented with stateside living for a few years in Chicago before that, but the city of barbecue, food trucks, and outlaw country music has become his home base. Texas has a deep creative music history, but most Texas improvisers found their notoriety elsewhere, seeking to escape segregation and poverty for a chance to ‘starve a little better’ on the coasts. However, the Texas of 2018 is not the Texas of 1958 and the groundwork for this potent convergence was laid around a decade ago in Houston when Ingebrigt met and linked up with trumpeter/rapper Jawwaad Taylor (Shape Of Broad Minds, MF Doom), and what became a transliteration of his Chicago Sextet into a scrappy Lone Star variant called The Young Mothers has formed a group identity all its own and now has a second album under the belt (their first, A Mothers’ Work Is Never Done was self-released in 2014). Instrumentally The Young Mothers has some similarity with its Windy City relative – in addition to sharing drummer Frank Rosaly and Flaten, the vibraphone chair is held down by percussionist & diabolical vocalist Stefan González (Yells At EelsAkkolyte), and Jason Jackson (Alvin Fielder, Pauline Oliveros, William Parker) on tenor and barry is their saxophone firebrand. Furthermore, the group features guitarist Jonathan Horne (Plutonium Farmers, ex-White Denim) and prolific wordsmith and improviser JAWWAAD on trumpet, electronics, and rhymes, and it is here that structural similarities between the Young Mothers and Flaten’s other folksy-modal projects end.
The Young Mothers was named after a Houston community project for teen mothers (Project Row Houses) that Flaten’s then-partner had been a part of, and while it may strike one as an odd moniker for a group that melds free improvisation, Tejano-inspired horn lines, the long unfurling electricity of surf rock, tough word-science and crust metal vocals, but relocating to a then-unfamiliar locale and birthing/raising a melange of sonic approaches into a working ensemble is not insignificant, if not quite actual motherhood. (On a side note; another strong connection to the Project Row Houses is the Houstonian artist and legendary sculptor Jesse Lott who made the beautiful album art!) Anyways, while they may have exhibited a homespun ricketiness in the beginning, through touring nationwide and after several festival performances and tours in Europe they’ve honed their sound into something truly their own, and one that’s not insignificantly comparable to historical melds in Scandinavian-American-World Music – the work of Don CherryMaffy Falay’s Sevda, and more recent efforts from Two Bands and a Legend and The Cherry Thing successfully merge varied strains of contemporary music with creative improvisation. Flaten’s round, deep tone and precise attack certainly act as an anchor, a fulcrum for sculpted vibraphone resonance, the dry breaks and shimmering floes of Rosaly’s kit, all of which stoke Horne’s flinty guitar and the throaty exhortations of brass and verbal declaration. Check “Black Tar Caviar” for some of the most unruly combinations of threads on this disc; from dual cymbal and tuned gong tempi supporting Jackson’s Gato Barbieri-like burrs, the palette of accents gradually increases until feedback-laden scorch signals a second movement, raps and death howls in tandem against a Cherry-like folk theme and sludgy electric bass grooves/strangled flourishes. It’s a fine microcosm of ten of what The Young Mothers are up to.
And as Håker Flaten tells us; “a lot has changed since I initiated this band in 2012, it has grown into its own thing with a truly collective spirit. I created a monster and its time to let go” – luckily for all of us, this band has stretched its legs further than the Houston/Austin/Dallas triangle and we at Self Sabotage Records are ready to help them to hopefully reach out much further with an album we believe is remarkable! We hope you feel the same.
Morose will be available on LP, CD and download on June 22, 2018 out via Self Sabotage Records (Pre-order at Big Cartel-Self Sabotage).
THE YOUNG MOTHERS TOUR:
05/30 Poitiers, FR @ Jazz & Poitiers
05/31 Oslo, NO @ Blå
06/02 Bergen, NO @ Verftet/Nattjazz
06/05 Barcelona, ES @ Sala Artte
06/06 Huesca, Spain @ TBD
06/07 Trieste, IT @ Dobialab
06/08 Novara, IT @ Novara Jazz
06/09 Novara, IT @ Novara Jazz
06/10 Novara, IT @ Novara Jazz
06/12 Montreal, QC @ La Sala Rosa
06/13 Hamilton, ON @ Something Else Festival

Artist: The Young Mothers
Album: Morose
Record Label: Self Sabotage Records
Release Date: June 22nd, 2018
01. Attica Black
02. Black Tar Caviar
03. Bodiless Arms
04. Francisco
05. Untitled #1
06. Jazz Oppression
07. Morose
08. Osaka
09. Untitled #2
10. Shanghai
On the Web:
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Flasher release new single, “Who’s Got Time?,” ahead of summer tour dates.

FLASHER SHARE NEW SONG “WHO’S GOT TIME?”
OFF DEBUT ALBUM, ANNOUNCE TOUR DATES

CONSTANT IMAGE OUT JUNE 8TH VIA DOMINO RECORDING CO.

(photo by Jen Dessinger)
Today, Flasher share “Who’s Got Time?,” a new song off their forthcoming debut album Constant Image, which will be released June 8th via Domino Recording Co. “’Who’s Got Time?’ is about the twilight of a relationship,” say the band. “When things have soured but you’re not quite ready to jump ship despite your better judgment. It’s a celebration of disappointment and failure.”
LISTEN TO “WHO’S GOT TIME?”
STREAM – http://smarturl.it/WhosGotTimeStrm
VIDEO – http://smarturl.it/WhosGotTimeYT

WATCH “PRESSURE” VIDEO:
https://www.youtube.com/watch?v=GtUR5pg3NFQ

WATCH “SKIM MILK”
https://www.youtube.com/watch?v=TYAKqc5inXg

They’ve also announced a big tour in support of the new record.
All new dates are on sale now.

FLASHER TOUR DATES (new dates in bold):
Wed. June 6 – Philadelphia, PA @ Everybody Hits w/ Dehd
Fri. June 8 – Brooklyn, NY @ Elsewhere w/ Dehd, Public Practice
Sat. June 9 – Providence, RI @ Columbus Theatre w/ Dehd
Sun. June 10 – Allston, MA @ Great Scott w/ Dehd
Mon. June 11 – Winooski, VT @ The Monkey House w/ Dehd
Tue. June 12 – Montreal, QC @ Brasserie Beaubien w/ Dehd
Wed. June 13 – Toronto, ON @ The Baby G w/ Dehd
Thu. June 14 – Detroit, MI @ El Club w/ Dehd
Fri. June 15 – Chicago, IL @ Schubas w/ Dehd
Sat. June 16 – Minneapolis, MN @ 7th St. Entry w/ Dehd
Mon. June 18 – Madison, WI @ High Noon Saloon w/ Dehd
Tue. June 19 – Bloomington, IN @ The Bishop w/ Dehd
Thu. June 21 – Atlanta, GA @ The Earl w/ Dehd
Fri. June 22 – Durham, NC @ The Pinhook w/ Dehd
Sat. June 23 – Washington, DC @ Black Cat w/ Dehd
Thu. July 12 – Phoenix, AZ @ Valley Bar  
Mon. July 16 – Los Angeles, CA @ The Echo
Tue. July 17 – San Francisco, CA @Rickshaw Stop
Thu. July 19 – Portland, OR @ Bunk Bar
Fri. July 20 – Seattle, WA @ Capitol Hill Block Party
Sat. July 21 – Vancouver, BC @ Fox Cabaret
Mon. July 23 – Boise, ID @ Neurolux
Tue. July 24 – Salt Lake City, UT @ Kilby Court
Wed. July 25 – Denver, CO @ Larimer Lounge
Fri. Aug. 10 – Athens, GA @ Georgia Theatre (Athens Popfest)

PRAISE FOR FLASHER

“The Washington D.C. post-punk trio Flasher make music that is both chaotic and philosophical. Their songs overlay musings about love, the body, and desire on top of boisterous guitar solos, droning synths, and aggressive drums. Along with the feminist punk band Priests, they are part of an underground D.C. scene of bold,
politically-charged music.” – Pitchfork

“The album hinges on the idea of escape which, without explanation, could be interpreted as a way out. Flasher is not looking for a way out, but rather a way forward.”
i-D

“The thrill is in the call-and-response, heard on past songs, but here weaponized like an ecstatic hall of mirrors in the final minute of ‘Skim Milk.'” – NPR Music on “Skim Milk”

“’Pressure’ unfolds like an anxiety attack, with the band members’ vocals twisting around each other as they relate snapshots of discomfort and alienation in breathless stop-and-start fragments.” – Stereogum on “Pressure,” #1 Song of the Week

Head here to pre-order the deluxe edition LP available exclusively through the Domino Mart. The deluxe features the album on 150g starburst pink and yellow vinyl. Constant Image is also available as a standard LP, CD, and digitally

PRE-ORDER PHYSICAL || PRE-ORDER THE DIGITAL

Download hi-res images and bio here: http://pitchperfectpr.com/flasher/

Flasher Online:
https://flasherdc.bandcamp.com
https://www.facebook.com/flasherdc/
http://www.dominorecordco.us/artists/flasher/

 

Keep your mind open.

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