Lindstrom’s new single, “Blinded by the LEDs,” is one of the best electro tracks of 2018 so far.

Lindstrøm Presents New Single, “Blinded By The LEDs,”
To Celebrate Oslo’s Henie Onstad Kunstsenter’s 50th Anniversary

Listen HERE

 

(above image by Lin Stensrud)
Norwegian electronic producer, Lindstrøm, presents new single “Blinded By The LEDs,” a commissioned work to preview his forthcoming performances later this month celebrating the 50th anniversary of Henie Onstad Kunstsenter, Oslo’s famous futuristic waterside modern art center gallery and live venue. The sold out performances happening August 23rd, 25th & 26th take place exactly 50 years after the legendary Norwegian contemporary composer Arne Nordheim performed Solitaire, an electro-acoustic contemporary composition, on opening night in 1968. For these performances, Lindstrøm will do an entirely analogue performance of 10+ songs live on more than 20 analogue synthesizers and drum machines with visuals.

Out today via Smalltown Supersound, “Blinded By The LEDs” is a reference to both Bruce Springsteen and Manfred Mann’s Earth Band. And rather than riff on Nordheim’s musique concréte, Lindstrøm has woven his own signature tapestry of influences and inspirations into the song, including Kate Bush’s “Running Up That Hill,” ESG’s “Moody,” Queen’s “Back Chat,” Liquid Liquid’s “Cavern,” Sheryl Lee Ralph’s “In The Evening,” John Carpenter’s “Assault On Precinct 13,” and Lindstrøm’s own “Fast & Delirious.”
Listen to Lindstrøm’s “Blinded By The LEDs” –
https://youtu.be/xQNm7dzLJEE

Download hi-res press images of Lindstrøm and album art –
http://pitchperfectpr.com/lindstrom/

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David Nance Group release first single, “Poison,” off upcoming album.

DAVID NANCE GROUP ANNOUNCE NEW ALBUM
AND SHARE FIRST SINGLE “POISON

PEACED AND SLIGHTLY PULVERIZED
OUT 10/5 ON TROUBLE IN MIND

“POSSIBLY THE BEST SONGWRITER IN THE UNITED STATES THAT NOBODY OUTSIDE DIY TAPE COLLECTORS AND HIS FRIENDS HAS HEARD.” -NOISEY
Omaha, NE musician David Nance is nothing if not prolific. Over the course of the past six years, he has released three full-length albums for labels Grapefruit and Ba Da Bing, a 7-inch, numerous cassettes, CDRs, and unlicensed “cover albums” of artists like Lou Reed, The Beatles, Rolling Stones, and Doug Sahm. He’s collaborated with Simon Joyner and Bill Direen (The Bilders), His latest full-length, coming out on Chicago’s Trouble in Mind Records on October 5th, is credited to the “David Nance Group” and features Nance alongside his recent hot-shit live band of fellow Omaha musicians; guitarist Jim Schroeder, bassist Tom May, and drummer Kevin Donahue.

Appropriately, the album is called Peaced and Slightly Pulverized, as the sounds therein are alternatingly tender & brusque. Nance has an enviable way of conveying intensity and pathos in his music without necessarily resorting to clicking on a distortion pedal, instead relying on the build-up and tension from the interplay of his bandmates with his cracked, impassioned wail. That said, there’s also plenty of fuzz and distortion too, which should be clear from the first single, the anthemic “Poison,” with its fuzzed-out guitar riff that leans into a Crazy-Horsian guitar maelstrom and white-hot solo. It’s a blisteringly brief journey that is impossible to not be swept up by and wake up dizzy and confused in a nearby dumpster. The track was premiered today on Stereogum.

Peaced and Slightly Pulverized was mastered by Mikey Young of Total Control and Eddy Current Suppression Ring. A limited purple vinyl version is available for direct order here, while digital pre-orders can be make here.

LISTEN TO “POISON”
https://bit.ly/2vLpmHI

PEACED AND SLIGHTLY PULVERIZED TRACKLISTING
1. Poison
2. Ham Sandwich
3. 110 Blues
4. Amethyst
5. In Her Kingdom
6. When I Saw You Last Night
7. Prophet’s Profit
DAVID NANCE GROUP TOUR DATES
Sept 8th – St. Louis, MO – Pü Fest
Sept 15th – Chicago, IL – Empty Bottle – Trouble In Paradise Festival
Sept 29th – Memphis, TN – Gonerfest 15
Oct 12th – Omaha, NE – Reverb Lounge
Oct 24th – St. Louis, MO – RKDE
Oct 26th –  Nashville, TN – Third Man
Oct 27th – Birmingham, AL – The Fire House
Oct 28th – Hattiesburg , MS – house show (ask a punk)
Oct 29th – Atlanta, GA – 529 Club
Oct 30th – Orlando, FL – Will’s Pub
Oct 31st – Asheville, NC – Fleetwood’s
Nov 1st – Chapel Hill, NC – The Cove
Nov 2nd – Harrisonburg, VA – Pale Fire Tap Room
Nov 3rd – Philadelphia, PA – Jerry’s
Nov 4th – Brooklyn, NY – Union Pool
Nov 5th – New Haven, CT – State House
Nov 6th – Cleveland, OH – Happy Dog
Nov 7th – Columbus, OH – Café Bourbon Street
Nov 8th – Detroit, MI – Third Man
Nov 9th – Indianapolis, IN – State Street Pub
Nov 10th – Louisville, KY – Zanzabar
Nov 11th – Iowa City, IA – Trumpet Blossom Cafe
PAST PRAISE FOR DAVID NANCE

“This is spastic dance music for rock ‘n’ roll deviants, a jabbing pointer finger at the soullessness of the pixelated present, blown out and blown up like a basement tape.”
NPR Music on “Negative Boogie”

“Like some unholy merger of David Thomas and David Yow, Nance caterwauls over art-rock grooves that can’t quite figure out if they love classic rock ’n’ roll or abhor it.”
Chicago Reader

“Nance’s music comes drenched in sweat from ferocious jamming in basements and melodies ten years in the making.” – Noisey

Download album art & hi-res photos: http://pitchperfectpr.com/david-nance/

David Nance Online:
https://davidnance.bandcamp.com/
https://www.facebook.com/davidnanceband/
https://www.instagram.com/davidkennethnance/
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All Them Witches’ new album now available for pre-order. You can listen to “Fishbelly 86 Onions” now.

Nashville’s All Them Witches have announced their new, and self-titled, album is available for pre-order.  A digital copy is less than eight bucks, a CD is less than ten, and a double LP on transparent red vinyl is less than twenty-five.  The lead track, “Fishbelly 86 Onions,” comes with a pre-order, and it’s a hard-hitting six-minute barn burner.

The album is out September 28th, and I’m sure it will be in my top 25 of the year. ATW can do no wrong.

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Rare psychedelic / stoner rock compilation “Brown Acid: The Seventh Trip” due out on Halloween.

Brown Acid: The Seventh Trip 
compilation out on Halloween, hear first track via Loudwire
Rare 60s-70s pre-metal, hard rock singles series curated by L.A.’s Permanent Records & RidingEasy Records
Hear/share Blizzard’s “Peace of Mind” (YouTube) (Loudwire)
“So rare that diehard fuzz junkies say you’d have a better chance of winning the lottery than finding a physical 45 rpm single by one of the bands featured on their latest installment.” — Dangerous Minds
“Will do for hard rock, proto-metal and heavy psych what Nuggets did for garage rock, and bring it to a wider audience of collectors and music fans.” — The Guardian
“We’re huge fans of the Brown Acid series… Think of it as a companion to the essential Nuggets compilation but covering artists and records that never made it out of their hometowns.” — Ultimate Classic Rock
The forthcoming seventh edition of the popular compilation series featuring long-lost vintage 60s-70s proto-metal and stoner rock singles, Brown Acid: The Seventh Trip is set for release on Halloween 2018. Hear and share the first single, “Peace of Mind” by Blizzard from 1973 via Loudwire HERE. (Direct YouTube.)
 
The Brown Acid series is curated by L.A. label RidingEasy Records and retailer/label Permanent Records. The Quietus hosted a full album stream of the previous edition Brown Acid: The Sixth Trip HERE. (Direct YouTube.)
About Brown Acid: The Seventh Trip:
Everybody’s favorite source for the hard stuff is back in business, with ten more lethal doses of rare hard rock, heavy psych and proto-metal! These obscure tracks have all been licensed, the bands have been paid, and the sources are all analog. The quality of tracks seems to increase along with the number of Trips and this cohesive collection comes outta the gate with both guns blazing!
Pegasus recorded one single in Baltimore in 1972 and they made it count. “The Sorcerer” is a throbbing ripper that prior to this was basically unknown. However, it doesn’t seem too far fetched to speculate that Black Flaglifted the riff for “No Values” from this track eight years later. Unlikely, but possible, especially considering how big a Black Sabbath fan Greg Ginn is. Pegasus was lauded back in the day for “how much they delivered that Black Sabbath feel.”
You may not already be familiar with Schizo, but you should know at least one of the French freaks behind this short-lived group.  Richard Pinhas was the co-writer and uncredited, wah-wah abusing guitarist in Schizo after his stint in Blues Convention. Schizo recorded just two singles, the first being the heavier of the two, before Pinhas went on to record with Heldon and then going solo. The band had a unique vibe that didn’t sound unlike Lemmy fronting a gang of stoned Martians.
Youngstown, Ohio is the most commonly referred to city of the entire Brown Acid series. This town of just under 150,000 people may’ve had the highest (literally and figuratively) per capita output of heavy 45s. Blue Amber recorded this in 1971 at Gary Rhamy’s analog Mecca, Peppermint Recording Studios. This two-riff boneheaded banger sounds like a caveman protest song with an extraordinary amount of delay on the vocals. No wonder this 45 fetches three-figures on the rare occasion it comes up for sale.
Batting clean-up, we have Negative Space, the only LP sourced track on this album. This crunchy jam comes off the band’s 1970 record entitled Hard, Heavy, Mean, & Evil. At over six and a half minutes, “The Calm After the Storm” is the longest track included on this volume, but it never gets dull. Fun fact: before changing the name to Negative Space, Rob Russen called his band Snow and released the “Sunflower” 45 in 1969 – you might recall that groover from the First Trip.
We generally stick with American artists for this series, but every now and again something foreign grabs us and shakes us to the core. One example is the Schizo record from France, another is this Swedish 45 by Zane. These crazy Swedes did one incredibly damaged (hence the title) record on the MM label in 1976. These proto-punkers relied heavily on synth for this tune and mixed the drums so obnoxiously loud, you might think the kit is in the room with you. This is a weird one that somehow sounds like Zolar X covering Wicked Lady. Brown Acid material all the way!
B must be short for Bangers, ‘cuz this side is full of ’em! The flip of this Trip begins with a virtually unknown Oklahoma record from 1973. Blizzard was Rod McClure’s high school band, but you couldn’t possibly guess that teenagers recorded this heavy slab on the Token (should’ve been Toking) label. It’s one of the best we’ve comped and it sounds like a hypothetical MC5/Hendrix collaboration. The “Under the Ice” level drum fills will knock your socks off if the heavy shred doesn’t first.
OOOOk-lahoma, where the wind comes sweepin’ down the plain and apparently where the fuzz goes seepin’ in your brain! Third World is the second Okie inclusion on this Trip and we couldn’t be more stOOOOOked to be sharing this very obscure single with y’all. If the heavily distorted two-note riff doesn’t grab ya, the apocalyptic Grand Funk vibes will. Once they get their mitts on ya, Third World will take you back to 1971 and leave ya there. Can we hitch a ride too?
Ever heard of Virginia, Minnesota? We hadn’t either until we got in touch with Calvin Haluptzok and got the back story on his band Sweet Wine. This bitchin’ one-off 45 must’ve melted the snow off the roofs of the households brave enough to play it when it came out in 1970 and it’s still red hot nearly 50 years later. This vino may be sugary, but it packs an incendiary punch! Sadly, Calvin passed before we could get his music re-released, but it was nice to have reached him before it was too late. The Sweet Wine legacy lives on thanks to the Brown Acid archivists.
C.T. Pilferhogg wins the award for most puzzling band name in our series. What’s not puzzling is how righteous both sides of their self-released 1973 single are! Featured here is the A-side “You Haul” which is one of the best examples of a poor man’s Deep Heep (Deep Purple meets Uriah Heep) we’ve ever heard and the demonic Echoplex-laden laughs mixed into this track are out of control. The band was touted as “Southwest Virginia’s Finest Boogie Band”, but don’t let that fool ya.vThey could bang heads with the best of ’em.
The closer on the Seventh Trip is one we hold very near and dear. Not only is this record the one that’s taken us the longest to secure the rights to, it’s also one of the very best examples of heavy psych you’ll ever hear. The track rings your bell (literally) straight out of the gate and the dank psychedelic vibes kick in immediately. Summit‘s “The Darkness” was recorded in a basement studio in Kansas City in 1969 when the lead guitarist was only 16. The band was from a rural Missouri town, played only one impromptu gig in Clinton, and pressed only 125 copies of this, their only single. It should come as no surprise that it sells for hundreds of dollars when it’s offered. That’s a small price to pay for such greatness.
About the Brown Acid series:
Some of the best thrills of the Internet music revolution is the ability to find extremely rare music with great ease. But even with such vast archives to draw from, quite a lot of great songs have gone undiscovered for nearly half a century — particularly in genres that lacked hifalutin arty pretense. Previously, only the most extremely dedicated and passionate record collectors had the stamina and prowess to hunt down long forgotten wonders in dusty record bins — often hoarding them in private collections, or selling at ridiculous collector’s prices. Legendary compilations like NuggetsPebbles, ad nauseum, have exhausted the mines of early garage rock and proto-punk, keeping alive a large cross-section of underground ephemera. However, few have delved into and expertly archived the wealth of proto-metal, pre-stoner rock tracks collected on
Brown Acid.
Lance Barresi, co-owner of L.A./Chicago retailer Permanent Records has shown incredible persistence in tracking down a stellar collection of rare singles from the 60s and 70s for the growing compilation series. Partnered with Daniel Hall of RidingEasy Records, the two have assembled a selection of songs that’s hard to believe have remained unheard for so long.
“I essentially go through hell and high water just to find these records,” Barresi says. “Once I find a record worthy of tracking, I begin the (sometimes) extremely arduous process of contacting the band members and encouraging them to take part. Daniel and I agree that licensing all the tracks we’re using for
Brown Acid is best for everyone involved,” rather than simply bootlegging the tracks. When all of the bands and labels haven’t existed for 30-40 years or more, tracking down the creators gives all of these tunes a real second chance at success.
“There’s a long list of songs that we’d love to include,” Barresi says. “But we just can’t track the bands down. I like the idea that Brown Acid is getting so much attention, so people might reach out to us.”
Brown Acid: The Seventh Trip will be available everywhere on LP, CD and download on October 31st, 2018 via RidingEasy Records. Pre-orders are available for digital (with immediate download of the first single) at Bandcamp, physical pre-orders at RidingEasy Records.
Artist: Various Artists
Album: Brown Acid: The Seventh Trip 
Label: RidingEasy Records
Release Date: October 31, 2018
01. Pegasus “The Sorcerer”
02. Nobody’s Children “Good Times”
03. Blue Amber “We Got Love”
04. Negative Space “The Calm After The Storm”
05. Zane “Damage”
06. Blizzard “Peace of Mind”
07. Third World “End of Time”
08. Sweet Wine “Things You Told Me”
09. C.T. Pilferhogg “You Haul”
10. Summit “The Darkness”

On The Web:

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Clutch releases some killer pre-order bundles for their upcoming album, “Book of Bad Decisions.”

NEW ALBUM PRE-ORDER AND MERCH BUNDLES AVAILABLE NOW!
CLUTCH TO RELEASE THIRD SINGLE TRACK
FROM THE NEW ALBUM “BOOK OF BAD DECISIONS” TODAY
Maryland rockers CLUTCH are now offering a variety of exclusive “Book of Bad Decisions” pre-order bundles such as the “Limited Edition Collectors Bundle” which includes rare picture disc vinyl, flask, flag, shirt, long sleeve, HATCHET with autographed box, and more!  Bundles will be delivered on or before the album release date of September 7th.
All “Book of Bad Decisions” pre-order bundles, music and merch options are available now exclusively at www.clutchmerch.com
CLUTCH are releasing the third single from their upcoming album Book of Bad Decisions as an instant gratification track at iTunes (https://itunes.apple.com/us/album/book-of-bad-decisions/1376829212&app=itunes) and Amazon (https://www.amazon.com/dp/B07CNYD1R7).  Spotify has it here (http://open.spotify.com/album/7fJuTpSrV3TYbSExbo3emk)
Clutch’s song “Hot Bottom Feeder” is, in essence, a recipe for Maryland crab cakes set to Clutch’s inimitable style.  Watch the accompanying lyric video here https://youtu.be/SOTrHrGSeNM.
Each of the single releases from Book of Bad Decisions is accompanied by a Spotify playlist put together by one of the band members.  In this instance Dan Maines who asks you to “Check out our latest release Hot Bottom Feeder and beat the heat with these stone cold classics.”
CLUTCH:
Neil Fallon – Vocals/Guitar
Tim Sult – Guitar
Dan Maines – Bass
Jean-Paul Gaster – Drums/Percussion
For more  information, check out the band’s website:
Official: www.pro-rock.com
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Desert Daze 2018 lineup released…and it’s almost more psychedelia than you can handle.

The annual Desert Daze music festival in Lake Perris, California has unveiled a whopper of a lineup for their October 12-14th event.  Tame Impala are headlining while promising new material in 2019.  Shoegaze legends My Bloody Valentine are also playing new material nowadays.  Unstoppable touring machines King Gizzard and the Lizard Wizard are continuing their roll across the United States.  Other must-see acts include Ty Segall, A Place to Bury Strangers, Earthless, Follakzoid, All Them Witches, True Widow, Imarhan, and Here Lies Man.

I don’t know if I can make it to this one, but you should if you can.  It might be a new annual destination for me.

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Fat Possum Records to remaster and re-release four classic X albums.

FAT POSSUM RECORDS TO RELEASE REMASTERED X ALBUMS IN 2018
‘LOS ANGELES’
‘WILD GIFT’
‘UNDER THE BIG BLACK SUN’
‘MORE FUN IN THE NEW WORLD’

Photo: Gary Leonard

Fat Possum Records and X are teaming up.  Effective immediately, Fat Possum Records will begin distributing for the world four classic X albums; ‘Los Angeles’ (1980), ‘Wild Gift’ (1981), ‘Under The Big Black Sun’ (1982), and ‘More Fun In The New World’ (1983). There are plans to release remastered versions of all four albums by the end of 2018. More details to come.
Formed in 1977, X quickly established themselves as one of the best bands in the first wave of LA’s flourishing punk scene;  becoming legendary leaders of a punk generation.  Featuring vocalist Exene Cervenka, vocalist/bassist John Doe, guitarist Billy Zoom, and drummer DJ Bonebrake, their debut 45 was released on the seminal Dangerhouse label in 1978, followed by seven studio albums released from 1980-1993. Over the years, the band has released several critically acclaimed albums, topped the musical charts with regularity and performed their iconic hits on top television shows such as Letterman and American Bandstand.  X’s first two studio albums, Los Angeles and Wild Gift are ranked by Rolling Stone among the top 500 greatest albums of all time.  The band continues to tour with the original line-up fully intact.  In 2017, the band celebrated their 40th year anniversary in music with a Grammy Museum exhibit opening, a Proclamation from the City of Los Angeles and being honored at a Los Angeles Dodgers game where Exene threw out the first pitch and John Doe sang the National Anthem. The band continues to tour with the original line-up and are currently on the road, including select dates with The Psychedelic Furs.
X Tour Itinerary:
July 25  SOMO Village Event Center – Rohnert Park, CA (w/The Psychedelic Furs)
July 27  Oregon Zoo Summer Concerts – Portland, OR (w/The Psychedelic Furs)
July 29  Woodland Park Zoo – Seattle, CA (w/The Psychedelic Furs)
July 31  The Rockwell/The Complex – Salt Lake City, UT (w/The Psychedelic Furs, The FIXX)
Aug 2 The Ogden – Denver, CO (w/The Psychedelic Furs)
Aug 17 The Cave – Big Bear, CA
Aug 18 Burton Chase Park – Marina Del Rey, CA
Aug 19 North Park – San Diego, CA
Aug 22 Marty’s -Tustin, CA
Aug 23 Marty’s – Tustin, CA
Aug 24 Weins Family Winery- Temecula, CA
Aug 31 Del Mar Hall – St. Louis, MO
Sept 2 Muddy Roots Music Festival – Cookeville, TN
Sept 3 The Masquerade – Atlanta, GA
Sept 4 The Cat’s Cradle –  Chapel Hill, NC
Sept 5 The Neighborhood Theatre – Charlotte, NC
Sept 7 Sidetracks – Huntsville, AL
More Dates To Be Announced!
Los Angeles (1980)
1. Your Phone’s Off the Hook, But You’re Not
2. Johnny Hit and Run Paulene
3. Soul Kitchen
4. Nausea
5. Sugarlight
6. Los Angeles
7. Sex and Dying in High Society
8. The Unheard Music
9. The World’s a Mess, It’s In My Kiss
Wild Gift (1981)
1. The Once Over Twice
2. We’re Desperate
3. Adult Books
4. Universal Corner
5. I’m Coming Over
6. It’s Who You Know
7. In This House That I Call Home
8. Some Other Time
9. White Girl
10. Beyond and Back
11. Back 2 the Base
12. When Our Love Passed Out On the Couch
13. Year 1
Under the Big Black Sun (1982)
1. The Hungry Wolf
2. Motel Room In My Bed
3. Riding With Mary
4. Come Back To Me
5. Under the Big Black Sun
6. Because I Do
7. Blue Spark
8. Dancing with Tears In My Eyes
9. Real Child of Hell
10. How I (Learned My Lesson)
11. The Have Nots
More Fun in the New World (1983)
1. The New World
2. We’re Having Much More Fun
3. True Love
4. Poor Girl
5. Make the Music Go Bang
6. Breathless
7. I Must Not Think Bad Thoughts
8. Devil Doll
9. Painting the Town Blue
10. Hot House
11. Drunk In My Past
12. I See Red
13. True Love Pt. #2
For more information on X live shows, please contact:
For Fat Possum/reissue press inquiries, please contact:
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Introducing one of your new favorite artists – Black Belt Eagle Scout

INTRODUCING BLACK BELT EAGLE SCOUT

DEBUT ALBUM, MOTHER OF MY CHILDREN,
OUT SEPTEMBER 14TH ON SADDLE CREEK

LISTEN TO LEAD SINGLE, “SOFT STUD”
https://youtu.be/LXsfiYigeg4

photo credit – Jason Quigley

Having this identity—radical indigenous queer feminist—keeps me going. My music and my identity come from the same foundation of being a Native woman.” Katherine Paul (aka KP) is Black Belt Eagle Scout, and Mother of My Children is her debut album, out September 14th on Saddle Creek. Recorded in the middle of winter near her hometown in Northwest Washington, Paul’s connection to the landscape’s eerie beauty are palpable throughout as the album traces the full spectrum of confronting buried feelings and the loss of what life was supposed to look like. Paul reflects, “I wrote this album in the fall of 2016 after two pretty big losses in my life. My mentor, Geneviève Castrée, had just died from pancreatic cancer and the relationship I had with the first woman I loved had drastically lessened and changed.” Heavy and heartbroken, Paul found respite from the weight of such loss in the creation of these songs that “are about grief and love for people, but also about being a native person in what is the United States today.”

On Mother of My Children, the songs weave together to capture both the enduring and fleeting experiences of loss, frustration, and dreaming. The structures are traditional, but the lyrics don’t adhere to any format other than what feels right in the moment. Mother of My Children begins with lead single  “Soft Stud,” which Paul describes as her “queer anthem.” It’s “about the hardships of queer desire within an open relationship.” “It’s a sprawling six minutes that feels surprisingly compact, tight nerves and circuitous guitars and muddy drums building and breaking” (Stereogum). “Indians Never Die,” a call out to colonizers and those who don’t respect the Earth, follows. As Standing Rock was happening, many people in Paul’s life were coming together to fight for the most basic necessity to sustain human life: water. “Our treaty rights weren’t being honored. Imagine hearing on the news that the government doesn’t support you as a human being and never has. They don’t care about the water, they don’t care about how they are destroying what is around them. Indigenous people are the protectors of this land. Indians never die because this is our land that we will forever protect in the present and the afterlife.”

Paul grew up in a small Indian reservation, the Swinomish Indian Tribal Community, surrounded by family focused on native drumming, singing, and arts. From an early age, Paul was singing and dancing at powwows with one of her strongest memories at her family’s own powwow, called the All My Relations Powwow. Paul reminisces, “When I was younger, my only form of music was through the songs my ancestors taught the generations of my family. Singing in our language is a spiritual process and it carries on through me in how I create music today.” With the support of her family and a handful of bootleg Hole and Nirvana VHS tapes, Paul taught herself how to play guitar and drums as a teenager. In 2007, she moved to Portland, Oregon to attend college and get involved with the Rock’n’Roll Camp for Girls eventually diving deep into the city’s music scene playing guitar and drums in bands while evolving her artistry into what would later become Black Belt Eagle Scout.

Mother of My Children is a life chapter gently preserved. The access listeners have to such vulnerability feels special and generous.

Listen To Black Belt Eagle Scout’s “Soft Stud”
https://youtu.be/LXsfiYigeg4
Mother of My Children Tracklist:
1. Soft Stud
2. Indians Never Die
3. Keyboard
4. Mother of My Children
5. Yard
6. I Don’t Have You In My Life
7. Just Lie Down
8. Sam, A Dream
Pre-order Mother of My Children
Black Belt Eagle Scout Tour Dates:
July 23 – Portland, OR @ Mississippi Studios
July 24 – Seattle, WA @ Barboza

Mother of My Children cover art
Keep your mind open.
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Wild Nothing’s groovy new single, “Partners in Motion,” is a sweet track for the summer.

Wild Nothing Presents “Partners In Motion,”
New Single Off Indigo, Out August 31st On Captured Tracks

Listen HERE

photo credit – Cara Robbins
 “a project that has virtually perfected the art of writing about romance”
Vulture, Summer Music Preview

“an intoxicating, pristine cut of melancholy pop”
The A.V. Club, 2018’s Second Half Preview

“A retro sensibility is nothing new for Tatum, but the urge sounds more fleshed out on
[‘Letting Go’], more bright and ambitious. . . The effort to stay true to his digital
creations shines through in the tight, sparkly rendering.” — Stereogum

“[‘Letting Go’]s chiming guitar and Tatum’s sweet falsetto in the chorus bring you to a pastel-painted room where there’s a slow-motion pillow fight going on.” — Paste

“On ‘Letting Go,’ Jack Tatum’s Wild Nothing project is working in familiar dreamy and nostalgic territory, though this is a little more frenetic and muscular than usual. By the time the bridge hits, though, Wild Nothing shows a willingness to experiment and wade into uncomfortable waters. It’s enough to pique interest into what’s to come.” – Uproxx

Wild Nothing, the project of Los Angeles-based Jack Tatum, will release his fourth album, Indigo, on August 31st via Captured Tracks. He’ll tour North America for a month beginning mid-October with newly announced support, Men I Trust. After presenting the chiming guitar and sweeping synths of lead single, “Letting Go,” Wild Nothing now shares the ’80s-heavy “Partners In Motion” featuring saxophonist Taylor Plenn. As discussed with FADER, it’s a song he’s been inching towards for years.

Recorded at LA’s Sunset Sound and produced by Tatum and Jorge Elbrecht, Indigo is its own cyborg world, utilizing the artful mechanisms of human touch with the precision of technology to create the classic, pristine sound Tatum has been seeking his entire career. After a decade of making music as Wild Nothing, Indigo finds Tatum at his most efficient, calculated, and confident. It’s both a return to the fresh, transcendent sweep of his debut, 2010’s Gemini, and a culmination of heights reached, paths traveled, and lessons learned while creating the follow-ups, Nocturne and Life of Pause.

To make Indigo, Tatum confronted the Man vs. Machine dichotomy by seizing on the surrounding synergy. In his studio, he would write pieces of songs with whatever instruments and programs held his interest on any given day. He built a series of highly detailed demos, intending to record the final package swiftly with a live band in a studio and in a clear, bright, 1980’s-inspired fidelity. “I wanted it to sound like a classic studio record, as close as I could get it there. It just boils down to me wanting to fit into some larger narrative, musically, in terms of these artists I love,” says Tatum. “I think about how my music will age. Ideas of ‘timeless’ are going to be different—so if Indigo is not timeless then it’s at least ‘out of time.’”

Stream “Partners In Motion” –
https://youtu.be/6ksagHpqCKo

Stream “Letting Go” –
https://WildNothing.lnk.to/LettingGo

Pre-order Indigo
https://WildNothing.lnk.to/Indigo

Wild Nothing Tour Dates:
(all shows with Men I Trust)
Tue. Oct. 16 – Carrboro, NC @ Cat’s Cradle
Wed. Oct. 17 – Atlanta, GA @ Terminal West
Thu. Oct. 18 – Birmingham, AL @ Saturn
Fri. Oct. 19 – New Orleans, LA @ Gasa Gasa
Sat. Oct. 20 – Houston, TX @ White Oak Music Hall
Sun. Oct. 21 – Austin, TX @ Mohawk
Tue. Oct. 23 – Santa Fe, NM @ Meow Wolf
Wed. Oct. 24 – Phoenix, AZ @ Crescent Ballroom
Thu. Oct. 25 – Santa Ana, CA @ Observatory
Fri. Oct. 26 – Los Angeles, CA @ The Regent Theater
Sat. Oct. 27 – San Francisco, CA @ The Independent
Tue. Oct. 30 – Portland, OR @ Revolution Hall
Wed. Oct. 31 – Vancouver, BC @ Imperial Vancouver
Thu. Nov. 1 – Seattle, WA @ Neumos
Fri. Nov. 2 – Boise, ID @ Neurolux
Sat. Nov. 3 – Salt Lake City, UT @ Urban Lounge
Sun. Nov. 4 – Denver, CO @ Bluebird Theater
Tue. Nov. 6 – Omaha, NE @ The Slowdown
Wed. Nov. 7 – Minneapolis, MN @ Cedar Cultural Center
Thu. Nov. 8 – Madison, WI @ Majestic Theatre
Fri. Nov. 9 – Chicago, IL @ Thalia Hall
Sat. Nov. 10 – Detroit, MI @ El Club
Mon. Nov. 12 – Toronto, ON @ Opera House
Tue. Nov. 13 – Montreal, QC @ Corona Theatre
Wed. Nov. 14 – Boston, MA @ Royale Nightclub
Fri. Nov. 16 – Brooklyn, NY @ Brooklyn Steel
Sat. Nov. 17 – Philadelphia, PA @ Underground Arts
Sun. Nov. 18 – Washington, DC @ 9:30 Club

Download hi-res press images and cover art –
www.pitchperfectpr.com/wild-nothing/

Indigo cover art
Keep your mind open.
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Kalamazoo, Michigan’s Audiotree Music Festival releases lineups for 2018.

AUDIOTREE MUSIC FESTIVAL ANNOUNCES WIDR STAGE LINEUP

CO-BOOKED BY WMU’S STUDENT RADIO STATION, WIDR-FM

SEPTEMBER 22-23 IN KALAMAZOO, MI

TICKETS AVAILABLE NOW

 

Audiotree Music Festival is returning to Kalamazoo’s Arcadia Creek Festival Place on Saturday, September 22nd and Sunday, September 23rd for the 6th year in a row. The main stage lineup was announced last month, featuring Father John Misty, Local Natives, Real Estate, Khruangbin, and more. Now, the festival has shared its WIDR Stage lineup, featuring Slow Mass, Michigander, Pool Holograph, McKinley Dixon, and Miranda Winters amongst others.

Booked in collaboration with Western Michigan University’s student radio station, WIDR-FM, The WIDR Stage will present a dozen up-and-coming artists that are predominantly from Kalamazoo, Grand Rapids, and Chicago. ATMF has worked with WIDR-FM for the last 5 years, but this is the first time that the station has participated in the festival’s booking process.

Audiotree Music Festival and its namesake company, Audiotree, were founded by Kalamazoo natives Michael Johnston and Adam Thurston. The duo have always  made an effort to ensure that the company and the fest share a unifying goal: to provide a platform for artists and fans to discover one another through live performances. With the addition of the WIDR Stage, ATMF attendees now have an opportunity to see new artists from their hometown and neighboring cities.

In addition to music, the festival will offer a variety of craft beer, food trucks, and specialty vendors from the Kalamazoo area. The fest is all ages and children under the age of 10 get free admission with an adult.

PURCHASE TICKETS
Single Day General Admission – $45
Two Day General Admission – $80
Single Day VIP – $75
Two Day VIP – $135

WATCH AUDIOTREE MUSIC FESTIVAL TRAILER

LEARN MORE ABOUT AUDIOTREE

WIDR  STAGE LINEUP
Michigander – Grand Rapids
Slow Mass – Chicago
Miranda Winters – Chicago
Pool Holograph – Chicago
McKinley Dixon – Richmond
REZN – Chicago
Maybe April – Nashville
Moss Jaw – Kalamazoo
Lume – Michigan & Chicago
Jake Simmons & The Little Ghosts – Kalamazoo
Lushh – Kalamazoo
V.V. Lightbody – Chicago

MAIN STAGE LINEUP
Father John Misty
Local Natives
Khruangbin
Real Estate
Blitzen Trapper
Chicano Batman
Diet Cig
The Regrettes
Stuyedeyed
Flaural
Basement
Palm
Caamp
Common Holly
Major Murphy
NE-HI
Melkbelly
Post Animal

LINEUP BY DAY

SATURDAY, SEPTEMBER 22
Local Natives
Khruangbin
Basement
Diet Cig
The Regrettes
NE-HI
Melkbelly
Stuyedeyed
Flaural
Michigander
Miranda Winters
Maybe April
McKinley Dixon
V.V. Lightbody
Moss Jaw

SUNDAY, SEPTEMBER 23
Father John Misty
Real Estate
Chicano Batman
Blitzen Trapper
Post Animal
Palm
Caamp
Major Murphy
Common Holly
Jake Simmons
Lume
REZN
Pool Holograph
Slow Mass
Lushh

Audiotree Music Festival FAQ

Audiotree Music Festival Socials
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