Fat Possum Records is set to release four classic (and remastered) X albums starting next month. First up is Los Angeles (release date February 22nd), then Wild Gift a month later, and Under the Big Black Sun and More Fun in the New World on April 12th.
All four albums will be released in vinyl, CD, and digital formats. Formed in 1977, X quickly established themselves as one of the best bands in the first wave of LA’s flourishing punk scene; becoming legendary leaders of a punk generation. Featuring vocalist Exene Cervenka, vocalist/bassist John Doe, guitarist Billy Zoom, and drummer DJ Bonebrake, their debut 45 was released on the seminal Dangerhouse label in 1978, followed by seven studio albums released from 1980-1993. X’s first two studio albums, Los Angeles and Wild Gift are ranked by Rolling Stone among the top 500 greatest albums of all time. Over the years, the band has released several critically acclaimed albums, topped the musical charts with regularity and performed their iconic hits on top television shows such as Letterman and American Bandstand. In 2017, the band celebrated their 40th anniversary in music with a Grammy Museum exhibit opening, a Proclamation from the City of Los Angeles and being honored at a Los Angeles Dodgers game, where Exene threw out the first pitch and John Doe sang the National Anthem. The band continues to tour with the original line-up.
Keep your mind open.
[It would be a wild gift to me if you subscribed.]
WATCH “THE SEDUCTION OF KANSAS” https://youtu.be/coR59SSPWv8 LISTEN TO “THE SEDUCTION OF KANSAS” http://smarturl.it/TheSeductionOfKansas
What is at stake in the seduction of Kansas? Like a gavel or hammer, the question rattles across the second LP from Washington, D.C. rock iconoclasts Priests: The Seduction of Kansas, out April 5th via their own Sister Polygon Records. They announce their new album today alongside a massive world tour and a video for the title track.
Entering their eighth year as a band, Priests—drummer Daniele Daniele, vocalist Katie Alice Greer, and guitarist G.L. Jaguar—remain an inspired anomaly in modern music. A band on its own label—jolting the greater music world with early releases by Downtown Boys, Snail Mail, Sneaks, and Gauche—they are living proof that it is still possible to work on one’s own terms, to collectively cultivate one’s own world.
Priests enlisted two primary collaborators in writing, arranging, and recording The Seduction of Kansas. After playing cello, mellotron, and lap steel on Nothing Feels Natural, multi-instrumentalist Janel Leppin (Mellow Diamond, Marissa Nadler) returned to breathe air into Priests’ demos, serving as primary bassist and a fourth songwriting collaborator on The Seduction of Kansas. The band also found a kindred spirit in producer John Congleton (Angel Olsen, St. Vincent), recording for two weeks at his Elmwood Studio in Dallas. It marked the band’s first time opening up their creative work to collaborate with someone outside of their DC-based community—a decidedly less hermetic approach. Priests found a third collaborator in bassist Alexandra Tyson, who has also joined the touring band. The songwriting process found the group once again analyzing the textures and scopes of albums as aggressive as they are introspective, like Massive Attack’s Mezzanine, Portishead’s Third, and Nine Inch Nails’ Downward Spiral.
The first single, “The Seduction of Kansas,” is Priests’ purest pop song to date. It is dark and glittering—though there is still something fantastically off about it, decadent and uneasy at once. As journalist Thomas Frank explored in 2004’s What’s the Matter With Kansas?, the ideological sway of Kansas has often predicted the direction in which the U.S. will move—whether leaning socialist in the 1800s or going staunchly conservative in the 1980s. Illustrating Kansas’ potent place in our national imagination—as well as “a chorus of whoever is trying to persuade the social consciousness of Kansas”—Greer sings brilliantly of a “bloodthirsty cherub choir” in a cornfield, of “a drawn out charismatic parody of what a country through it used to be,” beckoning that “I’m the one who loves you.” The song does what Priests do best: They make us think, stir us with complexity. As for “seduction,” the word has long evoked pleasure, sex—but it can become propaganda, a tactic of manipulation, a ploy in the politics of persuasion. “There’s something sinister about the idea of seducing a whole state,” says drummer Daniele Daniele. “You’re clearly up to something. Why would you do it?” The title—like Priests—is a moving target, probing questions about the realities and mythologies of America in 2019 without giving in to easy answers.
THE SEDUCTION OF KANSAS TRACKLISTING 1. Jesus’ Son 2. The Seduction of Kansas 3. Youtube Sartre 4. I’m Clean 5. Ice Cream 6. Good Time Charlie 7. 68 Screen 8. Not Perceived 9. Control Freak 10. Carol 11. Interlude 12. Texas Instruments
PRIESTS 2019 TOUR DATES Fri. March 8 – Savannah, GA @ Savannah Stopover Music Festival Sat. March 9 – Birmingham, AL @ The Firehouse Mon. March 11 – Fri. March 15 – Austin, TX @ SXSW Sun. March 17 – Nashville, TN @ Exit / In Mon. March 18 – Knoxville, TN @ The Pilot Light Mon. April 15 – Philadelphia, PA @ Union Transfer Tue. April 16 – Brooklyn, NY @ Elsewhere Thu. April 18 – Cambridge, MA @ The Sinclair Fri. April 19 – Montreal, QC @ Casa Del Popolo Sat. April 20 – Toronto, ON @ The Garrison Sun. April 21 – Detroit, MI @ El Club Mon. April 22 – Chicago, IL @ Lincoln Hall Thu. April 25 – Madison, WI @ High Noon Saloon Fri. April 26 – Minneapolis, MN @ 7th Street Entry Sat. April 27 – Omaha, NE @ Reverb Sun. April 28 – Des Moines, IA @ Vaudeville Mews Tue. April 30 – Bloomington, IN @ The Bishop Wed. May 1 – Columbus, OH @ Ace of Cups Sat. May 11 – Brighton, UK @ The Great Escape Sun. May 12 – Bristol, UK @ Rough Trade Mon. May 13 – Manchester, UK @ YES (Pink Room) Tues. May 14 – Glasgow, UK @ The Hug and Pint Wed. May 15 – Leeds, UK @ Brudenell Social Club Thu. May 16 – London, UK @ 100 Club Fri. 17 May – Lille, FR @ Aeronef Sat. 18 May – Paris, FR @ Supersonic Mon. 20 May – Brussels, BE @ Botanique (Witloof Bar) Tue. 21 May – Cologne, DE @ Bumann & Sohn Wed. 22 May – Munich, DE @ Import/Export Thu. 23 May – Zurich, CH @ Rote Fabrik Fri. 24 May – Heidelberg, DE @ Queer Festival (Karlstorbahnhof) Sat, 25 May – Amsterdam, NL @ London Calling Mon. 27 May – Aarhus DK @ Tape Tue. 28 May – Copenhagen, DK @ Loppen Wed. 29 May – Berlin, DE @ Kantine am Berghain Thu. 30 May – Hamburg, DE @ Hafenklag (Goldener Salon) Fri. 31 May – Hilvarenbeek, NL @ Best Kept Secret Festival Sat. 1 June – Neustrelitz, DE @ Immergut Festival Sat. June 15 – Washington, DC @ 9:30 Club Sun. June 16 – Durham, NC @ The Pinhook Mon. June 17 – Atlanta, GA @ Drunken Unicorn Tue. June 18 – New Orleans, LA @ Gasa Gasa Thu. June 20 – Houston, TX @ White Oak Music Hall Fri. June 21 – Austin, TX @ Barracuda Sat. June 22 – Dallas, TX @ Club Dada Mon. June 24 – Albuquerque, NM @ Sister Tue. June 25 – Phoenix, AZ @ Valley Bar Wed. June 26 – San Diego, CA @ Soda Bar Thu. June 27 – Los Angeles, CA @ Teragram Ballroom Sat. June 29 – Oakland, CA @ Starline Social Club Mon. July 1 – Portland, OR @ Polaris Hall Tue. July 2 – Vancouver, BC @ The Bitmore Wed. July 3 – Seattle, WA @ Neumos Sat. July 6 – Salt Lake City, UT @ Kilby Court Sun. July 7 – Denver, CO @ Lost Lake Tue. July 9 – Kansas City, MO @ The Record Bar Wed. July 10 – St. Louis, MO @ Off Broadway
Download hi-res images & album art: http://pitchperfectpr.com/priests/
PRE-ORDER THE SEDUCTION OF KANSAS Sister Polygon pre-order* – http://sisterpolygonrecords.bigcartel.com iTunes Pre-order – https://apple.co/2TvJs3c
*First 350 people who pre-order via Sister Polygon Records directly will receive a 18″x24″ glossy poster and a The Seduction of Kansas enamel pin.
“Burger Boogaloo is the perfect cult gathering of young and old music rebels who hate everybody in the world except each other. Being asked to host this lunatic festival for the fifth year in a row makes me feel all warm and scuzzy inside” – John Waters
Ho Ho Holy sh*t, Burger Boogaloo is announcing its 10th anniversary with a holiday ticket sale! It’s a miracle!
Burger Boogaloo will return to Oakland’s Mosswood Park in 2019 on Saturday, July 6th and Sunday, July 7th for a foot stompin’, ear throbbin’ extravaganza celebrating 10 years of filth. If that wasn’t enough, the one-and-only John Waters will return as host to blow out the candles and make all our birthday wishes come true! To pregame the celebration, we’re selling a limited supply of discounted tickets with service fees that are comped by Burger Boogaloo.
The Boogaloo crew has also partnered with Homeless Action Center to help those who call Mosswood Park their home year-round. The Homeless Action Center (HAC) provides no-cost, barrier-free, culturally competent legal representation that makes it possible for people who are homeless or at risk of becoming homeless to navigate the maze of social programs offering pathways to a better life. You can help make the holidays a bit brighter for the less fortunate by donating when you purchase tickets here.
HOLIDAY SPECIAL TICKET PRICES GA WEEKEND PASS – $99 VIP WEEKEND PASS – $149 STANDARD TICKET PRICES GA WEEKEND PASS – $129 VIP WEEKEND PASS – $199
Following last year’s cover of “O Holy Night,” Texas space-psych rockers Dayluta Means Kindness have released their version of “O Come, O Come, Emmanuel” for 2018. It’s an instrumental jam that keeps the core of the song and sends it into orbit. It’s only a buck to download it, so drop them some change while you’re in the Christmas spirit.
Keep your mind open.
[Drop your e-mail address in the subscription box while you’re at it.]
Austin’s annual Levitation Music Festival announced that it will now be held in early November 2019 for the foreseeable future. The festival plans to make special announcements about 2019 festival early next year, so keep your eyes open. I can’t help but wonder if the temple image below is actually a secret message that Devo will be one of the headliners next year.
Keep your mind open.
[You don’t have to wait until autumn 2019 to subscribe. You can do it now.]
British synthwave duo The KVB have announced several dates for a U.S. spring 2019 tour to promote their upcoming album Only Now Forever. Don’t miss this tour if you love vintage synths, electronic beats, and having your perception altered.
The Beths Release “Have Yourself A Merry Little Christmas” 7-Inch Via Carpark Records Listen Here
February/March North American Tour On Sale Now
[Photo by Mason Fairey]
The Beths’ Future Me Hates Me is “one of the most impressive indie-rock debuts of the year” (Pitchfork). Its first 3 pressings sold out only 2 months after release and have tallied over 1.5 million Spotify streams. Stereogum recently named The Beths one of the “40 Best New Bands Of 2018” and Rolling Stone is currently featuring them in their Hot Issue. While Paste has designated Future Me Hates Me one of “The 50 Best Albums of 2018.”
To celebrate a banner year, The Beths are releasing a 7-inch featuring a moving rendition of “Have Yourself A Merry Little Christmas” via Carpark Records. Recorded in three separate continents on their first proper world headline tour, The Beths ditch the usual uptempo, guitar-driven numbers, for a slow-building serenade propelled by strings. The B-side, only available on the physical 7-inch, features a special demo version of Future Me Hates Me favorite “Happy Unhappy.” All profits from the 7-inch go toGirls Rock Camp Foundation.
Having recently completed a North American tour this fall selling out Seattle, Chicago, Boston, New York City (x2), Philadelphia and Washington, DC, The Beths will return in February and March to headline their biggest shows yet including Music Hall of Williamsburg in Brooklyn, First Unitarian Church in Philadelphia and Lincoln Hall in Chicago. A full list of dates is below and tickets are on sale now.
The Beths Tour Dates:
Fri. Dec. 14 – Wellington, NZ @ Meow (tickets)
Sat. Dec. 15 – Warkworth Town District, NZ @ Leigh Sawmill Café (tickets)
Wed. Dec. 19 – Sydney, AUS @ Lansdowne Hotel (tickets)
Thu. Dec. 20 – Northcote, AUS @ Northcote Social Club (tickets)
Sat. Dec. 22 – Fortitude Valley, AUS @ Black Bear Lodge (tickets)
Wed. Jan. 23 – Dublin, IE @ The Grand Social (tickets)
Thu. Jan. 24 – Dublin, IE @ Olympia Theatre (w/ Death Cab for Cutie) (tickets)
Fri. Jan. 25 – Manchester, UK @ Albert Hall (w/ Death Cab for Cutie) (SOLD OUT)
Sat. Jan. 26 – Glasgow, UK @ O2 Academy Glasgow (w/ Death Cab for Cutie) (tickets)
Mon. Jan. 28 – Nottingham, UK @ Rock City (w/ Death Cab for Cutie) (tickets)
Tue. Jan. 29 – Leeds, UK @ O2 Academy Leeds (w/ Death Cab for Cutie) (tickets)
Wed. Jan. 30 – Bristol, UK @ O2 Academy Bristol (w/ Death Cab for Cutie) (tickets)
Thu. Jan. 31 – London, UK @ Hoxton Square Bar & Kitchen (tickets)
Fri. Feb. 1 – London, UK @ Eventim Apollo (w/ Death Cab for Cutie) (tickets)
Sat. Feb. 2 – Paris, FR @ Le Trianon (w/ Death Cab for Cutie) (tickets)
Sun. Feb. 3 – Antwerp, BE @ De Roma (w/ Death Cab for Cutie) (tickets)
Tue. Feb. 5 – Utrecht, NL @ TivoliVrendenburg, Grote Zaal (w/ Death Cab for Cutie) (tickets)
Wed. Feb. 6 – Cologne, DE @ Live Music Hall (w/ Death Cab for Cutie) (tickets)
Thu. Feb. 7 – Berlin, DE @ Astra Kulturhaus (w/ Death Cab for Cutie) (tickets)
Sat. Feb. 9 – Hamburg, DE @ Große Freiheit 36 (w/ Death Cab for Cutie) (SOLD OUT)
Sun. Feb. 10 – Copenhagen, DK @ VEGA Musikkens Hus – Store Vega (Main Hall) (tickets)
Mon. Feb. 11 – Stockholm, SE @ Cirkus (w/ Death Cab for Cutie) (tickets)
Tue. Feb. 12 – Oslo, NO @ Sentrum Scene (w/ Death Cab for Cutie) (tickets)
Thu. Feb. 21-Sun. Feb. 24 – Orere Point, NZ @ Splore 2019 (tickets) Tue. Feb. 26 – Toronto, ON @ The Garrison (w/ Bad Bad Hats) (tickets) Wed. Feb. 27 – Montreal, QC @ Casa Del Popolo (w/ Bad Bad Hats) (tickets) Thu. Feb. 28 – Boston, MA @ Brighton Music Hall (w/ Bad Bad Hats) (tickets) Fri. Mar. 1 – Brooklyn, NY @ Music Hall of Williamsburg (w/ Bad Bad Hats) (tickets) Sat. Mar. 2 – Washington, DC @ Union Stage (w/ Bad Bad Hats) (tickets) Sun. Mar. 3 – Philadelphia, PA @ First Unitarian Church (w/ Bad Bad Hats) (tickets) Tue. Mar. 5 – Cleveland, OH @ Beachland Ballroom (w/ Bad Bad Hats) (tickets) Wed. Mar. 6 – Chicago, IL @ Lincoln Hall (w/ Bad Bad Hats) (tickets) Thu. Mar. 7 – Nashville, TN @ The Basement (w/ Bad Bad Hats) (tickets) Fri. Mar. 8 – Atlanta, GA @ The Earl (w/ Bad Bad Hats) (tickets) Sat. Mar. 9 – Savannah, GA @ Savannah Stopover (w/ Bad Bad Hats) (tickets) Mon. Mar. 11-Fri. Mar. 15 – Austin, TX @ SXSW (w/ Bad Bad Hats) Sat. Mar. 16 – Dallas, TX @ Not So Fun Wknd (w/ Bad Bad Hats) Sun. Mar. 17 – Houston, TX @ Satellite Bar (w/ Bad Bad Hats) (tickets)
Thur. May. 16 – London, UK @ The Dome (tickets)
USA & Canadian Tour Dates
January 24 – Big Fun Festival, Winnipeg MB
February 20 – Fox Cabaret, Vancouver BC*
February 23 – Lucky Bar, Victoria BC
February 24 – The Vera Project, Seattle WA*
February 25 – Holocene, Portland OR*
February 28 – The Hi Hat, Los Angeles CA*
March 03 – Noise Pop Fest, San Francisco CA*
*co-headlining with Dude York
————————
Partner is the “mature” effort of two best friends named Josée Caron and Lucy Niles. Borne of their bizarre and fortuitous friendship, Partner confidently harnesses the infinite power of Rock to explore a variety of niche yet strangely universal themes. Self described as post-classic-rock.
The two met while attending Mount Allison University in Sackville NB. The duo played in numerous Sackville bands together over their University years (Yellowteeth and The Mouthbreathers). Around late 2014 the idea of Partner came to fruition.
Partner released their debut full length In Search Of Lost Time in September 2017 on You’ve Changed Records and received incredible critical acclaim including making the year end best of lists at NPR’s All Songs Considered, Stereogum, Playboy, Noisey, Exclaim, CBC Music, Indie 88 and many more. In Search Of Lost Time was also short listed for the Polaris Prize 2018 and Partner’s single “Play The Field” won the SOCAN Songwriting Prize 2018 ($10,000 prize!).
Partner have been named the “best new band in Canada” in the Globe and Mail. And taken their enthusiastic live show all over North America, touring in the USA with Shamir and PUP; and playing practically every Canadian festival (Field Trip, Hillside, Sled Island, Sappy Fest, Halifax Pop Explosion, Pop Montreal, Beau’s Oktoberfest, CMW, Folk On The Rocks and many more).
Influenced by acts as varied as Melissa Etheridge, Ween, kd lang and Prince, Partner is genre-defying, part musical act, part teenage diary and 100% queer
Partner in the press:
“Listening to Partner is like hanging out with your best friends, assuming your best friends are queer Canadian stoners with hooks for days.”
– Stereogum
“The best Canadian rock record of the year wasn’t made by Arcade Fire, Broken Social Scene or Mac Demarco, but by two self-deprecating, 1990s-loving stoner best friends known as Partner. ”
– Playboy
“…two young women from Canada, Joseé Caron and Lucy Niles, who write and record as Partner, put out the year’s best guitar rock album.”
– NPR’s All Songs Considered
(Photo credit – Christian Freidlander)
“[Beyondless] seeks release in letting loose, in the pleasure music can give from creating wild, anarchic spaces within the framework of pop music song structures. There’s an art to summoning up chaos and an equal reward in keeping that chaos under control.” — Fresh Air
“On their astonishing fourth album, [Iceage] reach for pop-gothic grandeur with more tenacity and abandon than ever.” — Pitchfork [Best New Music]
“Beyondless’s achievement is that it preserves what made Iceage powerful and unique while allowing that character to mature into a sound that feels older, wiser, and more emotionally expansive.”
— Vulture
“[Beyondless] feels like the long-awaited delivery on the promise this band has always possessed, the moment when they could rise to the next echelon of today’s indie landscape.”
— Stereogum [Album of the Week]
Following “Balm Of Gilead” released earlier in the month, “as snarling and clobbering as anything you could hope for from the band” (The Fader), Iceage today unveil a second new single with “Broken Hours.” A five minute epic of doom-laden swing and crashing, spidery riffs that backdrop Elias Bender Rønnenfelt’s howling incantation: “Dying figures, they settle in / Broken hours / It lingers on” – it’s another heart-racing transmission from a band at the peak of their craft.
Iceage cap off their 2018 North American touring tomorrow night in Brooklyn with a show at Elsewhere; their biggest ever UK headline show follows in London on December 7th.
Beyondless, released this past June via Matador, is the culmination of Iceage’s output so far. It boasts an earthy and hypnotic sound that pays tribute to American music, from country honk brawls to sleazy soul revues to cocaine blues. Echoes of The Waterboys to Exile-period Stones to John Cale are laced with a ubiquitous air of ecstatic abandon and channelled via masterful songwriting. Throughout their career, the band’s charm has rested in their running ahead of themselves with blind confidence; on Beyondless, Iceage are treading with a disarming assurance, but no loss of charm. Listen to Iceage’s “Broken Hours” – http://mat-r.co/brokenhours
Wed. Dec. 5 – Berlin, DE @ Bi Nuu
Thu. Dec. 6 – Kortrijik, BE @ De Kreun
Fri. Dec. 7 – London, UK @ Hackney Arts Centre ∞
Wed. Jan. 30 – Ljubliana, SI @ Ment Festival
Fri. March 1 – Copenhagen, DK @ Store Vega
“Is it any wonder that y’all about to blow up!” – Robin Roberts,Good Morning America
“…I can attest that witnessing Jones live is very much akin to how I imagine the early shows of his heroes from the ‘60s and ‘70s – tight as hell, bursting with raw emotion and drenched in sweat.” –Variety
Today,Durand Jones & The Indicationsare proud to announce their return withAmerican Love Call, a fierce album that reckons with how to balance love and fury of modern day America, dueMarch 1stviaDeadOceans/ColemineRecords. Hailed byNPR’sAll Things Consideredas “old-school soul with a new-school honesty,” The Indications conjure the dynamism ofJackieWilson,CurtisMayfield,ANDTheImpressions. This young band of twenty-somethings are students of soul. Watch the video forAmerican Love Call’s lead single,“Don’t You Know,”featuring both Jones and drummer/singerAaronFrazeron vocals, below.
Helmed by foil vocalists Jones and Frazer, and rounded out byBlakeRhein(guitarist),KyleHoupt(bassist), andSteveOkonski(keyboard), The Indications released theirself-titled debut albumto much acclaim on renowned Midwestern soul label,ColemineRecords. The album quickly picked up steam on the back of the band’s booming live show and the enthusiastic recommendation of independent record store clerks across the country.
The group’s second effort,American Love Call, is an album made the way the Indications dreamed it’d sound, a sprawling and limitless equation; grand and cinematic, yet focused on fleeting details.
Recorded at Brooklyn’sStudioGearlier this summer,American Love Callis an expansion of the band’s sound, making a leap forward in both style and songwriting. Pulling influence from a variety of sounds like R&B, gospel, early folk rock, and classical music, the Indications’ second effort has a newfound confidence, with Jones’ bellowing voice and Frazer’s soothing falsetto filled out by backing vocals and instrumentation. Thematically, the album covers tough ground, like the danger of simplifying and romanticizing the past, but it also attempts to reconcile, searching for unifying commonalities. Brooding, bold, and pensive,American Love Callis the result of the band fleshing out its craft and elevating its dreamy, old-soul sound.
The Indications will tour the US extensively this spring in support ofAmerican Love Call. A full list of tour dates are below.
American Love CallTracklist:
01. Morning In America
02. Don’t You Know (feat. Aaron Frazer)
03. Circles
04. Court Of Love (feat. Aaron Frazer)
05. Long Way Home
06. Too Many Tears (feat. Aaron Frazer)
07. Walk Away
08. What I Know About You (feat. Aaron Frazer)
09. Listen To Your Heart
10. Sea Gets Hotter (feat. Aaron Frazer)
11. How Can I Be Sure (feat. Aaron Frazer)
12. True Love
Durand Jones & The Indications’ Tour Dates:
Tue. Jan. 22 – London, UK @ Dingwalls
Wed. Jan. 23 – Paris, FR @ La Maroquinerie
Fri. Jan. 25 – Amsterdam, NL @ Paradiso-Noord
Sun. Jan. 27 – Cologne, DE @ Artheater
Mon. Jan. 28 – Berlin, DE @ Lido
Mon. March 18 – Houston, TX @ White Oak Music Hall
Tue. March 19 – Dallas, TX @ Club Dada
Thu. March 21 – Santa Fe, NM @ Tumbleroots
Fri. March 22 – Phoenix, AZ @ Crescent Ballroom
Sat. March 23 – San Diego, CA @ Casbah
Mon. March 25 – Tustin, CA @ Marty’s On Newport
Wed. March 27 – Los Angeles, CA @ Teragram Ballroom
Thu. March 28 – Santa Barbara, CA @ SOhO Restaurant & Music Club
Fri. March 29 Oakland, CA @ The New Parish
Sat. March 30 – San Francisco, CA @ The Independent
Mon. April 1 – Portland, OR @ Wonder Ballroom
Tue. April 2 – Seattle, WA @ Neumos
Thu. April 4 – Salt Lake City, UT @ The State Room
Fri. April 5 – Denver, CO @ Bluebird Theater
Sat. April 6 – Kansas City, MO @ recordBar
Sun. April 7 – Omaha, NE @ The Waiting Room
Tue. April 9 – Minneapolis, MN @ 7th Street Entry
Wed. April 10 – Madison, WI @ High Noon Saloon
Thu. April 11 – Chicago, IL @ Thalia Hall
Fri. April 12 – Columbus, OH @ A&R Music Bar
Sat. April 13 – Carrboro, NC @ Cat’s Cradle
Sun. April 14 – North Charleston, SC @ High Water Festival
Tue. April 16 – Washington, DC @ Rock & Roll Hotel
Wed. April 17 – Brooklyn, NY @ Music Hall of Williamsburg
Fri. April 19 – Philadelphia, PA @ First Unitarian Church
Sat. April 20 – Uncasville, CT @ Wolf Den at Mohegan Sun Resort
Sun. April 21 – Boston, MA @ Brighton Music Hall
Mon. April 22 – Baltimore, MD @ Ottobar
Wed. April 24 – Cincinnati, OH @ The Woodward Theater
Fri. April 26 – Nashville, TN @ The Basement East
Sat. April 27 – Oxford, MS @ Double Decker Arts Festival
Sun. April 28 – Atlanta, GA @ Terminal West
Sat. May 11 – Bloomington, IN @ Indiana University w/ Neko Case
*Dead Oceans exclusive bundle includes the album on limited transparent orange vinyl, limited edition transparent purple “Morning in America b/w Cruisin’ to the Park” Colemine Records white label promo 7”, a 7” adapter and poster.
