Dead Kennedys celebrate their 40th anniversary with the upcoming release of “DK40.”

Out of the hundreds of punk bands that emerged from the late ’70s punk scene, only about a dozen or so have achieved iconic status four decades later. They include the Sex Pistols, the Clash and the Damned from the U.K.; the Ramones and Patti Smith Group from New York; X, the Germs and Black Flag from Los Angeles; and from San Francisco, the Dead Kennedys.

The DKs embodied the spirit of punk from the get-go. Their very name was a shocking reminder of the collapse of the American Dream. Then again, the name would be nothing if the Dead Kennedys didn’t have the goods to back it up.

DK40, a three-CD live collection due April 26 from Manifesto Records, offers the aural evidence that the Dead Kennedys were one of the most potent punk bands — period. It features the band serving up amped-up live versions of all their classic tracks, free from the constraints of the recording studio.

Formed in 1978 after guitarist East Bay Ray’s ad in The Recycler attracted the attention of singer Jello Biafra, they were soon joined by bassist Klaus Flouride; guitarist 6025 and drummer TedD.H Peligro soon took over the rule of the drum chair.  After gigging around the Bay Area, they soon built a reputation cemented by the release of their first single, “California Über Alles,” on their own DIY label, within a year of their formation. Over a boleroesque rhythm consisting of pounding drums, throbbing bass and jagged guitar lines, Biafra lays into then-and-future California Governor Jerry Brown and the hippy dream. The song includes such memorable lines as “It’s the suede denim secret police / They have come for your uncool niece.” With their follow-up, 1980’s “Holiday in Cambodia,” the DKs showed no signs of letting up. It offered a brutal take on the powers behind the Vietnam War, with East Bay Ray’s iconic guitar parts showing people that the DKs were very much a musical force to be reckoned with. The band went onto release their debut album, Fresh Fruit for Rotting Vegetables, in 1980, featuring newly recorded versions of “California Über Alles” and “Holiday in Cambodia,” along with other classics such as “Kill the Poor,” “Let’s Lynch the Landlord” and a notable cover of the Elvis Presley hit “Viva Las Vegas.”

The subsequent releases, the 1981 EP, In God We Trust, Inc., 1982’s Plastic Surgery Disasters and 1985’s Frankenchrist albums followed. Live versions of the material from these releases are showcased on DK40.  Disc 1 captures the DKs at the Paradiso in Amsterdam, Netherlands in 1982, with a 13-song set, including “Holiday in Cambodia,” “Nazi Punks Fuck Off” and “Too Drunk to Fuck.”  The second disc has the DKs at Alabama Halle in Munich, Germany, also in 1982, with an 18-track set, including “Man With the Dogs,” “Police Truck” and “Chemical Warfare.”  The final disc of DK40 captures the band back on its home turf, at the Farm in San Francisco in 1985, with a 16-song romp that includes “Soup Is Good Food,” “Stars And Stripes Of Corruption” and “MTV Get Off The Air.”

While the DKs continue on following lineup changes, including the departure of Jello Biafra – vocalist Skip McSkipster of the Wynona Riders now bringing the songs to thousands of fans — DK40 captures the band at the height of their youthful exuberance, with the classic lineup of Jello Biafra, East Bay Ray, Klaus Flouride and D.H Peligro.

You’ll find DK40 even more fun than a holiday in Cambodia and the band’s blistering counsel is even more relevant today. They are here to remind us, “It’s never too late to think.”

Paradiso (December 5, 1982): 1. Moral Majority 2. Am the Owl 3. Life Sentence 4. Police Truck 5, Riot 6. Bleed For Me 7. Holiday in Cambodia 8. Let’s Lynch the Landlord 9. Chemical Warfare 10. Nazi Punks Fuck Off 11. Kill The Poor 12. We’ve Got A Bigger Problem Now 13. Too Drunk To Fuck Skateboard Party (December 13, 1982): 1. Skateboard Talk+Intro Noise 2. Man With The Dogs 3. Forward to Death 4. Kepone Factory 5. Life Sentence 6. Trust Your Mechanic 7, Moral Majority 8. Forest Fire 9. Winnebago Warrior 10. Police Truck 11. Bleed For Me 12. Holiday In Cambodia 13. Let’s Lynch the Landord 14. Chemical Warfare 15. Nazi Punks 16. We’ve Got A Bigger Problem Now 17. Too Drunk to Fuck 18. Kill the Poor The Farm (May 25, 1985): 1. Darren’s Mom 2. Goons of Hazard 3. Hellnation 4. This Could Be Anywhere 5. Soup Is Good Food 6. Chemical Warfare 7. Macho Insecurity 8. A Growing Boy Needs His Lunch 9. Forest Fire 10. Moon Over Marin 11. Jack-O-Rama 12. Encore 13. Stars and Stripes of Corruption 14. Second Encore 15. MTV Get Off the Air 16. Holiday In Cambodia

Keep your mind open.

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The 2091 Lollapalooza lineup is here.

If you didn’t know it already, here’s the lineup for the 2019 Lollapalooza music festival in Chicago, Illinois.  It’s…something.  The switch by Lollapalooza’s organizers from mostly rock acts to a wider variety of genres is clearly evident by now.  Ariana Grande is the headliner at a festival that used to boast Nine Inch Nails as a headliner.  Again, this is nothing new and Ms. Grande is a fine performer, indeed, but you might have to do a lot of research into this lineup if you’re looking for rock and some of its variants.  I recommend Idles for that.  Their set will probably be one of the loudest and wildest of the entire festival.

Keep your mind open.

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Amyl and the Sniffers’ first full-length album due May 10th.

Photo by Jamie Wdziekonski

Amyl and the Sniffers announce today that their debut album will be released on May 10th. Check out the first track from the album, ‘Monsoon Rock’, out on Rough Trade (UK/Europe), ATO/Flightless Records (North America) and Flightless Records (Australia & New Zealand).

“Monsoon Rock is just a song to rage to and celebrating good gigs / live music, we wrote it around the time of Gizzfest 2017 when it was pissing down with rain but everybody still got into it, just muddier and wetter and real feral. We ran out of time to make a video and it’s always fun making funny shit, if you don’t have a sense of humor and can’t laugh what’s the point of being alive?”

Amyl and the Sniffers are Amy Taylor (vocals), Gus Romer (bass) Bryce Wilson (drums) and Declan Martens (guitar). They formed in Melbourne, Australia in early 2016 and wrote, self-recorded and released their debut EP, Giddy Up, all in a span of twelve hours.

Their second EP, Big Attractions, was released in February 2017 then re-released as a 12” double EP with Giddy Up, through Homeless Records in Australia and Damaged Goods in the UK. Both PBS FM and Triple R FM in Melbourne made the record ‘Album of the Week’ and the band went on the sell out multiple Australian headline shows. 2018 saw limited edition vinyl copies of Giddy Up/Big Attractions fly off the shelves, pushing Amyl and the Sniffers into the Top 40 on the UK Vinyl Charts.

The band made their international debut at The Great Escape festival in May followed by sold out shows in London, before flying out to the Los Angeles to join King Gizzard and the Lizard Wizard on a 22-date tour of the United States. Return trips to both the UK and US followed later in the year, where the band played to packed houses and rave festival reviews.

Already signed to Flightless Records for Australia and New Zealand, the band capped off a monster year by signing with ATO Records for North America and Rough Trade Records for the rest of the world. They were also nominated as Best New Act at the Q Awards and won the $30,000 Levis Prize.

Amyl and the Sniffers will be playing the following shows: 1st April – The Bodega – Nottingham, UK 2nd April – Heaven – London, UK 3rd April – Brudenell Social Club – Leeds, UK 4th April – The Louisiana – Bristol, UK 6th April – The Deaf Institute – Manchester, UK 7th April – The Haunt – Brighton, UK 8th April – Botanique – Brussels, BELGIUM 10th April – Paradiso Noord – Amsterdam, HOLLAND 11th April – Molotow – Hamburg, GERMANY 12th April – Stengade – Copenhagen, DENMARK 13th April – Debaser – Stockholm, SWEDEN 15th April – Zukunft – Berlin, GERMANY 16th April – Strom – Munich, GERMANY 17th April – Bumann & Sohn – Cologne, GERMANY 20th April – Motel Mozaique – Rotterdam, HOLLAND 21th April – Paaspop Festival – Schijndel, HOLLAND

http://amylandthesniffers.com

http://facebook.com/amylandthesniffers

http://instagram.com/amylandthesniffers

Keep your mind open.

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King Gizzard and the Lizard Wizard’s new album, “Fishing for Fishies,” due April 26th.

Cover art

Never ones to rest on their laurels, Australian psych rockers King Gizzard and the Lizard Wizard have announced their fourteenth album (in less than seven years, by the way), Fishing for Fishies, will be released on April 26th.

According to lead singer Stu Mackenzie, “We tried to make a blues record. A blues-boogie-shuffle-kinda-thing, but the songs kept fighting it – or maybe it was us fighting them. Ultimately though we let the songs guide us this time; we let them have their own personalities and forge their own path. Paths of light, paths of darkness. This is a collection of songs that went on wild journeys of transformation.”

You can pre-order Fishing for Fishies at Flightless Records, and the band is about to embark on yet another massive tour across the globe.  Catch them if you can.  They never disappoint.

Keep your mind open.

[I’m fishing for subscriptions.]

Blackwater Holylight’s new album due this October.

File this under: Best News You’ve Read Today.

Doom / psych / goth rock band Blackwater Holylight announced they’re in the process of recording a new album due this October. Their self-titled debut album was one of my favorite debut records of 2018.

They’re also embarking on a European tour after a couple dates in the western U.S., so catch them if you can. I hope these ladies hit Austin’s Levitation festival in the fall.

BLACKWATER HOLYLIGHT LIVE: 04/16 Portland, OR @ Doug Fir Lounge w/ R.I.P. 04/20 Los Angeles, CA @ Psycho Smokeout Festival 04/26 Linz, AT @ Stadtwerkstatt 05/01 Bristol, UK @ The Lanes 05/02 Newcastle, UK @ Trillans 05/03 London, UK @ DesertFest 05/04 Liege, BE @ La Zone 05/05 Berlin, DE @ DesertFest 05/08 Malmo, SE @ Plan B 05/09 Stockholm, SE @ Undergangen 05/10 Gothenburg, SE W Truckstop Alaska 05/11 Esbjerg, DK @ Esbjerg Fuzzfestival 05/13 Oldenburg, DE @ MTS LP Store 05/14 Berlin, DE @ Zukunft 05/15 Vienna, AT @ Aerena Beisl 05/16 Olten, CH @ Coq’D’or 05/17 Innsbruck, AT @ PMK

Keep your mind open.

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Claude Fontaine’s debut album, due April 26th, is going to be stunning. Listen to “Pretending He Was You” if you don’t believe me.

Cover art / Photo by B+

“Claude Fontaine’s music perfectly captures the thrill that comes with discovering an excellent old LP at a record store.” — Noisey

“The Los Angeles-based Fontaine is preparing for the release of her debut album […] ‘Cry for Another’ is a wonderful early warning.” — Los Angeles Times


Los Angeles-based songwriter and singer, Claude Fontaine, announces her debutself-titled album, out April 26th on Innovative Leisure (LA-based label who has worked with the likes of BADBADNOTGOODRhyeAllah-LasNosaj ThingHanni El KhatibNick WaterhouseClassixx, etc). Today, she shares lead single, “Pretending He Was You,” which premiered this morning via Noisey
 

Stream “Pretending He Was You” —
https://soundcloud.com/innovativeleisure/claude-fontaine-pretending-he-was-you-4/s-GYXxX


Last month, Fontaine presented listeners with early single “Cry For Another,” a track praised by the Los Angeles Times as “a straight-up rocksteady song that conjures the essence of Kingston, Jamaica, in the late 1960s” and a “wonderful early warning” of what’s to come. Fontaine even made a special appearance at Ulla Johnson’s New York Fashion Week show in support of the single; Johnson, immediately upon hearing the track, personal reached out to Fontaine to perform it. 

A love song to classic reggae and Brazilian music, Claude Fontaine is an album honoring that feeling of finding a home away from home. Fontaine wrote and demoed her debut album after living in London off Portobello Road and stumbling into Honest Jon’s, a long-lived spot for fringe records collected from the furthest edges of the world.

She was immediately captivated by the old Studio OneTrojan, and Treasure Isle records she was discovering—the same records that got The Clash covering “Police And Thieves,” and the Slits sharing a bill with Steel Pulse. “I wandered in one day and from the first moment I was under a spell,” Fontaine says. “I was transfixed.”

Tracked at both Kingsize Sound Labs in Northeast Los Angeles and Sage and SoundChet Baker’s legendary old studio in Hollywood, Claude Fontaine was recorded with a murderer’s row of session players, including Airto Moreira, the Brazilian drummer whose work both solo and in collaboration—with Miles DavisAstrud GilbertoChick CoreaAnnette Peacock—make him an actual living legend, Tony Chin, (Althea and Donna, King Tubby, Dennis Brown), RonnieMcQueen (Steel Pulse), Rock Deadrick (Ziggy Marley), Andre De Santanna (Sergio Mendes, Flora Purim), Gibi Dos Santos (Sergio Mendes), Nando Duarte (Gal Costa, Elza Soares), Fabiano Do Nascimento (Mia Doi Todd), and Jaime Hinckson (Hollie Cook, Daniel ‘Bambaata’ Marley).

“I hope this record will transport people,” said Fontaine. “I want it to feel like those lost records, like it got lost in the dusty bottom bin of some world music store in London because that’s how I felt when I walked in to that record store. I want it to be its own world.”

For those in the LA area, Fontaine will celebrate the album’s release with a show at Zebulon on Fri. April 26th. Ticket are available here
 

Watch “Cry For Another” Video — 
https://youtu.be/ztHTOL_EJWM

Claude Fontaine Tracklist:
01. Cry For Another
02. Hot Tears
03. Little Sister
04. Love Street
05. Play By Play
06. Pretending He Was You
07. I’ll Play The Fool
08. Strings of Your Guitar
09. Footprints In The Sand
10. Our Last Goodbye

Pre-order Claude Fontaine — 
https://claudefontaine.bandcamp.com/album/claude-fontaine

Keep your mind open.

[Don’t forget to subscribe before you go.]

Pitchfork Music Festival’s 2019 lineup is here for your pleasure.

The Pitchfork Music Festival announces today the full 2019 lineup, including headlinersHAIMThe Isley Brothers, and Robyn. The 14th Annual Pitchfork Music Festival returns to Chicago’s Union ParkFriday, July 19 through Sunday, July 21.

The festival opens on Friday with one of HAIM’s only performances of 2019, Mavis StaplesEarl SweatshirtJeremihSky FerreiraLowSoccer MommyJulia HolterGrapetoothRico NastyValeeStanding on the CornerMIKE, and Great Black Music Ensemble.

On Saturday, the festival presents The Isley Brothers’ 60th Anniversary Celebration, Belle & SebastianStereolab’s first North American show in a decade, Kurt VilePusha TParquet CourtsFreddie GibbsAmber MarkJay SomCate Le BonTirzahCHAIRic Wilson, and Lala Lala.

Sunday, the final day of the festival, features RobynCharli XCXWhitneyKhruangbinClairoSnail MailNeneh CherryIbeyiAmen DunesJPEGMAFIAFlasherBlack MidiDreezy, and Tasha.

The 2019 Pitchfork Music Festival lineup spans genres and generations, placing cutting-edge artists of today alongside some of the most revolutionary acts of our time. The balance between the treasured and the new makes this event stand out as one of the most celebrated weekends in music.

“This summer’s Festival will be my first as editor,” said Pitchfork editor-in-chief Puja Patel. “It’s exciting that it also features such an inclusive lineup. More than half the artists performing are women, including modern pioneers of indie rock and hip-hop, legends of soul and R&B, and a headlining set by the dance-pop icon Robyn. For a national festival that’s so important to a larger music community, the scope of this year’s booking feels especially meaningful.”

“There are some one-of-a-kind moments in our lineup this year,” said Pitchfork festival director Adam Krefman, “not just big celebratory moments, but also moments with artists who have collaborated recently or have had clear influences on each other over the years. It’s a sign of Pitchfork’s standing in the festival landscape that we’re able to pull together such a special event. And we’re fortunate to have an audience who’s ready to follow us down these curatorial rabbit holes, eager to be surprised year after year.”

Pitchfork Music Festival tickets are on sale now. Three-day passes are $175; single day passes are $75. The Pitchfork PLUS upgrade is $375 for a three-day pass and $160 for a single-day pass. It includes exclusive amenities such as: premium food vendors and private specialty bars, air conditioned bathrooms, shaded seating and dining areas, expedited entry to the festival and “come and go” re-entry privileges, a welcome bag with festival essentials, storage lockers, and more. More details are available here. Prices for all passes will increase after May 31.

PURCHASE TICKETS HERE

FRIDAY, JULY 19
HAIM
Mavis Staples
Earl Sweatshirt
Jeremih
Sky Ferreira
Low
Soccer Mommy
Julia Holter
Grapetooth
Rico Nasty
Valee
Standing on the Corner
MIKE
Great Black Music Ensemble

SATURDAY, JULY 20
The Isley Brothers – 60th Anniversary Celebration
Belle & Sebastian 
Stereolab
Kurt Vile
Pusha T
Parquet Courts
Freddie Gibbs
Amber Mark
Jay Som
Cate Le Bon
Tirzah
CHAI
Ric Wilson
Lala Lala

SUNDAY, JULY 21
Robyn
Charli XCX
Whitney
Khruangbin
Clairo
Snail Mail
Neneh Cherry
Ibeyi
Amen Dunes
JPEGMAFIA
Flasher
Black Midi
Dreezy
Tasha

For more information, including lineups, event news, and the latest updates, please visit Pitchforkmusicfestival.comfacebook.com/pitchforkmusicfestival and follow Pitchfork Music Festival on Instagram and Twitter.

Keep your mind open.

[Subscribe before you go and you’ll get my full review of the festival sent straight to your e-mail inbox.]

Stef Chura’s new album, “Midnight,” due June 7th.

Photo by Chloe Sells

LISTEN TO “METHOD MAN”
https://youtu.be/tJUUyhQAzRY

PRE-ORDER MIDNIGHT
StefChura.lnk.to/Midnight
“For most people who create art I would assume there is some kind of deep unanswerable hole in your soul as to why you’re making it…” So says Stef Chura ahead of the release of Midnight, her gritty, vehement new album, recorded and produced by Will Toledo of Car Seat Headrest – and her first new collection of songs for Saddle Creek, out June 7th. Illuminating that search for answers with a fevered sense of exploration, Midnight is a bold leap forward from Messes, Stef’s contagious debut album, with every aspect of her new work finding bold ways to express itself as it rips through twelve restless and relentless new tracks. She also shares the first single, “Method Man, ” a boisterous three-minutes that melds jagged, skewed guitars with a distinctive voice that has a new-found sense of confidence while touching on a vulnerable moment in Stef’s life. She also announces a North American tour in support of the new album. She explains “Method Man” below:

A long time ago I was pondering the literal words “Method Man” while listening to Wu-Tang. There was a person in my life that I had a confusing array of emotions for, sometimes I was in love with him, I admired and looked up to him, I thought of him as superior to me. He was older than me and I was a teenager. At that age I experienced a titanic amount of anxiety that usually expressed itself as silence. 

This song was born out of a total frustration regarding a man who seemed “methodical” to me. He was literate. He waxed poetic. Almost someone…how do I say this…that you wanted to be condescending to you? As long as they were talking to you. He drank a lot of energy drinks and had this overall outlook that no one understood him. That he was in on some kind of cosmic secret that I couldn’t get. He smoked so many cigs it stained his fingers yellow. 

He was always talking, and I was so enamored with this person. I was always nervous to reply. He would go on and on for hours. He sometimes would look at me and be like “oh maybe you won’t get this…. maybe you don’t get this.” I was too terrified to say much. 

A couple of years on from the release of Messes, Stef is still based in Detroit, that most singular city which has seen it all, from the no-mans-land of its initial collapse through to the resurgent place it is now. Stef found inspiration from the people she surrounded with herself with, more so than the place itself. It’s no surprise that Midnight is testament to those kind of characteristics; a rugged and robust burst of defiance. “I’m usually dealing with the context of what I can’t say or haven’t said,” Stef says. “A kind of spiritual bondage that I would say most people, probably a lot of female bodied ones, put themselves through.”         

Which is to say that if its predecessor was a raw, somewhat unadorned document of Stef’s work, then Midnight is the muscular, swaggering evolution. “This album has a depth to it and a particular sound because of Will,” Stef states regarding Toledo’s input, whose spiky nuances can be found across the length and breadth of Midnight, the record presenting an exhilarating rush of sound and color as Stef’s spirited vocal finds and signature guitar sounds unravel alongside in a thrilling meeting of ideas and influences; dispelling demons, song by song.

Equal parts thrilling and angsty, Midnight is a testament to the collaborative process, a record that makes the very most of those who came together to make it, but more than that, it’s a firm statement of tenacity and perseverance, of not resting on your laurels but leaping forwards no matter the situation you find yourself in. From out of one day and into the next.

MIDNIGHT TRACKLISTING
1. All I Do is Lie
2. Scream
3. Degrees
4. Method Mad
5. Trumbull
6. Jumpin’ Jack
7. Sincerely Yours
8. 3D Girl
9. Sweet Sweet Midnight
10. Love Song
11. They’ll Never
12. Eyes Without a Face

STEF CHURA TOUR DATES
Tue. April 23 – Ann Arbor, MI @ Blind Pig
 Fri. July 5 – Chicago, IL @ Empty Bottle
Sat. July 6 – Detroit, MI @ Deluxx Fluxx
Sun. July 7 – Toronto, ON @ The Drake
Mon. July 8 – Montreal, QC @ Casa del Popolo
Tue. July 9 – Boston, MA @ Great Scott
Fri. July 12 – Brooklyn, NY @ Rough Trade
Sat. July 13 – Philadelphia, PA @ PhilaMOCA
Mon. July 15 – Washington, DC @ Comet Ping Pong
Tue. July 16 – Durham, NC @ The Pinhook
Wed. July 17 – Atlanta, GA @ The Earl
Fri. July 19 – New Orleans, LA @ Gasa Gasa
Sat. July 20 – Houston, TX @ The Satellite
Sun. July 21 – Austin, TX @ The Mohawk
Mon. July 22 – Dallas, TX @ Regal Room
Thu. July 25 – Phoenix, AZ @ Valley Bar
Fri. July 26 – San Diego, CA @ Sodabar
Sat. July 27 – Los Angeles, CA @ Bootleg Theatre
Sun. July 28 – San Francisco, CA @ Cafe du Nord
Tue. July 30 – Portland, OR @ Mississippi Studios
Wed. July 31 – Seattle, WA @ Barboza
Thu. Aug. 1 – Vancouver, BC @ Biltmore Cabaret
Fri. Aug. 2 – Spokane, WA @ Lucky You Lounge
Sat. Aug. 3 – Boise, ID @ Neurolux
Mon. Aug. 5 – Salt Lake City, UT @ Kilby Court
Tue. Aug. 6 – Denver, CO @ Larimer Lounge
Wed. Aug. 7 – Omaha, NE @ Reverb
Fri. Aug. 9 – Minneapolis, MN @ 7th Street Entry
Sat. Aug. 10 – Milwaukee, WI @ Backroom at Colectivo

PRAISE FOR MESSES

“Detroit indie rocker Stef Chura has the kind of magnetic voice that music writers fall into ditches attempting to describe” – Pitchfork

“Her music recalls the propulsive, pop-driven rock of icons like Liz Phair and Hole; her conversational, confessional lyrics add a touch of folksiness.” – NPR Music

 “In Messes, you can hear the idea that DIY rock music can be as warm and friendly and melodic as any other kind of music.” – Stereogum

“there are a bunch of reasons you should pay attention to the grunge pop songstress.”
– Noisey

“A major highlight on the record is Chura’s voice, which is prone to breathy, almost yodel-y stretches, and can take the simplest lyric and twist it into what sounds like a hundred knots until, suddenly, you realize that’s the chorus.” – MTV News

Midnight will be available digitally, on CD, cassette, black LP, and as a limited-edition LP pressed on glow-in-the-dark and midnight blue splattered vinyl (200 copies exclusive to the Saddle Creek Store).
 

Stef Chura Online:
http://stefchura.net/
https://stefchuraband.bandcamp.com/
https://www.facebook.com/stefchuraband/
https://soundcloud.com/stefchura
https://twitter.com/stefchura

Keep your mind open.

[Don’t wait until midnight to subscribe. Do it before you forget.]

Mdou Moctar shares “Tumastin” from upcoming album due March 29th.

Mdou Moctar presents his newest  single, “Tumastin,” from the upcoming full length, Ilana: The Creator (out 3/29 on Sahel Sounds). A departure from the high energy wedding rock synonymous with Tuareg guitar, “Tumastin” further showcases Mdou’s versatility, in what might be the first of its kind of Saharan shoegaze. Singing with ghostly reverbed vocals over echoing-with-whammy wow and fluttering guitars, Mdou sounds a plaintive note for his “Tumastin,” or “people back home.” Nostalgic with a steady loping drum crash, it ends in dreamy, Julie Cruise-inspired reprieve.
 

LISTEN TO “TUMASTIN”
https://youtu.be/kqaHGTQpoTY

 
The song is premiered in conjunction with an interview with Stereogumwho today named Mdou an “Artist to Watch,” making him, by our count, the first Tuareg guitarist to be named as such.
 
Don’t miss Mdou on tour this Spring, as he brings his electrifying shows to our continent.
 

“TUMASTIN” LYRICS
My people are dispersed
across different countries
It hurts my heart
With such pain
it stops the blood
from running in my veins
 
For me
it is my heart that pains me
with a deep sadness
as I pity the women
who live in the desert
 
Look at the other countries
And look at the world before us
The men don’t sleep
but work hard
To bring the women
into the shade
What a beautiful idea
 
PRAISE FOR “KAMANE TARHANIN”
 
“It’s easy to imagine the breadth of Mocatar’s musical influences. [‘Kamane Tarhanin’] is a droning, hypnotic, and psychedelic meditation.” – NPR Music
 
“blistering and gritty psych rock” – Stereogum
 
“While nothing captures the live Mdou Moctar experience, this is as close as I’ve heard.”
 Afropop Worldwide
 
MDOU MOCTAR TOUR DATES
Thu. March 28 – Pittsburgh, PA @ Andy Warhol Museum
Fri. March 29 – Cleveland, OH @ Now That’s Class
Sat. March 30 – Detroit, MI @ Trinosophes
Sun. March 31 – Kalamazoo, MI @ Bell’s Eccentric Cafe
Mon. April 1 – Newport, KY @ Southgate House Revifval – Sanctuary
Tue. April 2 – Columbus, OH @ Ace of Cups
Wed. April 3 – Bloomington, IN @ The Bishop
Thu. April 4 – Chicago, IL @ The Empty Bottle
Fri. April 5 – Milwaukee, WI @ Milwaukee Psych Festival
Sat. April 6 – Minneapolis, MN @ Cedar Cultural Center
Sun. April 7 – Omaha, NE @ Pageturners Lounge
Mon. April 8 – Denver, CO @ Globe Hall
Tue. April 9 – Salt Lake City, UT @ Urban Lounge
Wed. April 10 – Garden City, ID @ Visual Arts Collective
Fri. April 12 – Olympia, WA @ Octapas
Sat. April 13 – Portland, OR @ Star Theater
Sun. April 14 – Seattle, WA @ Chop Suey
Tue. April 16 – Felton, CA @ Flynn’s Cabaret
Thu. April 18 – Oakland, CA @ Red Bay Coffee
Fri. April 19 – Visalia, CA @ The Cellar Door
Sat. April 20 – Los Angeles, CA @ Zebulon
Sun. April 21 – San Diego, CA @ The Casbah
Mon. April 22 – Tucson, AZ @ 191 Toole
Tue. April 23 – Albuquerque, NM @ Sister
Thu. April 25 – Austin, TX @ Hotel Vegas
Fri. April 26 – Lafayette, LA @ Festival International de Louisiane
Sat. April 27 – Lafayette, LA @ Festival International de Louisiane
Sun. April 28 – New Orleans, LA @ New Orleans Jazz & Heritage Festival
Tue. April 30 – Birmingham, AL @ Saturn
Fri. June 28 – Sun. June 30 – North Adams, MA @ Solid Sound Festival
 

Pre-order Ilana (The Creator) – 
https://mdoumoctar.bandcamp.com/album/ilana-the-creator

Hi-res images, album art & bio available here: http://pitchperfectpr.com/mdou-moctar/

Mdou Moctar Online:
https://mdoumoctar.bandcamp.com/
https://sahelsounds.com/mdou-moctar/
https://www.facebook.com/mdoumoctarofficial/

Keep your mind open.

[Don’t forget to subscribe before you split.]

Protomartyr to re-release long out-of-print debut album on May 3rd.

WATCH VIDEO FOR “JUMBO’S” http://smarturl.it/JumbosYT

LISTEN TO “JUMBO’S” http://smarturl.it/JumbosStrm

Today, Protomartyr finally answers what is probably their most frequently asked question: “When are you going to reissue your first album?” For fans of the band, No Passion All Technique has long been something of a mystery. Not available on streaming services; long out of print (and going for ridiculous prices on Discogs). Why was this album so elusive? On May 3rd, it ceases to be out of reach, as Domino will release a deluxe reissue of No Passion All Technique, along with an expanded digital version that includes four non-album tracks from the same recording session – “King Boots”, “Bubba Helms”, and “Cartier E.G.s” from the Dreads 85 84 7”, and “Whatever Happened To The Saturn Boys?”, which has never before been released. Additionally, today the band shares a video for longtime live staple and fan favorite “Jumbo’s,” directed by frequent Protomartyr-collaborator Yoonha Park – also responsible for the band’s “Don’t Go To Anacita” and “Wheel of Fortune” videos from their past two releases.

When Protomartyrvocalist Joe Casey, guitarist Greg Ahee, bassist Scott Davidson, drummer Alex Leonard—stepped into a studio together for the first time, in November of 2011, they didn’t know they were about to record an album. With only four hours of studio time booked and one case of beer between them, their plan was to walk out with enough songs for a seven-inch single. Instead, at the suggestion of engineer Chris Koltay, the newly formed Detroit outfit recorded as much as they possibly could, in what little time they had.

They left with 21 songs—enough material for two singles *and* a full-length album that, years later, is still vital listening.

Sold out and out of print shortly after its original release on Urinal Cake Records in October 2012, No Passion All Technique is a sometimes-messy look at one of rock’s most magnetic bands—and lyricists—just as they were coming to life. Primal, cerebral, heartbreaking, funny—it’s an accidental tour de force that’s also become an unlikely collector’s item. “My memory is shot,” Casey says, “but I appreciate now, looking back, how raw and off-the-cuff it was. There’s tons of mistakes in it and that wasn’t because we planned on it. We still can’t really admit that it’s as good as it is. You never want to say that your first is the best, but I’m happy that the first ended up not being terrible. It gave us doorway to what we’d want to do later. ”

Cover art

NO PASSION ALL TECHNIQUE DELUXE EDITION TRACKLISTING 1. In My Sphere 2. Machinist Man 3. Hot Wheel City 4. 3 Swallows 5. Free Supper 6. Jumbo’s 7. Ypsilanti 8. Too Many Jewels 9. (Don’t You) Call Me Out My Name 10. How He Lived After He Died 11. Feral Cats 12. Wine of Ape 13. Principalities 14. King Boots (Bonus Track) 15. Bubba Helms (Bonus Track) 16. Cartier E.G.s (Bonus Track) 17. Whatever Happened to the Saturn Boys? (Bonus Track)

No Passion All Technique is available to pre-order from Domino on limited pressing starburst vinyl w/ 20-page zine, CD, and digital download. The digital release includes four non-album bonus tracks, captured during the same recording session as No Passion All Technique.

Pre-order physical here. Pre-order digital here.

Protomartyr Online: https://www.facebook.com/protomartyr https://soundcloud.com/protomartyr http://pitchperfectpr.com/protomartyr/ https://protomartyr.bandcamp.com/ http://www.dominorecordco.us/artists/protomartyr/

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