One new single isn’t enough for Ezra Furman, so he’s released two ahead of “Twelve Nudes” due August 30th.

Photo by Jessica Lehrman

With his highly anticipated new album, Twelve Nudes, due August 30th via Bella UnionErza Furman has shared two new tracks from the LP.  For Furman, new single “I Wanna Be Your Girlfriend “Is a romantic song of transgender longing. It’s another entry in my series of ‘I Wanna’ songs (in the tradition of the Ramones). I thought it was time we had an ‘Earth Angel’ for the queers. Of course because it’s an Ezra Furman tune, there’s a little bit of desperation, religion and body-talk.”.  It comes with a brilliant video directed by Alix Spence, who shared that; “Listening to the song and speaking with Ezra, I saw our two dancers, Brandon Mathis and and Jobel Medina, as physical manifestations of internal suffering. I wanted to literally have us wrestle with ourselves and the complexities of our personal struggles. 
 
Of the additional single “Evening Prayer”, Furman states: “It’s our rallying cry. We music fans go to shows for transcendence; it’s like being called to prayer. But as Abraham Heschel said, ‘Prayer is meaningless unless it is subversive, unless it seeks to overthrow and to ruin the pyramids of callousness, hatred, opportunism and falsehood.’ I want all our fans to become activists. We punk fans have so much energy to give to the fight against injustice, i.e. the abuse of the poor by the rich, i.e. climate change. So this is one to get you in the mood.” 
 
Last year was a championing year for Furman – since the release of the “layered, baroque pop melodrama” (BillboardTransangelic Exodus, Furman has garnered immense praise, both for Transangelic Exodus and the soundtrack he created for Netflix’s Sex Education (he and his band also appeared in an episode). Twelve Nudes, his new and “spiritually queer” punk record, continues this same wavelength, and is an incendiary and inspiring follow-up. Across the album, Furman channels pent-up energy, distinguished by sharp, lacerating observations, confessions and proclamations.
 
Twelve Nudes was recorded quickly in Oakland in Fall 2018 and was mixed by venerated producer John Congleton (Sharon Van Etten, St. Vincent). The result is an album that is less stereotypical punk than raw, raucous rock’n’roll. The album has two spiritual heroes –  the late great punk Jay Reatard and Canadian writer and philosopher Anne Carson. The title stems directly from Carson, who used the term “nudes” to describe the meditations she used to deal with intense pain in her life.
 
This is our punk record,” says Ezra Furman. “We made it in Oakland, quickly. We drank and smoked. Then we made the loud parts louder. I hurt my voice screaming. This was back in 2018, when things were bad in the world. The songs are naked with nothing to hide.”
 
One of my goals in making music is to make the world seem bigger, and life seem larger,” Furman concludes. “I want to be a force that tries to revive the human spirit rather than crush it, to open possibilities rather than close them down. Sometimes a passionate negativity is the best way to do that.”

 
Watch the video for “I Wanna Be Your Girlfriend” –
https://youtu.be/8e1h31hVGSw
 
Listen to “Evening Prayer” –
https://youtu.be/nuUnAAUSgf0
 
Watch the Video for “Calm Down” – 
https://www.youtube.com/watch?v=gLecVxlnZG8
 
Pre-order Twelve Nudes – 
http://smarturl.it/ef_twelve
 
Ezra Furman Tour Dates:
Wed. July 24 – Dublin, IE @ Button Factory
Thu. July 25 – Galway, IE @ Galway Festival
Sun. July 28 – Topcliffe, UK @ Deer Shed Festival
Thu. Sept. 5 – St. Paul, MN @ Turf Club
Sat. Sept. 7 – Chicago, IL @ Lincoln Hall (TICKETS)
Sun. Sept. 8 – Detroit, MI @ El Club (TICKETS)
Mon. Sept. 9 – Toronto, ON @ Lee’s Palace (TICKETS)
Tue. Sept. 10 – Montreal, QC @ Bar Le Ritz P.D.B. (TICKETS)
Wed. Sept. 11 – Cambridge, MA @ Sonia (TICKETS)
Thu. Sept. 12 – Brooklyn, NY @ Warsaw (TICKETS)
Sun. Sept. 15 – Philadelphia, PA @ Underground Arts (TICKETS)
Mon. Sept. 16 – Washington, DC @ Union Stage (TICKETS)

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Shura releases “The Stage” ahead of full album due August 16th.

Photo by Hollie Fernando

Shura unveils a new track, “the stage,” from her forthcoming album forevher, out on Secretly Canadian on August 16th. Intimate, unorthodox and affecting, “the stage” switches between sensual, Minie Ripperton and Prince-inspired disco to ecstatic electronics that capture the tension of a potential new love. Shura drew inspiration from her first date with current girlfriend.

I had travelled to NYC to go on it, so I was a little bit nervous as this was definitely THE most high stakes date I’d ever been on,” says Shura. “I DM’d my friends MUNA who were playing a show the night that I arrived and asked them if they could get us both in, and they loved the concept of a first date at a MUNA gig. I wasn’t sure how the date was going until she took my hand whilst trying to lead me to a spot where I could see them play (i.e. basically nowhere in the venue as I’m too short!). Then I knew it was all going to be OK.

Written primarily about Shura’s relationship with her girlfriend and their long-distance conception, forevher traces everything from the initial pull of desire to that first IRL meeting (“the stage”), before recognizing when the connection develops into something scarily meaningful. It’s a classic NYC-to-London love-story, but one told through the totally modern filter of dating apps, unanswered texts, Skype chats…and MUNA gigs.

Co-produced alongside Joel Pott – with musical turns from Jona Ma (from Jagwar Ma), Will Miller (Whitney), T-E-E-D and additional vocals from Rosie LoweKerry LeathamReva from Nimmo – Shura describes forevher as “a soul record, sung by someone who doesn’t have a traditional soul voice. And I quite enjoy the antagonism of that.” A passionate, tactile album about connection in times of distance, that unmistakable feeling is apparent from just a glance at the album’s artwork, which reworks ‘Rodin’s: The Kiss’ to feature two woman bathed in an all-encompassing blue. “I wanted to create something that people could look at, in the way that you look at The Kiss, and think: I recognise that. Or I want that, or I crave that, or I miss that. I wanted to make something that was specific to my experience of being a queer woman that anyone of any gender or sexuality could look at and think ‘yeah, I understand’ or ‘that’s beautiful.’ Because that’s all love is.”
Listen to “the stage” – 
https://youtu.be/zDCPai9kWLQ

Watch Video for “religion (u lay your hands on me) –
https://www.youtube.com/watch?v=HHI_WpVLT1g

Stream “BKLYNLDN” – 
https://shura.ffm.to/bklynldn

Stream “BKLYNLDN” (i_vu London Dub) – 
https://youtu.be/kAxprvn2IGI

Shura Tour Dates:
Thu. June 27 – Bristol, UK @ Louisiana
Sat. June 29 – Worthy Farm, UK @ Glastonbury Festival
Thu. Sept 26 – Vancouver, BC @ Venue
Fri. Sept. 27 – Seattle, WA @ Crocodile
Sat. Sept. 28 – Portland, OR @ Doug Fir Lounge
Mon. Sept. 30 – San Francisco, CA @ Independent
Wed.. Oct. 2 – Los Angeles, CA @ Teragram Ballroom
Thu. Oct. 3 – Phoenix, AZ @ Valley Bar
Wed. Oct. 16 – Chicago, IL @ Empty Bottle
Thu. Oct. 17 – Columbus, OH @ The Basement
Fri. Oct. 18 – Washington, DC @ Union Stage
Sat. Oct. 19 – Philadelphia, PA @ Johnny Brenda’s
Sun. Oct. 20 – Toronto, ON @ Horseshoe Tavern
Tue. Oct. 22 – Boston, MA @ Brighton Music Hall
Wed. Oct. 23 – Brooklyn, NY @ Music Hall of Williamsburg
Mon. Nov. 4 – Paris, FR @ Café de la Danse
Tue. Nov. 5 – Cologne, DE @ Luxor
Wed. Nov. 6 – Munich, DE @ Ampere
Thu. Nov. 7 – Berlin, DE @ Lido
Fri. Nov. 8 – Hamburg, DE @ Mojo
Sun. Nov. 10 – Copenhagen, DK @ Hotel Cecil
Tue. Nov. 12 – Amsterdam, NL @ Melkweg
Wed. Nov. 13 – Brussels, BE @ Botanique Orangerie
Thu. Nov. 14 – London, UK @ Roundhouse
Sat. Nov. 16 – Dublin, IE @ Academy
Sun. Nov. 17 – Glasgow, UK @ Oran Mor
Mon. Nov. 18 – Manchester, UK @ O2 Ritz Manchester

Pre-order forevher – 
https://shura.ffm.to/forevher

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Anna Meredith’s new single, “Paramour,” is a good omen for her upcoming album – “FIBS” – due this October.

Photo by Gem Harris
Anna Meredith – “one of the most innovative minds in modern British music” (Pitchfork) – today announces her eagerly anticipated second studio album, FIBS, out October 25th via Black Prince Fury. Alongside the announcement, she shares the lead single / video, “Paramour.” The one-take video and song forbids you from turning away. Its sweeps, jerks and wrong turns pin your ears to the speakers whilst heading for warp speed at a blistering 176 BPM, rounding out with an (utterly unexpected) tuba-led half-time rock-out.
 
Arriving three and a half years on from the release of her debut studio album, Varmints, an album that juxtaposed hulking slabs of cross-rhythm and electronics with brittle gusts of delicate confession and irresistibly addictive pop melody, FIBS marks her first new music since the soundtrack of original compositions for the Bo Burnham directed film Eighth Grade. Meredith is a well-known classical composer, having been Composer in Residence with the BBC Scottish Symphony Orchestra and regularly commissioned by orchestras around the world. Additionally, she was the first female composer to be commissioned for both the First and the Last Night of the Proms and was recently named a Member of the Most Excellent Order of the British Empire in the Queen’s birthday honours list for services to music, making her Anna Meredith MBE.
 
FIBS is 45 minutes of technicolour maximalism, almost perpetual rhythmic reinvention, and boasts a visceral richness and unparalleled accessibility. It is no Varmints Part 2. Instead, if anything, it’s Varmints 2.0, an overhauled and updated version of the composer’s soundworld, involving, in places, a literal retooling that has seen Meredith chuck out her old MIDI patches and combine her unique compositional voice with brand-new instruments, both acoustic and electronic, and a writing process that’s more intense than she’s ever known. Despite Meredith’s background and skills these tracks are no academic exercise, the world of FIBS is at both overwhelming and intimate, a journey of intense energy and joyful irreverence.
 
FIBS, says Meredith, are “lies — but nice friendly lies, little stories and constructions and daydreams and narratives that you make for yourself or you tell yourself”. Entirely internally generated and perfectly balanced, they can be a source of comfort and excitement, intrigue and endless entertainment. The eleven fibs contained on Anna Meredith’s second record will do all that, and more. 
Watch the Video for “Paramour” – 
https://www.youtube.com/watch?v=yjmZLaymJU8
 
Pre-order FIBS –
 http://smarturl.it/FIBS

 Download hi-res jpegs and images of Anna Meredith 
https://pitchperfectpr.com/anna-meredith/
 
FIBS Tracklist:
1. Sawbones
2. Inhale Exhale
3. Calion
4. Killjoy
5. Bump
6. moonmoons
7. Divining
8. Limpet
9. Ribbons
10. Paramour
11. Unfurl
 
Anna Meredith Tour Dates:
Sat. Aug. 3 – Hackney, UK @ Visions Festival
Fri. Aug. 23 – Helsinki, FI @ Helsinki Festival
Mon. Feb. 3 – Leeds, UK @ Belgrave Music Hall
Tue. Feb. 4 – Manchester, UK @ Gorilla
Wed. Feb. 5 – London, UK @ EartH
Thu. Feb. 6 – Bristol, UK @ Trinity
Sat. Feb. 8 – Glasgow, UK @ Art School
Sun. Feb. 9 – Coventry, UK @ Arts Centre
Mon. Feb. 10 – Brighton, UK @ Old Market

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Dry Cleaning release “Magic of Meghan” ahead of debut EP – “Sweet Princess” due August 16th.

Photo by Hanna Katrina

London’s Dry Cleaning announce their much-anticipated debut EP, “Sweet Princess,” due August 16th on It’s OK. In conjunction with today’s announcement, they present a video for the lead single, “Magic of Meghan.”

The release of “Sweet Princess” continues a period of fervent activity from the band, despite having no music online. Dry Cleaning have already seen significant interest, playing early headline shows and meaningful support tours. They possess something entirely different to the rest of the pack – their wiry, excitable post-punk and new-wave paired as it is to surreal, detached vocal narratives in the form of a predominantly spoken word delivery.

Firm friends for years, the band (Lewis MaynardTom DowseFlorence Shaw & Nick Buxton) only started making music after a karaoke party in 2017 inspired a collaboration. They wrote instrumentally to begin with and six months later Shaw, a university lecturer and picture researcher by day, joined on vocals with no prior musical experience. They recorded the six-track “Sweet Princess” EP before playing their first show only last year.

When they started they knew they wanted to make simple music, direct and uncomplicated. The musical influences were clear – the Feelies, the Necessaries, the B52s and Pylon as a starting point. The garage / rehearsal space had a huge influence on the sound as it was so small and intimate; anything unnecessary was to be left behind. A discussion among the four band members about how to make the prospect of performing as comfortable as possible for Florence (a first timer) ahead of the band’s first rehearsal as a four piece, led to her using her speaking voice. There were several references for this; Will Powers, The Anaemic Boyfriends and Grace Jones, among others.

The video for “Magic of Meghan” was made by Sheffield based artist Lucy Vann. Vann investigates, records and reinterprets overlooked behaviours and occurrences in the everyday, in this case through moving image, but she also works with photography, writing, sound, objects and performance. Her work balances between a state of tedium and interest, and attempts to reveal something beyond the immediate surface of daily life. As for the lyrical content of the song  itself, well, it’s clearly a song celebrating Meghan Markle, the Duchess of Sussex.

The song acknowledges that following the lives of those in the public eye can provide people with an escape; an outlet for difficult emotions, and subsequently help them to cope with hard times in their lives,” says Florence Shaw. “The song is, in part, intended to serve as a thank you to Meghan for this service (‘You got engaged on the day that I moved out. It’s ok. She’s a smasher, perfectly suited to the role’). The song also aims to highlight how the news media dissect her decisions (‘Never has one outfit been designed, to send so many messages’) and the creative ways they conceal the misogyny and racism that is sometimes behind what they write about her (‘You’re just what England needs, you’re going to change us’).” 
WATCH THE VIDEO FOR “MAGIC OF MEGHAN” – 
https://youtu.be/FRbpWEXkBic

PRE-ORDER “SWEET PRINCESS” HERE – 
https://orcd.co/drycleaning

“SWEET PRINCESS” EP TRACKLIST:
1. Goodnight
2. New Job
3. Magic of Meghan
4. Traditional Fish
5. Phone Scam
6. Convention

DRY CLEANING TOUR DATES:
Fri. July 19 – Suffolk, UK @ Latitude Festival
Thu. Aug. 8 – Brighton, UK @ Prince Albert *
Fri. Aug. 9 – Leeds, UK @ Brudenell Social Club
Sat. Aug. 10 – Leicester, UK @ O2 Academy
Fri. Aug. 16 – Breacon Beacons, UK @ Green Man Festival
Wed. Aug. 21 – London, UK @ Schacklewell Arms
Thu. Aug. 22 – Birmingham, UK @ Hare & Hounds
Fri. Aug. 23 – Manchester, UK @ YES (Basement)
Sat. Aug. 24 – Birkinhead, UK @ Future Yard Festival
Sat. Oct. 19 – Bristol, UK @ Simple Things Festival
Sun. Oct. 20 – Cardiff, UK @ SWN Festival

*= w/ Bodega

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Clutch covers ZZ Top for their Weathermaker Vault series.

Clutch announce the release of “Precious And Grace”. The single is the second in a series of new studio recordings that comprise the newly launched Weathermaker Vault Series and the first new official music Clutch is making available since the release of their critically acclaimed album, Book Of Bad Decisions. Future tracks will follow as part of the new series throughout the 2nd half of 2019. These songs are bound to become another classic milestone in the band’s stellar career.

“Precious And Grace” was mixed by 6X Grammy Award winner and Clutch collaborator, Vance Powell (Wolfmother, The Raconteurs,Arctic Monkeys). A video for the song can be viewed at this location: https://youtu.be/9RvJt7MGziM

“It should be fairly obvious by now that Clutch are huge fans of ZZ Top,” states vocalist Neil Fallon. “They’re a band that we grew up listening to – and we still listen to them to this day. ‘Precious & Grace’, from their classic Tres Hombres LP, is easily one of our favorite ZZ Top songs and that’s really the only story behind the choice.” Clutch has curated their own Spotify playlist “Clutch’s Heavy Rotation” at this location: https://open.spotify.com/playlist/3NlZsjNNOoCvwjCv58mcNR

On Friday, Clutch will embark on a co-headlining tour of the US with Killswitch Engage that also includes Clutch’s curated Earth Rocker Festival in Inwood WV.

Clutch & Killswitch Engage Co-Headline US Dates: Tickets available here. Fri/Jul 12th Syracuse, NY at SI Hall Sat/Jul 13th Inwood, WV at Earth Rocker Festival @ Shiley Acres Sun/Jul 14th Myrtle Beach, SC at House Of Blues Tue/Jul 16th Fort Wayne, IN at The Clyde Thu/Jul 18th Sioux City, IA at Hard Rock Casino Fri/Jul 19th Cadott, WI at Rock USA Festival Sat/Jul 20th Peoria, Il at Tailgate N’ Tallboys Festival Mon/Jul 22nd Tulsa, OK at The Brady Theater Tue/Jul 23rd St. Louis, MO at The Pageant Thu/Jul 25th Bethlehem, PA at Sands Bethlehem Event Center Fri/Jul 26th Asbury Park, NJ at Stone Pony (Outdoors) Sat/Jul 27th Bangor, ME at Impact Music Festival Sun/Jul 28th Montreal, QC at Heavy Montreal Festival Tue/Jul 30th Huntington, NY at The Paramount Thu/Aug 1st Columbus, OH at Express Live (Outdoors) Fri/Aug 2nd Pittsburgh, PA at Stage AE (Outdoors) Sat/Aug 3rd Port Chester, NY at The Capitol Theater Sun/Aug 4th Worcester, MA at Palladium (Outdoors)

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Ash Walker releases new single, “Finishing Touch,” ahead of upcoming album – “Aquamarine.”

In advance of his forthcoming album, Aquamarine (out July 19th on Night 
Time Stories),  the London-based multi-instrumentalist Ash Walker shares new single, “Finishing Touch”, featuring the smooth voice of Laville, alongside
it’s Louis Hvejsel-Bork-directed video. 

 Watch Video For New Single, “Finishing Touch” —
https://youtu.be/3BbobhRJpQY

“Set in an uncanny valley of a richly coloured world, we see Ash navigate and explore his world through music and curiosity,” explains Hvejsel-Bork.
“Through the power of his music, he unlocks something deeper within a
totalitarian society. A lost individual is awoken by his music, forsaking her
enslavement and planning an escape to a freer future.” 

In order to create an otherworldly look, the video was shot with an infrared
camera using a brand new filter that replicates the old Kodak Aerochrome 
look. There’s only one company that makes this filter, which was shipped
specially for this project from the US. Originally, Aerochrome film was used
during WW1 for better aerial surveillance, allowing unseen details of terrain. This was later adopted in popular culture through people like Jimi Hendrix 
and Frank Zappa in photography.

Aquamarine is a projection and culmination of all Ash has absorbed. A cosmic explosion of sound and colour, rhythm, shape, and patterns. The arrival of an unassuming dreamer now projecting his unique flavour of expression. 
Aquamarine is the take-off of this audial spaceship, a sound discovered in the
grooves of thousands of records, united in one.

Ash will celebrate the release of Aquamarine with a special secret show in 
Central London on Saturday, July 20th where he’ll perform the album in its
entirety for the first time. The location will be revealed only to ticket buyers.
Tickets are available for purchase here
 Stream “Under The Sun” (Feat. Laville) —
https://youtu.be/Uy_9g3v8uhw

Pre-order Aquamarine —
https://orcd.co/aquamarine

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Jacques Greene and Cadence Weapon brings us to “Night Service.”

Photo by Brad Casey

Producer Jacques Greene is pleased to present new single, “Night Service” b/w “Silencio”, both featuring Cadence Weapon, via LuckyMe. Greene teams up with a longtime friend, Canadian rapper and poet Cadence Weapon, to give us the most direct banger since his breakthrough, “Another Girl.”

Originally teased in a mysterious YouTube upload by Greene in 2018 where he showcased an hour of new music, “Night Service” was heavily requested in the comments, and has been in-demand ever since.

“Rollie and I have known each other for years,” says Greene. “Finally making music together for his last full length felt long overdue and ever since we’ve met up in Toronto and made a bunch of stuff. ‘Night Service’ and a few others felt… different. To the point where there was a moment when we wondered whether we should fully form a band and pursue this ‘vibe’ we’d stumbled upon. It’s always felt quite special to me and so does ‘Silencio’. It’s a pleasure to finally share them with the world. A love letter to the club.”

Cadence Weapon adds, “After working together on two songs from my 2018 album Cadence Weapon, Jacques Greene and I continued working on music whenever we’d hang out. ‘Night Service’ is the result. The song is inspired by our personal nightlife experiences in Montreal and the enduring history of underground dance music in New York, specifically Larry Levan and Paradise Garage, as he was one of the first DJs to make the connection between religious devotion and club music.”

Since the dawn of dance music there have been parallels drawn between the church and the club, with the steady thrum of “the one” in Gospel music inspiring early house, typified in Larry Levan’s mix of “Stand On The Word” by The Joubert Singers. For 40 years of dance music we’ve become accustomed to house, prog and trance offering ascendant experiences to those looking to God as a DJ. Now more than ever, the idea of finding salvation in gritty, marginal, underground-spaces makes perfect sense. Greene is a producer who has always basked in wide cathedral reverbs on vocals, set amongst hardware synthesisers tugging back and forth on the threshold of melancholy and euphoria. A producer who brought 1200 people to rave in the esteemed East London church, St John of Hackney, “Night Service” is a song that perhaps was always on the cards.

Greene will play select dates this fall, including shows in Berlin, London, Manchester, Brooklyn, LA and Montreal. A list of dates is below.

“Night Service” Feat. Cadence Weapon – YouTube – https://youtu.be/S1JaoIYJ-PE

Buy / Stream – https://jg.luckyme.net/

“Silencio” Feat. Cadence Weapon – https://spoti.fi/2ITscm1

Jacques Greene Tour Dates: Thu. Oct. 17 – Berlin, DE @ Burg Schnabel Fri. Oct. 18 – London, UK @ St. Pancras Old Church Fri. Oct. 18 – Manchester, UK @ Warehouse Project (DJ set) (late show) Wed. Oct. 23 – Brooklyn, NY @ National Sawdust Fri. Oct. 25 – Los Angeles, CA @ The Echo Sat. Oct. 26 – Montreal, QC @ Ausgang

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Monomotion gives us some tasty “Mango” on his new single.

Photo courtesy of FAKE Music

Monomotion, the project of French electronic musician Erol Engintalay, is pleased to share a new single, “Mango” (with FEYNMAN) from his forthcoming EP, Fujisan, due July 26th via FAKE MUSIC. Following the gentle, evocative beats of lead single, “Ecocline Patterns,” “Mango” lusciously unfolds into tick-tock techno. It’s “the result of one of those magic moments we share in the studio with Yoann,” says Engintalay. “I’m really thankful that these are still happening after ten years of collaboration.”

Written and recorded over a year and a half, the seven-track Fujisan EP is a reflection on the positive aspects of life—a sense of breaking through and moving forward that imbues the project as a whole. Inspired by a warm Japanese spring, Engintalay describes Fujisan as “a life test after every challenge I’ve gone through, physically and musically. It’s very spiritual, representing climbing mountains and breaking through walls to get further in life.” Yoann Feyman, in addition to appearing on “Mango,” contributed to sound and the art direction of the EP.

Stream “Mango” (With FEYNMAN) – https://soundcloud.com/monomotionmusic/mango-x-feynman/s-f4LIm

Listen to “Ecocline Patterns” – https://soundcloud.com/monomotionmusic/ecocline-patterns/s-EcsS0

Pre-order Fujisan — http://smarturl.it/FM024_FUJISAN

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Bleached releases “Rebound City” ahead of new album and upcoming tour.

Photo by Nicky Giraffe

Bleached – the Los Angeles-based duo of sisters Jessie and Jennifer Clavin – share their fourth and final pre-release single, “Rebound City,” from their forthcoming album, Don’t You Think You’ve Had Enough?, due July 12th via Dead Oceans. Bleached have championed their new direction through a trio of exhilarating singles; “Kiss You Goodbye,” “Hard To Kill”, and “Shitty Ballet.” “Rebound City” is a guitar-driven, power-pop song that paints the landscape of a disintegrating 1980’s Sunset Strip era. Throughout, Jennifer references various mishaps – waking up with a friend’s ex, an obsession with a stranger, and the remorse that comes with breaking someone’s heart. “This song is a brief history of the mistakes I’ve made…except there really are no mistakes, they’re all lessons in the end.” Just like the crumbled rock ‘n’ roll glam era that “Rebound City” draws upon sonically, rebound relationships are born from nostalgia of better times, and sparkle with false intrigue and decorum. “It’s a one way Boulevard,” Jennifer sings, and she’s not wrong.

Don’t You Think You’ve Had Enough? is Jessie and Jennifer Clavin’s first LP written from a place of sobriety. That clear-eyed perspective serves as the guiding force in every corner of its sound, yielding a courageous, honest, and sonically ambitious album.

Bleached returned to their dynamic as sisters – Jessie handled the bulk of the instrumentation and Jennifer handled the lyrics and melodies. Producer Shane Stoneback (Vampire Weekend, Sleigh Bells) helped open every door to experimentation, wanting to be exploratory while keeping the sound singularly Bleached. The album glimmers with inspiration found in touring with the likes of The Damned and Paramore whose arena-ready, incisively catchy pop was a palpable influence helping to push Bleached’s sound in a new realm.

Following a hometown record release show in Los Angeles, Bleached will kick off their North American tour in September. All dates are below.

Listen to “Rebound City” – https://youtu.be/inxS8IrzHak

Watch: “Kiss You Goodbye” – https://youtu.be/InvEKijp7WM “

“Hard To Kill” Video – https://youtu.be/bQYgcc02m5c

“Shitty Ballet” Video – https://youtu.be/v8pGMcSylH4

Pre-order Don’t You Think You’ve Had Enough? – bleached.ffm.to/dontyouthink

Bleached Tour Dates: Thu. July 11 – Los Angeles, CA @ Moroccan Lounge Thu. Aug. 22 – London, UK @ The Lexington Sat. Aug. 24 – Reading, UK @ Reading Festival Sun. Aug. 25 – Leeds, UK @ Leeds Festival Thu. Sept. 5 – San Diego, CA @ The Casbah Fri. Sept. 6 – Pomona, CA @ The Glass House Sat. Sept. 7 – Phoenix, AZ @ Valley Bar Mon. Sept. 9 – Austin, TX @ Barracuda Tue. Sept. 10 – Dallas, TX @ Club Dada Wed. Sept. 11 – Houston, TX @ Satellite Bar Fri. Sept. 13 – New Orleans, LA @ Gasa Gasa Sat. Sept. 14 – Atlanta, GA @ Masquerade (Hell) Sun. Sept. 15 – Raleigh, NC @ Motorco Tue. Sept. 17 – Washington, DC @ U Street Music Hall Thu. Sept. 19 – Brooklyn, NY @ Elsewhere Fri. Sept. 20 – Philadelphia, PA @ PhilaMOCA Sat. Sept. 21 – Boston, MA @ Brighton Music Hall Mon. Sept. 23 – Toronto, ON @ Horseshoe Tavern Tue. Sept. 24 – Columbus, OH @ The Basement Wed. Sept. 25 – Nashville, TN @ Exit In Fri. Sept. 27 – Urbana, IL @ Pygmalion Festival Sat. Sept. 28 – Minneapolis, MN @ 7th Street Entry Sun. Sept. 29 – Chicago, IL @ Lincoln Hall Mon. Sept. 30 – St. Louis, MO @ Firebird Tue. Oct. 1 – Kansas City, MO @ Riot Room (Outdoors)* Thu. Oct. 3 – Denver, CO @ Globe Hall* Fri. Oct. 4 – Salt Lake City, UT @ The State Room* Sat. Oct. 5 – Boise, ID @ The Olympic* Mon. Oct. 7 – Seattle, WA @ Crocodile* Tue. Oct. 8 – Vancouver, BC @ Biltmore Cabaret* Wed. Oct. 9 – Portland, OR @ Star Theater Fri. Oct. 11 – Oakland, CA @ New Parish* Sat. Oct. 12 – Los Angeles, Ca @ The Lodge Room* *= w/ Dude York

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Blanck Mass shares new single and announces North American fall tour.

Photo by Harrison Reid

Blanck Mass – the solo electronic project of Scotland-based musician Benjamin John Power – shares “No Dice” from his new album, Animated Violence Mild, out August 16th on Sacred Bones, and announces a fall North American tour.

Following the “forceful beat + vocal sample combination” [Tiny Mix Tapes] of lead single “House vs. House,” “No Dice” is led by crashing percussion and punctuated by warped vocals. “‘No Dice’ is about denial. It’s the voice in the back of your head stopping you from moving forward, the separation between your head and your heart,” says Power. Animated Violence Mild is Power’s fourth full-length as Blanck Mass, and his most emotionally direct statement yet. The album was written throughout 2018, at Power’s studio outside of Edinburgh. These eight tracks are the diary of a year of work steeped in honing craft, self-discovery, and grief – the latter of which reared its head at the final hurdle of producing this record and created a whole separate narrative: grief, both for what Power has lost personally, but also in a global sense, for what we as a species have lost and handed over to our blood-sucking counterpart, consumerism, only to be ravaged by it.

Stream “No Dice” – https://youtu.be/Lsnb6GBrQP8

Stream “House vs. House” – https://youtu.be/7DJ12asti2k

Pre-order Animated Violence Mild – https://www.sacredbonesrecords.com/products/sbr220-blanck-mass-animated-violence-mild

Blanck Mass Tour Dates (w/ Helm): Fri. Sept. 20 – Boston, MA @ Great Scott Sat. Sept. 21 – Brooklyn, NY @ Elsewhere Mon. Sept. 23 – Philadelphia, PA @ PhilaMOCA Tue. Sept. 24 – Pittsburgh, PA @ Club Cafe Wed. Sept. 25 – Cleveland, OH @ Mahall’s Thu. Sept. 26 – Chicago, IL @ Empty Bottle Fri. Sept. 27 – Detroit, MI @ UFO Sat. Sept. 28 – Toronto, ON @ Velvet Underground Sun. Sept. 29 – Montreal, QC @ Bar Le Ritz Tue. Oct. 1 – Seattle, WA @ Chop Suey Thu. Oct. 3 – Portland, OR @ Holocene Fri. Oct. 4 – Oakland, CA @ Starline Sat. Oct. 5 – Los Angeles, CA @ Zebulon

Keep your mind open.

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