{"id":16074,"date":"2026-03-22T12:00:00","date_gmt":"2026-03-22T16:00:00","guid":{"rendered":"https:\/\/www.7thlevelmusic.com\/?p=16074"},"modified":"2026-03-23T08:48:44","modified_gmt":"2026-03-23T12:48:44","slug":"review-sisters-of-your-sunshine-vapor-live-in-europe-2025","status":"publish","type":"post","link":"https:\/\/www.7thlevelmusic.com\/?p=16074","title":{"rendered":"Review: Sisters of Your Sunshine Vapor – Live in Europe 2025"},"content":{"rendered":"\n
\"\"<\/a><\/figure>\n\n\n\n

Recorded during an extensive European tour in which they opened for The Dandy Warhols<\/strong>, Live in Europe 2025<\/a><\/em> by Sisters of Your Sunshine Vapor<\/strong> is an excellent introduction to SOYSV’s live sound if you’ve never heard it. They continue to expand and reshape their psych-rock with every record and remain one of the best psych bands you’re, for some reason, still missing.<\/p>\n\n\n\n

Starting with “Sweet Girl Insanity,” the album begins with droning synths and reverbed vocals that go on for over four minutes before unleashing a barrage of fuzzy sound at you – setting the trippy, roaring, and slightly spooky tone that will creep through the whole record. Sean Morrow<\/strong>‘s guitar on “Die Die Die” seems broadcast from another planet. The horror movie grindhouse grit of “Suck Upon the Living” is palpable in this live version.<\/p>\n\n\n\n

“See You in the Mourning” is always sad and haunting, and the live version here at first drifts like incense smoke lit in memory of the band’s friend who’s the subject of the song. It bursts open like sunlight through a cloud around the two-minute mark, with Rick Sawoscinksi<\/strong>‘s beats creating a hypnotic groove for the rest of the track.<\/p>\n\n\n\n

“Walk of Sobriety” starts the second half of the album, and it’s a wild ride. Eric Oppitz<\/strong> stirs up an anxious energy with his synth tones at the start before he and his bandmates kick in with a tight groove and Morrow sings for the back of the venue. The bright sound of “Crystal Cup” brings to mind 1970s soul jams and psych-era Motown sounds. Oppitz’s bass on “Night Crawler” is slick, again reminding me of soul grooves.<\/p>\n\n\n\n

The album ends with one of their classics, “Black Mind,” which is always a heavy, wild, chaotic freak-out. This one is made even wilder with the inclusion \/ short cover of The Stooges<\/strong> “I Wanna Be Your Dog” and a bit of “She’s a Pariah” in it.<\/p>\n\n\n\n

I’m glad SOYSV put this out there. We’ve needed a live album from them for a while, and I hope this isn’t the last one.<\/p>\n\n\n\n

Keep your mind open.<\/p>\n\n\n\n

\n