Slowdive – 7th Level Music

Slowdive announces 2024 North American tour.

Earlier this year, Slowdive released everything is alive, their first record since 2017’s self-titled album and first record with Dead Oceans. The record was met with critical and commercial acclaim, garnering praise from the likes of Vulture (“hypnotically gorgeous”), Billboard (“a dreamy yet taut melding of their strengths”), Brooklyn Vegan (“perhaps the best record of their career”), and more. On the heels of their sold-out fall U.S. tour, Slowdive have announced they’ll be returning to the US for a spring North American tour next year. Including the already sold out Sick New World festival in Las Vegas, they’ll play many cities not yet played in support of everything is alive: Atlanta, Dallas, Denver, New Orleans, and more.

As the Chicago Tribune commented, “Experimental and shimmery, [everything is alive] packs a lush and enigmatic punch. Don’t take their latest releases and live shows for granted. Who knows when this influential band will be back in town?” Tickets for all shows will be on sale Friday, December 8th at 10AM local time and more information can be found here.

Slowdive Tour Dates
(new dates in bold)

Tue. Jan. 16 – Amsterdam, NL @ Paradiso
Wed. Jan. 17 – Paris, FR @ La Cigale
Thu. Jan. 18 – Cologne, DE @ Live Music Hall
Sat. Jan. 20 – Hamburg, DE @ Grosse Freiheit 36
Sun. Jan. 21 – Copenhagen, DK @ VEGA
Mon. Jan. 22 – Oslo, NO @ Sentrum Scene
Tue. Jan. 23 – Stockholm, SE @ Munchenbryggeriet
Wed. Jan. 24 – Copenhagen, DK @ VEGA
Thu. Jan. 25 – Berlin, DE @ Columbiahalle
Sat. Jan. 27 – Warsaw, PL @ Progresja
Sun. Jan. 28 – Prague, CZ @ Divaldo Archa
Mon. Jan. 29 – Munich, DE @ Muffathalle
Tue. Jan. 30 – Zurich, CH @ Volkshaus
Wed. Jan. 31 – Milan, IT @ Alcatraz Club
Fri. Feb. 2 – Bologna, IT @ Estragon Club
Sun. Feb. 4 – Lyon, FR @ La Transbordeur
Mon. Feb. 5 – Barcelona, ES @ Razzmatazz
Tue. Feb. 6 – Madrid, ES @ La Riviera
Thu. Feb. 8 – Brussels, BE @ Cirque Royale
Fri. Feb. 16 – Brighton, UK @ Brighton Dome
Sat. Feb. 17 – London, UK @ Eventim Apollo
Sun. Feb. 18 – Birmingham, UK @ O2 Institute Birmingham
Mon. Feb. 19 – Norwich, UK @ LCR UEA
Wed. Feb. 21 – Liverpool, UK @ O2 Academy Liverpool
Thu. Feb. 22 – Newcastle-Upon-Tyne, UK @ NX
Fri. Feb. 23 – Glasgow, UK @ Barrowland Ballroom
Sat. Feb. 24 – Edinburgh, UK @ Liquid Room
Mon. Feb. 26 – Cardiff, UK @ Cardiff University Great Hall
Tue. Feb. 27 – Manchester, UK @ Manchester Academy
Mon. Mar. 11 – Tokyo, JP @ Toyosu Pit
Wed. Mar. 13 – Osaka, JP @ Namba Hatch
Thu. Apr. 25 – Ventura, CA @ The Majestic Ventura Theater
Fri. Apr. 26 – Pomona,CA @ The Fox Theater Pomona
Sat. Apr. 27 – Las Vegas, NV @ Sick New World Festival
Sun. Apr. 28 – Phoenix, AZ @ The Van Buren
Tue. Apr. 30 – Albuquerque, NM @ The Historic El Rey Theater
Wed. May 1 – Denver, CO @ Levitt Pavilion Denver
Fri. May 3 – Kansas City, MO @ The Truman
Sat. May 4 – St. Louis, MO @ The Pageant
Sun. May 5 – Indianapolis, IN @ Egyptian Room at Old National Centre
Tue. May 7 – Louisville, KY @ Old Forester’s Paristown Hall
Wed. May 8 – Pelham, TN @ The Caverns
Fri. May 10 – Dallas, TX @ Longhorn Ballroom
Sat. May 11 – Houston, TX @ White Oak Music Hall
Sun. May 12 – Austin, TX @ ACL Live at The Moody Theater
Tue. May 14 – New Orleans, LA @ The Civic Theatre
Thu. May 16 – Birmingham, AL @ Avondale Brewing Company
Fri. May 17 – Atlanta, GA @ The Eastern
Sun. May 18 – Asheville, NC @ Rabbit Rabbit

Purchase everything is alive
Watch “alife” Video
Watch “kisses” Video
Watch “skin in the game” Visualizer
Watch “the slab” Video

Keep your mind open.

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[Thanks to Jaycee at Pitch Perfect PR.]

Review: Slowdive – everything is alive

Shoegaze legends Slowdive decided they wanted to scale back the electronics and push more of the reverb-heavy guitars on their newest album, everything is alive. It’s a powerful decision, one made as two members of the band were grieving the loss of a parent in 2020 and trying to make sense of a world that pretty much went crazy for about two years. The album’s cover, depicting a shrouded woman in the middle of a labyrinth, captures everyone’s feelings during those years – but it also shows a way out of the maze. There was hope back then and even now.

The album starts, oddly enough, with some of the electronic beats that singer and guitarist Neil Halstead originally wanted to scale back on “shanty,” and you’re thinking, “Wait, is this going to be an electro record?” Then, the crunchy, roaring guitars step into the room and take over the whole space. “prayer remembered” is the kind of beautiful, floating track that Slowdive pull off seemingly without effort. It’s perfect for lonely drives, morning walks, lonely moments in your living room, still silences in the kitchen when you feel a ghost behind you…

Rachel Goswell‘s vocal sounds start “alife” with spooky atmospherics and then become bright and lovely during the chorus (as do the guitars from her and Halstead). “andalusia plays” ups the acoustic guitar and lets Nick Chaplin‘s bass simmer under Halstead’s vocals and lyrics about a memorable winter night. “kisses” blends shoegaze with synthwave to create a radio-friendly future hit.

“skin in the game” ups the vocal echo effects and the guitar reverb, resulting in an ethereal track that will make you drift out of your skin and up to the ceiling. “chained to a cloud” is aptly named, as the mostly instrumental track makes you feel like you’re drifting across the sky and seeing the landscape below you change as the world revolves and the sun cuts through the cloud to which you’re attached. Closing with the uplifting track entitled “the slab,” Slowdive take a phrase / object often associated with death (i.e., a body on a slab in a morgue) and make it something from which we can all rise – the slab of a bed tangled in sheets from unrestful sleep, the slab of a work desk, the slab of gray pavement during our work commute – we can rise from them and above them and remember that everything is alive. We are alive. We are part of everything, and that life, the life of the universe, really, is not only in us, but is created by us.

Thanks, Slowdive, for reminding us of this.

Keep your mind open.

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[Thanks to Jacob at Pitch Perfect PR.]

Top 40 albums of 2016 – 2020: #’s 25 – 21

This latest batch of my top albums of the last five years includes a lot of excellent shoegaze and psych-rock. Which made the cut? Read on…

#25: Slowdive – (self-titled) (2017)

Slowdive returned with this gorgeous shoegaze record sounding like they never took a twenty-two-year pause. It’s lush, luxurious, and sometimes loud, and it reminded everyone how much they missed the band and how much everyone needed a warm hug.

#24: Moon Duo – Stars Are the Light (2019)

The cover of Stars Are the Light sums up the album pretty well – psychedelic disco from another planet. It was a welcome return for Moon Duo and a bit of a surprise direction for them, but one much needed and appreciated as we were about to get walloped with a pandemic. This record would become a respite from COVID blues whenever you needed it.

#23: A Place to Bury Strangers – Pinned (2018)

Pinned is the first APTBS album featuring Lia Braswell on drums and backing (and sometimes lead) vocals, and the energy she brings to the band is palpable from the outset. The band somehow gains even more power than they had before and takes on a new sound that bodes well for future endeavors.

#22: Frankie and the Witch Fingers – Monsters Eating People Eating Monsters… (2020)

This double album is chock full of epic riffs, psychedelic freak-outs, and jaw-dropping grooves. It sounds like they went into the studio and unloaded every frustration and desire they’ve had since 2016. It blends Stooges‘ power with Zappa jams, Thin Lizzy funk, and Oh Sees trips.

#21: Here Lies Man – You Will Know Nothing (2018)

I discovered Here Lies Man with this album after their label sent it to me with the question, “What if Black Sabbath played Afrobeat?” You have my attention. HLM‘s second record knocked me out of my shoes, and I immediately began telling everyone about them. The Afrobeat rhythms combined with fuzzy bass, synths, and guitars were intoxicating and thrilling. Add to that the band’s philosophy that every album is meant to be thought of as a film / story, and it’s a film you’ll want on 4K Blu-Ray to play through your giant home entertainment system to the annoyance (or love) of your neighbors.

As we reach the top 20 albums of the last five years, we’ll see more shoegaze and psychedelia and the return of a legend.

Keep your mind open.

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Top 30 Concerts of 2018: #’s 10 – 6

We’ve arrived at the top 10 shows I saw in 2018! Let’s get to it!

#10: All Them Witches at Nashville’s Exit / In – I don’t have a full review of this show up because it happened so late in the year (December 29th – my birthday and the birthday of ATW‘s bassist / singer Michael Parks, Jr.). I also have no photographs from it because my phone was undergoing repairs at the time. I can assure you, however, that it was a loud, powerful show. Parks did a solo set of “sad stuff” to start off the show, and the rest of it was them burning off energy like they needed to sleep well that night.

#9: Public Image Ltd. at Chicago’s Thalia Hall – I had waited (though not by choice) for thirty years to see PiL. It was worth the wait and the short night of sleep before work afterwards. I got chills during “Rise” and was happy to finally see John Lydon live.

#8: My Bloody Valentine at Chicago’s Riviera Theatre – This was, without question, the loudest show I attended all year. It was like a crushing wave that almost never ceased. Friends of mine left early from the intensity of it. My arms were trembling by the end of their set. One guy behind me on the way out told his friend he thought he was going to die during one point of the show. It was a wild experience to say the least.

#7: Slowdive at Levitation Austin – I’d heard nothing but good things about these shoegaze legends and their live shows. They didn’t disappoint. It was a beautiful set with a psychedelic light show under a warm Texas sky. I saw fans in Slowdive shirts leaving early, however, which boggles my mind. It was one of the best sets of the festival.

#6: The Flaming Lips at Fort Wayne’s Clyde Theatre – Shame on you if you live within a couple hours driving time of Fort Wayne, Indiana and you missed this show. There was plenty of room in the theatre for you, but thanks for leaving the room for us and the Flaming Lips. They provided one of the happiest shows my wife and I saw all year in an intimate venue.

The top five are coming up tomorrow. Come back to see who topped the list!

Keep your mind open.

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Levitation Music Festival Recap: Day Three – Shoegaze, synths, and psychedelia

The third day of Austin’s Levitation Music Festival was off to a good start when we bumped into Rishi Dhir of Elephant Stone and MIEN at a vegetarian breakfast cafe and then the Men at the same place. Mr. Dhir remembered seeing us at a small show in Pittsburgh and told us he and the other chaps in MIEN were a bit nervous about performing their first live show at Stubb’s BBQ that night. We told him we were sure they’d rock it. I also told Nick from the Men that they reminded me of the MC5, and he was a bit blown away by the compliment.

MIEN did indeed rock their first live show. We heard their soundcheck while dining at Stubb’s (Where, by the way, the best deal is the all-you-can-eat menu.) and we again saw Mr. Dhir not long before their set. We told him they sounded great, and they did during the full set. They played nearly their entire debut album and their nervous energy only seemed to benefit the set.

Local synth heroes (and Stranger Things score creators) SURVIVE were up next and put on a deep, creepy set that was longer than they expected. They kept thinking they were out of time, but they still had enough to play three more songs before they really were done. It was funny to see them look offstage and ask, learn they had plenty more time, and then grin as they tried to figure out what to play next.

Finishing up the night at Stubb’s were shoegaze legends Slowdive. I was late to their party, but got on board with their self-titled return album after nearly twenty years of no new music. There was a good-sized crowd there by this point and people went crazy for them. Many professed their love for singer / keyboardist / guitarist Rachel Goswell, who seemed humbled by all the love.

They nearly leveled the place with reverb, fuzz, and dreamy rock. My wife wasn’t sure to make of it. She later told me it nearly put her to sleep, which I suppose is one of the goals of such ethereal music.

We then moved over to the Empire Garage to hopefully catch the last half of No Joy‘s set, but alas they had finished by the time we got there. Dan Deacon already had a big crowd and was spinning up a wild dance party despite his laptop computer giving him fits and a vocal distortion pedal breaking. He had the audience building a tunnel with their arms above their heads and dance through it until his laptop computer crashed.

We left a bit early, and I later read on Twitter than Deacon smashed his laptop by the end of the show after it crashed yet again.

Up next, my wife freaks out upon seeing Joel Gion on stage, Rishi Dhir returns, and I get Red Bull dumped on me.

Keep your mind open.

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Levitation Austin artist spotlight: Slowdive

Shoegaze legends Slowdive return to Levitation Austin this year. Their live shows have been lauded ever since their reunion, and I missed them when they were at the crazy, cancelled festival in 2016. Their set will be like traveling back in time, both to the 1990’s and to just two years ago. They close Stubb’s BBQ on April 28th at 10:10pm.

Keep your mind open.

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Top 30 albums of 2017: #’s 10 – 6

It’s my top 10 of the year. Who’s here? Read on for the first five.

#10 – Sleaford Mods – English Tapas

Bold, brash, and at times brutal, this is a punk rock album disguised as a hip hop record. The minimalist beats get under your skin and the scathing lyrics stick it to the Man, ourselves, and everyone in-between.

#9 – Gary Numan – Savage (Songs from a Broken World)

This industrial powerhouse of a record was a great return for Gary Numan and a fantastic concept album (about life in a post-apocalyptic world) to boot. It has some great riffs and Numan’s synth work is top-notch. He shows no signs of slowing or aging.

#8 – Soulwax – From Deewee

Recorded beginning to end in just one take, this amazing record combines three drummers with four other people playing vintage synthesizers, drum machines, and sequencers. It’s an impressive piece of work and it produced one of my favorite singles of the year – “Missing Wires.”

#7 – Honey – New Moody Judy

I picked up this album after hearing just one song from it, “Dream Come Now (another one of my favorite songs of 2017),” and was astounded by the rest of the record. It’s fierce and chock-full of garage-punk riffs that flatten nearly everything else I’ve heard this year.

#6 – Slowdive – self-titled

This is one of the most beautiful records of the year and marked a big return for not only Slowdive but also the entire shoegaze genre. Everyone wondered how this record would sound once Slowdive announced their reunion, and it exceeded everyone’s expectation. It’s easily the best shoegaze release of 2017.

Who makes the top five? Tune in on New Year’s Day to find out!

Keep your mind open.

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Slowdive – self-titled

2017 has been a good year for shoegaze music because two legendary British shoegaze bands returned this year with excellent new material. One of these bands is RIDE, and the other is Slowdive (Nick Chaplin – bass, Rachel Goswell – guitar and vocals, Neil Halstead – guitar and vocals, Christian Savill – guitar, Simon Scott – drums).

Slowdive’s self-titled album is perhaps the lushest, loveliest record of the year. The opener, “Slomo,” immediately seems to lift you off the ground and send you into an idyllic sky with its floating guitars and ghostly vocals about “curious love.” The band has lost nothing in the last twenty years. They only seem to have improved on everything. The title of “Star Roving” (a song about sharing love even when it seems daunting) couldn’t be more appropriate. It’s a sonic blast that burns as bright as a comet.

Goswell’s vocals on “Don’t Know Why” start subtle but then the entire song opens like a flower and becomes a stunning piece about trying to escape the memories of a lover who has moved on to someone else. “Sugar for the Pill” was the first Slowdive had released in two decades, and it immediately set the music world on fire. It’s no surprise, because the song is stunning. Slightly goth bass, echoing guitars, lush synths, and smoky vocals about not being able to live up to a lover’s expectations all mix together to produce one of the prettiest songs of 2017.

“Everyone Knows” bursts with energy, whereas the follow-up “No Longer Making Time” is like a lovely walk through a morning fog that is lifted by the sunrise. Slowdive has mastered the art of making guitars both loud and soothing. “Go Get It” is a master course on how to put together a shoegaze song: shifting levels of distortion and reverb, solid drumming, and mysterious vocals.

The album ends with “Falling Ashes” – which is little more than a rain-like piano riff, subdued guitars, and quiet vocals (often repeating the album’s theme, “Thinking about love.”), but that’s all Slowdive needs to hold you in the moment.

I know most of this review is merely I saying, “This record is gorgeous,” but that’s the best way I can put it. Parts of it sound like Slowdive stepped out of a time machine from the 1990’s, but other parts of it are rich with new energy that’s hard to describe.

“Gorgeous” is the best word that comes to mind.

Keep your mind open.

[You’d be sweet as sugar to me if you subscribed.]

Slowdive announces more U.S. tour dates into the fall.

SLOWDIVE ANNOUNCE MORE US TOUR DATES;
WATCH NPR MUSIC’S FIELD RECORDING

SLOWDIVE IS ONE OF THE BEST REVIEWED ALBUMS OF THE YEAR

Slowdive‘s self-titled album, released last month via Dead Oceans, is one of the best-reviewed albums of the year so far. Following a sold out North American tour in advance of its release, the band are announcing a return to the continent in the fall, to perform in cities both new and old. Prior to that, they’ll be appearing at FYF Fest in Los Angeles on July 21st.

Also, today saw the release of an incredible stripped back NPR Music Field Recording that the band filmed while in New York in May. Watch below.

WATCH SLOWDIVE’S NPR MUSIC FIELD RECORDING
http://n.pr/2s3U0tC

STREAM SLOWDIVE
https://slowdive.lnk.to/slowdive

SLOWDIVE TOUR DATES (new dates in bold)
Fri. June 16 – Sun. June 18 – Mannheim, DE @ Maifeld Derby
Sat. July 1 – Roskilde, Denmark @ Roskilde Festival
Thurs. July 6 – Trencin, Slovakia @ Pohoda Festival
Fri. July 7 – Madrid, ES @ Mad Cool Festival
Sun. July 9 – Six Four Les Plages, France@ Pointu Festival
Fri. July 21 – Los Angeles, CA @ FYF Fest
Fri. July 28– South Korea @ Valley Rock Festival
Sun. July 30 – Tahar Shi, Japan @ Fuji Rock Festival
Sat. Aug. 19 – Trondheim, Norway @ Pstereo Festival
Fri. 25 Aug. – Switzerland @ Nox Orae Festival
Sat. Aug. 27 – Paris, France @ Rock En Seine Festival
Thu. Aug. 31 – Salisbury, UK @ End of the Road Festival
Sat. Sept. 2 – Milano, Italy @ Un Altro Festival
Thu. Sept. 7 – Tel Aviv, Israel @ Barby Club
Fri. Sept. 15 – Sat. 16 Sept. – Angers, France @ Levitation Fest
Sun. Sept. 17 – Birmingham, UK @ Beyond the Tracks Festival
Fri. Sept. 29 – Dortmund, Germany @Way Back When Festival
Sat. Sept. 30 – Copenhagen, Denmark @ DR Koncerthuset
Mon. Oct. 2 – Warsaw, Poland – @ Palladium
Tues. Oct. 3 – Berlin, Germany @ Huxley’s
Weds. Oct. 4 – Hamburg, Germany @Uebel & Gefaehrlich
Fri. Oct. 6 – Amsterdam, NL @ Paradiso
Sat. Oct. 7 – Brussels, Belgium @ Botanique
Mon. Oct. 9 – Glasgow, UK @ ABC
Tues. Oct. 10 – Manchester, UK @Albert Hall
Weds. Oct. 11 – Leeds, UK @ Town Hall
Fri. Oct. 13 – London, UK @ Roundhouse
Mon. Oct. 23 – Vancouver, BC @ The Commodore
Wed. Oct. 25 – Seattle, WA @ The Neptune
Thu. Oct. 26 – Portland, OR @ Crystal Ballroom
Sat. Oct. 28 – Oakland, CA @ Fox Theater
Wed. Nov. 1 – Denver, CO @ The Ogden
Sat. Nov. 4 – Madison, WI @ Barrymore Theatre
Sun. Nov. 5 – Chicago, IL @ Vic Theatre
Tue. Nov. 7 – Columbus, OH @ Newport Music Hall
Wed. Nov. 8 – Detroit, MI @ Majestic Theatre
Thu. Nov. 9 – Buffalo, NY @ Town Hall
Fri. Nov. 10 – Toronto, ON @ CANADA @ Massey Hall
Sat. Nov. 11 – New Haven, CT @ College St Music Hall
Sun. Nov. 12 – New York City, NY @ Terminal 5
Tue. Nov. 14 – Boston,MA @ Paradise
Wed. Nov. 15 – Philadelphia, PA @ Union Transfer
Thu. Nov. 16 – Baltimore, MD @ Ram’s Head
Fri. Nov. 17 – Asheville, NC @ The Orange Peel

Tickets available from www.slowdiveofficial.com

PRAISE FOR SLOWDIVE

“A precise and altogether gorgeous showcase of their peerless ability at production, mood, and songcraft.” – Pitchfork [Best New Music]

“Listening to Slowdive is like watching the sunrise and sunset at once — an awe-inspiring chorus of the galaxy.” – NPR Music

“Slowdive carries all the right baggage from the band’s past, but the album leaves no question about the direction they’re traveling in. They’re carrying this sound towards the future.” – Stereogum

“Throughout Slowdive, the band use foggy images and slippery transitions as a soothing sort of déjà vu—you feel like you’ve been here before, even though you obviously haven’t.” – SPIN [SPIN Essential]

“With this self-titled record, their first in 22 years, Slowdive definitively prove that some bands have enough creative juice to get back together and make some incredible music.” – Vulture

“The result is as beautiful and stilling as ever.” – AV Club

“Dreamy vocals, thick melancholia, heavy guitar treatments. And ‘Slomo,’ the opening track, is a goddamn minor miracle. Welcome back, shoegaze friends.” – Newsweek

Levitation France announces dates and first lineup.

While Levitation Austin didn’t happen this year, Levitation France is a go on September 15-16th! This bodes well for the Levitation shows (a small one is being held in Austin the first weekend of May) making a full return next year.

The first wave of band announcements includes the Black Angels, Slowdive, Acid Mothers Temple, and Kikagu Moyo. As usual, the Levitation festivals always have a great lineup, and this will be no exception. Get to Angers, France if you can.

Keep your mind open.