Levitation Music Festival Recap – Day Four: Old friends, new friends, old habits, new stains

We started the fourth day at the Levitation Music Festival with another tradition – the Sunday gospel brunch at Threadgill’s restaurant.  It’s a pretty good deal, and the music always sound good.  The band there this year was the Levites, and they were having a great time.

The first band we saw at the festival was Acid House Ragas, which consists of DJ Al Lover on synths and beats and can-we-call-him-a-friend-by-now? Rishi Dhir on sitar.  They got the festival off to a nice start with meditative drone music.

Acid House Ragas at Stubb’s BBQ.

We left Stubb’s to grab a bite at the Moonshine Cafe, which serves “southern comfort food.”  Holy cow.  That was some of the best blackened catfish I’ve had in a long time.  After stuffing our bellies, we returned to Stubb’s in time to almost bump into Christian Bland of the Black Angels and Christian Bland and the Revelators.  This was the fifth time I’ve met him, and I thanked him again for the festival.  He and his bandmates help curate it, and I told him it was our fourth year there and we already had tickets for Levitation France in the fall.  He thanked me and was excited to hear we were going to the fall festival.  He’s always in a good mood whenever I bump into him.

We caught most of the set from the Brian Jonestown Massacre.  My wife flipped out when she realized band member Joel Gion was “the tambourine guy from Gilmore Girls.”  They put on a set to an always appreciative crowd, and frontman Anton Newcombe encouraged all of us to quit using pesticides in order to save bees.  We also met up with James from Ancient River and his wife, Nakia, while there.  We hadn’t seen them since 2014, and I hadn’t seen James since 2015 when he and his bandmate, Alex, played a gig in Ft. Wayne, Indiana.  It was great to catch up with them and meet friends of theirs from England who were also at the show.

Brian Jonestown Massacre

Mr. Newcombe later walked through the crowd during the Black Angels‘ set, shaking hands with yours truly and many other fans.  The woman behind me gave him a big hug and her boyfriend also shook hands with him.  It made that woman’s night.  They talked about it for another ten minutes at least.

The Black Angels, as always, put on a great set.  They started with “Young Men Dead,” their usual closer, and kept tearing it up from there.  Lead guitarist Christian Bland shredded more than usual, and drummer Stephanie Bailey was once again an unstoppable beast.

The Black Angels

We headed to Barracuda to catch synth-punks POW!.  Unfortunately, we missed most of their set, but what we did hear was a fun and raucous.  Their weird cover of the Addams Family theme was a nice treat.

POW! in your face

Following them were Oh Sees, who I’ve been wanting to catch for years.  James told me he’d seen them perform the previous night and said it was an impressive, high energy set.  Sure enough, all the hype you’ve heard is true.   A mosh pit broke out within the first four bars and I was soon in it.  Various drinks were flying, people were crowd surfing, and my shoes were a stained, dirty mess by the end of it.  It was a great way to end the festival on a high note and leave us with enough energy and hunger to grab a late night pizza slice on the way back to our car.

Oh Sees

It was a nice return for Levitation Austin.  The town, and the festival, needed a good comeback.  Multiple people at the festival agreed with me that the vibe there is always good.  You don’t see or meet a lot of jackasses at this festival, which is always a plus (but, good grief, why are people still smoking cigarettes in 2018, and especially in the middle of a crowd?).

See you in France this fall?

Keep your mind open.

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Levitation Austin artist spotlight: Pow!

Synth-punk weirdos POW! are playing Levitation Austin at Barracuda on April 29th at 10:50pm.  It’s a sold-out show at with them opening for Oh Sees.  They pay a quirky, catchy brand of electro-rock that I think will be a treat live.  I hope you can make it.

Keep your mind open.

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POW! – Crack an Egg

I hadn’t heard of San Francisco’s POW! until a recent radio gig of mine. I thought the name of the band sounded fun and figured I’d give their new album, Crack an Egg, a try.

I’m glad I did, because this is a fun synth-punk record and one of the catchiest albums I’d heard this year. The opener “DNS” blends early Gary Numan synths with snotty vocals about the lead singer’s father (or boyfriend?). It also has a brash guitar solo to make it a bit glam. “Back on the Grid,” with its male and female vocals and 1980’s video game keyboards, is a great post-punk track. “Castle of Faith” sounds like something that you heard in a video on USA’s Night Flight at 3am and you haven’t heard it since – big synths and beats and slightly distorted vocals made for an industrial club.

“Necessary Call” is both retro and new at the same time. Stoner rock guitars and drums blend quite well with deep synths and Low-era David Bowie style vocals. “Runner” is synth-psych and the oddly placed “Crack an Egg Intro” is trippy synth-weirdness. “Cyberattack #3” sounds like Kraftwerk, Gary Numan, and Thee Oh Sees all partying in a dystopian future. “Color the System” reminds me of early Public Image Ltd., and “The Razor” would fit right in on the Stranger Things soundtrack. “Energy in Motion” is suitably peppy with its loud guitar chords and keyboards that sound like robots having a conversation.

The album ends with the sprawling, humming, and chugging “Crack an Egg in Honor of the Human Race.” It’s a title as intriguing as the album. The album is full of synths, drum machines, loops, and processed and chopped beats, but the longest track on the record calls for us to remember our humanity. As always, technology has just as much potential to drive us apart as it does to bring us together. Perhaps POW! wants us to cook each other breakfast after a long night of partying to their album. I’m game. Are you?

Keep your mind open.

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