A Tribe Called Quest – We Got It from Here…Thank You 4 Your Service

a-tribe-called-quest-we-got-it-from-here-thank-you-4-your-service-cover-art

Hip hop legends A Tribe Called Quest (Phife Dawg, Ali Shaheed Muhammad, Q-Tip, Jarobi White) have returned after a long hiatus, the Paris bombings of 2015 (which happened the night of their appearance on The Tonight Show), and the death of Phife Dawg with perhaps the best rap album of the year – We Got It from Here…Thank You 4 Your Service. The two-disc album is loaded with guest stars like Andre 3000, Jack White, Elton John, Kendrick Lamar, Talib Kweli, Kanye West, and Busta Rhymes and is a great send-off for Phife (who named the album before his death). It’s a bit tough to hear Phife’s everyman flow knowing he’s left us, but he went out on a high note.

The album starts with “The Space Program,” which encourages all of us to “get it together to make somethin’ happen.” Smooth synth grooves and a looped Vincent Price laugh from Michael Jackson’s “Thriller” back even smoother rhymes about the 99% of us looking out for each other while the 1% run away with everything. “We the People…” is a scathing rant against gentrification. “Guilty pleasures take the edge off reality,” Q-Tip says in a verbal backhand to all of us who bury our heads in our phones and TV screens to ignore the harsh reality for many around us.

“Whateva Will Be” starts with a Rudy Ray Moore sample (“Girl, this motherfucker’s got rhythm!”), so it’s an instant win, and a triple play when you add Phife’s flow and Muhammad’s killer cuts and beats. Speaking of killer cuts and beats, Muhammad gives a master class on “Solid Wall of Sound” as he twists, warps, and reforms Elton John’s “Benny and the Jets” (with Sir Elton playing and singing the classic track, no less) like it’s Play-Doh. He does it again on “Dis Generation,” sampling Musical Youth’s “Pass the Dutchie” and some jazz guitar while Phife, White, Q-Tip, and Busta Rhymes move around the song with effortless flow.

“Kids…”, a song about the illusions we have as teenagers, and often continue to have as adults, starts with rhymes from Andre 3000 and sounds like an Outkast tune with its simple beats and distorted chorus (“Kids, don’t you know that all that shit is fantasy?”). “Melatonin” has a great funky swagger. “Enough!!” ends the first half of the album. While the title could be a summary for everyone’s feelings on 2016, it’s a bit of a slow jam seduction as the Tribe flirt with foxy ladies and wonder if they’re doing enough to land them.

The second half starts with “Mobius,” bringing popping beats and warped loops with it. “Black Spasmodic” has a reggae groove, which isn’t surprising when you consider ATCQ have often acknowledged their reggae and dub influences. “The Killing Season” goes after the rash of violence against black youth in the country, and the low, creeping bass line throughout it underlines the seriousness of the issue. “Lost Somebody” continues the conversation. We’ve all lost somebody, some from illness, some from age, some from violence.

“Movin Backwards” is about surging forward when life pushes you backward. White’s opening rhymes give way to soul vocals by Anderson Paak and then the synth beats fade in and get your head bobbing. The low-end synths on “Conrad Tokyo” remind me of John Carpenter tracks, but Phife’s strong rhymes are classic Quest. “Ego” is another song about illusion; particularly ones our egos create. “Ego has no ending, has people pretending…This is the last Tribe and our ego hopes that you felt us,” Q-Tip says. We have. This record makes it impossible not to feel what they’ve done.

The album ends with “The Donald,” and you might think it’s about Donald Trump, but it’s actually a loving tribute to Phife. Every line from Busta Rhymes in the beginning namedrops him, and all of Q-Tips lyrics pay tribute to him (i.e., “You speak wicked every verse.”). Phife’s name is the last lyric on the album. It’s a great way to end a great record.

This is one of those albums that everyone wanted, but didn’t realize how much until they heard it. It begs multiple plays just to hear all the great beats and to attempt to catch all the wicked lyrics. It was in my top 10 of 2016 after the first listen.

Keep your mind open.

[Join us by subscribing.]

 

Gary Wilson – It’s Christmas Time with Gary Wilson

garywilson_orig

Gary Wilson releasing an album of original Christmas music? No standards? I’m there. I’m there all through the holiday season.

After a brief introduction that features cackling geese, Wilson’s distorted voice repeating “holiday” over and over, and warped synths, It’s Christmas Time with Gary Wilson brings “A Christmas Tree for Two.” Wilson sings about buying a silver Christmas tree for his love. “I don’t wanna cut down a Christmas tree. It makes me sad when it starts to bleed,” Wilson sings. Would you expect Gary Wilson to have anything but a swanky reflective tree with a spinning multi-colored light under it?

“I Saw Santa Dancing in the Dark” has Wilson singing about his eager return to his hometown (Endicott, NY) and taking his girl to the famous (to him and his fans) north side pool before a return home for drinks and dancing, but the mysterious Linda is “crying in the park.” Will Gary’s date go as planned? Here’s a hint: It rarely does.

As evidenced on “A Sled Ride Tonight,” in which Wilson’s been dumped during the Christmas season and all he wanted was to take his lady on a sled ride. It’s a song that would fit on any of his records, let alone a Christmas album. The chaotic synth instrumental “The Snow” is a perfect musical accompaniment to the hypnotizing, weird visuals you get when looking at blowing snow in the headlights of your car at 2am. “Holiday” is a jaunty tune in which Wilson tells his girl he’s going to introduce her to “the chromium clown.” It might be a bit creepy, but the song is nothing but bouncy lounge fun.

It wouldn’t be a Gary Wilson album without him singing about his lost loves, and “Cindy Wants to Cry” certainly qualifies. Don’t miss the nice saxophone work and quirky percussion while he sings, “Linda wants to cry, Karen wants to cry, Cindy wants to cry on Christmas.”

“Wintertime in Johnson City” has Wilson excited about yet another upcoming date, but he admits that Johnson City is “a town that has no pity” and knows that she might not show up. Meanwhile, “It’s Snowing in Endicott.” “Sounds so nice, so sad,” Wilson says at the beginning of the tune. The town is forever linked with Gary Wilson, as are its painful memories known only to him. He has his house and Christmas tree ready, doing his best to cut through the gray skies and loneliness. Maybe he’ll get his Christmas wish this year, but you doubt it.

Wilson’s girl doesn’t make it to his house because she’s “Lost in the Snow.” He can’t find her, yet again, but he never gives up hope. This never-ending optimism is one of the best things about Wilson’s music. There are themes of loss, loneliness, and bad luck, but he always gets up from the couch after another lonely night in Endicott. He never gives up hope of a fun Friday night with Linda, Karen, Cindy, or others.

There’s wonderful jazz lounge piano in “She Danced Near the Frozen Lake.” “Let’s take a walk into outer space,” Wilson sings on “A Date for New Year’s Eve.” I can’t imagine a better way to start 2017 than that. I don’t know what Wilson’s going to with the “pound of baking flour” he mentions buying in the song, but I’m sure it will end up everywhere. Check out one of his live shows and you’ll understand.

“Santa Claus Is Coming to My Lonely Town” keeps hope alive once more. Wilson’s met a new girl he kissed on the planet Mars. Is this after Santa Claus conquered the Martians? He’s brought Wilson’s wish list and it’s all walks in the park, kisses in outer space, beautiful snow, and every night being Friday night. It’s a wish list we’d all take and far better than more junk you’ll hate in four months.

The album closes with the instrumental “Lonely Holiday,” linking it back to the beginning of the record. The Christmas spirit, like Wilson’s perpetual optimism and search for love, should last all year.

Keep your mind open.

[Give yourself the gift of music news by subscribing to us.]

Failure offer “Fantastic Planet Live” through PledgeMusic campaign.

failure

1990’s shoegaze / alt-rock maestros Failure have begun a PledgeMusic campaign to offer a live album from their October 2016 tour (which, sadly, I missed).  They played their outstanding album Fantastic Planet in its entirety and chose the best versions of each song from the tour for this live record.

In case you don’t know, Fantastic Planet is one of the best records of the 1990’s and a masterpiece of engineering.  You deserve to hear it, so jump on this campaign before all the signed stuff is gone.

Keep your mind open.

[You can be stuck on us by subscribing.]