Top 25 albums of 2023: #’s 25 – 21

Now that 2023 has passed us, it’s time for my annual countdown of some of my favorite stuff of the previous year. Who made the top 25? Read on and discover!

#25: Cavaran – Nights at Josan

Named after a bar near their recording studio they’d frequent after recording sessions, Belgium’s Cavaran returned with a solid record of desert / stoner rock that was a badly need dose of rocket fuel into our collective veins.

#24: Gimenö – Movement Remixes

Just like 2022, there was a lot of good EDM released last year, and this album of remixes by pals of DJ / producer Gimenö was among it. There isn’t a bad track on here. It’s all floor-fillers.

#23: Big Miz – Where I Belong

Another excellent EDM EP, this one from Big Miz on the Homage label. Miz combined house with trance and does it with subtle, slick skill.

#22: Bodywash – I Held the Shape While I Could

Shoegaze made a fine return this year, and that makes me happy – as did this cool record by Bodywash that bathes you in guitars, reverb, and clove cigarette smoke vocals.

#21: Eaves Wilder – Hookey

Another fun EP, this one about break-ups, screw-ups (in the world of mental health care), and drink-ups. Eaves Wilder might be “the next big thing.” Get in on her stuff now and become one of the cool kids.

Who makes the top 20? Come back tomorrow to find out!

Keep your mind open.

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Caroline Rose announces 2024 North American tour dates.

Photo Credit: CJ Harvey

Caroline Rose’s live show “explodes in color. Angry reds, deep blues, vibrant yellows, and every shade in-between flex and melt onstage in a dazzling light show dance that only grows in intensity as the set goes on” (NYLON). Today, Rose announces a 2024 North American tour in support of “their strongest and most resonant record yet” (Under The Radar), The Art of Forgetting, out now on New West Records. The Art of Forgetting was released earlier this year to a wealth of praise from the likes of The New York TimesNPR, and Document Journal, who hailed it as “a confessional, layered with personal anecdotes, Southern storytelling sensibilities, and unreserved exploration of the ever-evolving self.”

Rose’s 2024 tour includes stops in ChicagoWashington, DC, and Boulder, plus two-night stints in Los AngelesPortlandSeattle, and San FranciscoMetropolis Ensemble, founded by Grammy award nominated conductor Andrew Cyr, will join Rose in Brooklyn and Northampton for a special set-up featuring eight auxiliary players. Fans will also have the opportunity to attend VIP screenings of Rose’s The Art of Forgetting short film, taking place in many of the venues following soundcheck. The film has earned many accolades, including the title of Best Music Video at Hollywood Shorts Fest, New York Indie Shorts Awards, and ARFF Amsterdam, in addition to being a semifinalist at Indie Shorts Awards Cannes and an official selection at Hollyshorts Film Festival. A full list of tour dates are below, and tickets are on sale to the general public now.

Stream/Purchase The Art of Forgetting
Watch the “Miami” Video
Watch “Tell Me What You Want” Video
Watch the “The Doldrums” Visualizer

Caroline Rose 2024 Tour Dates
Sun. March 31 – Portland, ME @ State Theatre
Tue. April 2 – Northampton, MA@ Bombyx
Wed. April 3 – Northampton, MA @ Bombyx
Fri. April 5 – Brooklyn, NY @ Brooklyn Steel
Sat. April 6 – Fairfield, CT @ The Warehouse
Sun. April 7 – Boston, MA @ Royale
Tue. April 9 – Montreal, QC @ Studio TD
Wed. April 10 – Toronto, ON @ Concert Hall
Fri. April 12 – Philadelphia, PA @ Union Transfer
Sat. April 13 – Washington, DC @ 930 Club
Sun. April 14 – Cleveland, OH @ Beachland Ballroom
Tue. April 16 – Chicago, IL @ Thalia Hall
Fri. April 19 – Madison, WI @ High Noon Saloon
Sat. April 20 – Minneapolis, MN @ First Ave
Tue. April 23 – Iowa City, IA @ Englert Theatre
Wed. April 24 – Kansas City, MO @ RecordBar
Fri. April 26 – Fort Collins, CO @  Aggie Theatre
Sat. April 27 – Boulder, CO @ Fox Theatre
Sun. April 28 – Santa Fe, NM @ Meow Wolf
Fri. May 3 – Tucson, AZ @ Congress Plaza
Sat. May 4 – Solana Beach, CA @ Belly Up
Mon. May 6 – Los Angeles, CA @ Lodge Room
Tue. May 7 – Los Angeles, CA @ Lodge Room
Fri. May 10 – Santa Cruz, CA @ Rio Theatre
Sat. May 11 – San Francisco, CA @ The Chapel
Sun. May 12 – San Francisco, CA @ The Chapel
Tue. May 14 – Sonoma, CA @ Gundlach Bundschu Barn
Thu. May 16 – Portland, OR @ Wonder Ballroom
Fri. May 17 – Portland, OR @ Wonder Ballroom
Sat. May 18 – Seattle, WA @ The Showbox
Sun. May 19 – Seattle, WA @ The Showbox

Keep your mind open.

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[Thanks to Ben at Pitch Perfect PR.]

Review: Art Feynman – Be Good the Crazy Boys

Recording for the first time with a full band, Art Feynman (Luke Temple) took on new energy after relocating to Los Angeles from northern California and decided to create a record that dives into why he, and so many of us, have a fear of missing out (FOMO) and not a joy of missing out.

“Early Signs of Rhythm” bumps and clicks with Talking Heads-like beats, and they are a fully acknowledged inspiration on the album. Temple sounds like he’s looking for signs of true fun in a world that pushes false narratives of what joy really is as he spots a woman so lovely she can melt the frozen ground. Shane McKillop‘s bass on “In CD” is great, pushing the song into a happy mania. The post-punk paranoia of “Therapy at 3pm” is delightfully catchy.

“All I Can Do” has Temple singing about how he’s barely getting by at the rat race runs all around him. Kosta Galanopoulos‘ drums on it are razor sharp and the secret weapon of the whole track. “He Dances” might as well be called “You Dance,” because McKillop puts down a Barney Miller theme-like bass lick and the next thing you know you’re at least tapping your toes and nodding your head in his rhythm.

“Don’t have light to burn,” Temple sings on “Passed Over” – but he might actually be singing “Don’t have life to burn.” Both lyrics fall into the FOMO theme of the record, and the beats encourage us to dance before the end of the night, or our lives, gets here. “Chasing My Life” has Temple trying to catch up with something he can’t define. He likens it to a precious diamond he’s searching for in the dark. It’s the struggle of the ego, an ultimately fruitless task we all stumble into now and then. You can’t help but think he’ll find it, however, as the song is so peppy you end up cheering for him.

By the time we get to “Desperately Free,” Temple is worried about how he’s going to adapt to leaving his ego behind (“Desperately free, I don’t wanna be.”) or how he’s still trapped in FOMO and choice paralysis. The closer, “I Do,” brings us back to Temple’s love of Talking Heads with its simple beats, chimes, keyboard chords, and lyrics about love, hope, and release from stress that’s ours for the taking if we’ll just reach for it.

Reach for this album as well. It’s worth your time.

Keep your mind open.

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[Thanks to Patrick at Pitch Perfect PR.]

Review: The Hives – The Death of Randy Fitzsimmons

Returning after eleven years when we needed them most, The Hives emerged from their Swedish tombs and brought us The Death of Randy Fitzsimmons to remind us that they are one of the fiercest rock bands on the planet.

The album starts off like a pipe bomb exploding with “Bogus Operandi” – a powerful, strutting rocker, and then takes off like the Road Runner on “Trapdoor Solution,” which proves that The Hives have lost none of their punk rock flair since their first album. “Countdown to Shutdown” shows off the heavy bass of newest member The Johan and Only as the band sticks their fingers in the eyes of 1%ers.

“Rigor Mortis Radio” has lead singer Howlin’ Pelle Almqvist letting everyone know he has no time for bullshit (“I got your e-mails say you’re warnin’ me. I got your e-mails. Delete, delete.”). “Stick Up” sounds like it has some New Orleans blues influence to it, which shouldn’t surprise us considering the frequent themes of death throughout the album. “Smoke & Mirrors” skewers illusions, and “Crash into the Weekend” has great handclap percussion that gets you fired up for that party, concert, or roadtrip you’ve been craving all week.

“Two Kinds of Trouble” has that distinctive Hives swagger, as does “The Way the Story Goes.” Nicholaus Arson‘s guitar work on “The Way the Story Goes” is especially fuzzy and gritty, which means it sounds great. “The Bomb” lets us all know that we’re all going out to party with The Hives and none of us are going home until we’re done getting down. Chris Dangerous‘ drums on it are flat-out frantic.

“What Did I Ever Do to You?” brings in programmed drums and spaghetti western guitar to a song in which Almqvist sings about just wanting to chill while some random dude goes off on a rant and blames him for everything. The album ends with “Step Out of the Way,” which could be a gauntlet thrown down to younger bands trying to emulate The Hives. Just get out of the way, young’un. You’re likely to be trampled by The Hives’ spotless dress shoes as they head into the club for the sole purpose of leveling it to the ground.

Keep your mind open.

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Sleater-Kinney announces new tour dates with Palehound and Black Belt Eagle Scout.

I wouldn’t wait much longer if you plan on seeing Sleater-Kinney‘s “Little Rope” tour, as two dates on the east coast are already sold out, and I’m sure other venues already have low ticket warnings in place. Joining them will be Black Belt Eagle Scout and, it was recently announced, Palehound.

Tickets are on sale for all shows now, so grab them while you can.

Keep your mind open.

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Primus, A Perfect Circle, and Puscifer team up for a western U.S. tour.

Sessanta, an untraditional tour that sees Puscifer, A Perfect Circle, and Primus joining forces, and sharing band members, is slated for April of 2024.

The Western U.S. outing is a resurrection, and expansion, of the 2014 Los Angeles event, Cinquanta, which was originally a one-time only celebration. Much like that fabled evening, which commemorated Maynard James Keenan’s landmark 50th birthday, Sessanta celebrates the Puscifer and A Perfect Circle frontman as he turns 60.

Sessanta’s unique format sees the musicians from the trio of bands joining each other’s performances throughout the concert. While each group will have their own distinctive set, the players will continually transform as the night unfolds.

“It took some massaging, and some long days in rehearsal, but we managed to seamlessly pull off this three-song rotation at Cinquanta, my 50th birthday shows, at The Greek Theatre in 2014,” says Keenan of the seven-date run that also sees A Perfect Circle’s first live performances since 2018. “Bands aren’t used to simultaneously sharing the stage with other bands, but if anyone can do it, it’s Primus, A Perfect Circle, and Puscifer.”

Tickets are on-sale now, with VIP options available via Tour.puscifer.com.

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[Thanks to Monica at Speakeasy PR.]

Rewind Review: Julian Cope – Barrowlands (2019)

Recorded live in Glasgow, Scotland in 1995, Julian Cope‘s Barrowlands is almost seventy minutes of Cope and his four-piece band (Richard “K-R” Frost – bass and vocals, Michael “Mooneye” Watts – lead guitar and vocals, Mark “Rooster” Cosby – drums, Timothy “Thighpaulsandra” Lewis – vocals, piano, Mellotron 400, and synths) performing what was a three-hour set that’s been whittled down to this album. It marked a heavy synth influence on Cope’s live shows, as he’d recently acquired a vintage 1966 Mellotron 400 and dove head-first into synth-psych.

As a result, the live show is a wild freak-out (as, I’m sure any Cope concert is) heavy on synths and keys, but not skimping on raucous guitar riffs, tight bass, or near-panicked drum beats.

The album opens with blasting versions of “East Easy Rider” and “Spacehopper” before they slow things down a bit on “Nineteen Ninety-Five” (which Cope dedicates to a rowdy man in the crowd as Cope offers to throw him some meat). It’s a song that encourages us to open our minds and explore, and the heavy piano chords behind the message have a hint of danger to them (and the journey).

“Sleeping Gas” is downright manic, with Mooneye’s guitar sounding like an industrial saw one moment and a thrash metal solo the next. “Don’t Take Roots” is wonderfully loopy, and tracks like “Leli B.” and “Passionate Friend” (a Teardrop Explodes track, no less) keep the crowd rowdy. “Torpedo” features Cope’s unique voice supported by Thighpaulsandra’s Mellotron chords. Cope’s vocals can go from crooning to punk rage and then dreamy stylings that almost become spoken word pieces. “Torpedo” is a good example of this last one. “Julian H. Cope” is a solo acoustic track that’s like a warm-up before the sonic blast of “Out of My Mind on Dope & Speed.”

“Double Vegetation” sounds even better live than I’d hoped. Cope’s band brings a strange, haunting energy to it. Afterwards, Cope tells the crowd there won’t be an encore. “It’s really hard to go offstage after three hours and then come back,” he says. , claiming there will be only two more tracks. There are actually four.

“Reward” is first, another Teardrop Explodes classic. “It’s coming to an end,” Cope says before he and his crew launch into “Hanging Out & Hung Up on the Line.” Cope’s vocals take on an angry snarl while Mooneye’s guitar buzzes like someone just threw a beehive on the stage. “World Shut Your Mouth” roars with heavy bass from Frost and Thighpaulsandra’s synths are at times bright and other times skronky. The album ends with Cope’s wild, trippy, frenetic classic “Reynard the Fox” – which must have caused a near riot when they played it at this show because it’s like ending a marathon with a kickboxing match. It’s always been one of Cope’s best songs, and getting a live version of it on this record is a treat.

The whole thing is a treat if you’re a fan of Cope’s work. I hope the Archdrude releases more live cuts. He’s a bit of a hermit nowadays, and has mostly given up the rock life, but maybe, just maybe, he’ll come out of hiding and surprise us.

Keep your mind open.

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Zooey Celeste shares the title track from his upcoming album – “Restless Thoughts.”

Photo by Korey Dane
Today, Southern California-bred musician Zooey Celeste signs to ATO Records, announces his debut albumRestless Thoughts, out November 3rd, and presents the lead single/title track. Produced and recorded by acclaimed artist Nick Hakim at his Brooklyn studio, Restless Thoughts centers on Zooey’s hypnotic baritone vocals, often set against a strangely potent backdrop of sparse drum-machine beats and droney guitar tones. The result is a fully-realized soundscape, a darkly ethereal palette which Zooey classifies as astral-popRestless Thoughts takes its title from a song inspired by a particularly dramatic scene in Zooey’s novel, a metaphysical thriller narrated by the character of Zooey Celeste. “It’s a scene where the father of the protagonist has destroyed his marriage and left his daughter behind, and he’s going to meet his mistress and driving in a very suicidal headspace,” he explains. “He gets into a car accident, and two-thirds of the way into the song he’s floating above his body and watching as they’re trying to resuscitate him.”
 
Like many of the album’s songs, the gorgeously chilling track took shape in the throes of the novel-writing process. “I’d write a chapter and pick up my guitar and start writing songs based off the scenes I’d just finished,” says Zooey. “It’s funny because it’s the first time I’ve ever allowed myself to write from the perspective of a character, but it’s also the most authentic thing I’ve ever made in my life.” 
Stream Zooey Celeste’s “Restless Thoughts”
 Restless Thoughts is the real-life manifestation of its creator’s alter ego — an astral shaman responsible for leading the newly departed into the great beyond. After dreaming up the character of Zooey Celeste in a feverishly written novel he refers to as “somewhere between Quentin Tarantino and the Bhagavad Gita,” Zooey began working with longtime friend Nick Hakim (whose production credits also include Lil Yachty and Lianne La Havas) to create this ideal soundtrack for nocturnal driving, an immediate conduit for lasting transcendence. Alongside Hakim, Zooey enlisted a wide array of guest musicians to flesh out the sound of Restless Thoughts, including Unknown Mortal Orchestra bassist Jake Portrait, drummer Abe Rounds (Andrew Bird, Blake Mills, Devandra Banhart), and Columbian-Canadian singer/songwriter Tei Shi. Mastered by Heba Kadry (Ryuichi Sakamoto, Björk, Julianna Barwick), Restless Thoughts endlessly drifts between avant-punk and chamber-pop and lo-fi psychedelia, quickly drawing the listener into a sustained dream state.
 
Naming J.D. Salinger, Iggy Pop, and Tyler, the Creator among his inspirations, Zooey started writing songs at the age of eight after hearing The Beatles for the first time. Along with studying poetry and creative writing, he later took up guitar, piano, and harmonium and played in a series of indie-rock-leaning musical projects that ultimately proved unfulfilling. “We’d finish a show and it would be the best show we’d ever played, and I’d feel physically sick afterward,” he says. “People liking it made me feel bad, which is probably because I knew I wasn’t being my most authentic self.” After a seven-year stint in New York (where he first connected with Hakim), Zooey spent several years in Hawaii and devoted much of his time to surfing—an essential part of his life since early childhood. “I got addicted to surfing bigger waves at Sunset Beach on the North Shore and had a near-death experience where I went through a coral reef, and it changed my life in a lot of ways,” he says. “It took the air out of the wanderlust I’d felt for a long time, and brought me closer to the things I’d been running away from. Because of that, music went from being an escape to a base of reflection where I’m able to really sit with my emotions and process them and be totally honest with myself about what I want from life.”
 
With the release of Restless Thoughts, Zooey hopes to instill the audience with a similarly expanded sense of possibility. “Making this record showed me that if I’m not going beyond what the world has handed me as options, then I’m not being creative,” he says. “I went as far as I could with the process of self-exploration, and I felt fully supported in that—almost like everything was a little bit fated, or we were tapping into something in the ether. I’d love it if that inspired other people to go off and do whatever they feel compelled to do, and let themselves be completely entranced by it.” 
Pre-order Restless Thoughts

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[Thanks to Jon-Carlo at Pitch Perfect PR.]

Parquet Courts’ A. Savage announces new album, tour, and single – “Elvis in the Army.”

Photo Credit: Vince McClelland

Today, A. Savage, of the rock band Parquet Courts, announces his second solo albumSeveral Songs About Fireout October 6th on Rough Trade Records. He also presents its lead single/video, “Elvis in the Army,” and expands his forthcoming tour. Produced by John Parish in Bristol, Several Songs About Fire is bolstered by the support of Jack Cooper (Modern Nature, Ultimate Painting) and Cate Le Bon, as well as members of Kamikaze Palm Tree & caroline. The end result is tantamount to psychic odyssey, with lead single “Elvis in the Army” placing us in asubterranean venue where the livid, ratifying cymbal raises the room’s blood pressure. “Elvis in the Army” follows the previously-shared “Thanksgiving Prayer” — “an intimate and intricate composition” (Consequence) — and is accompanied by a rousing music video shot in Paris and directed by Emile Moutaud.
 
Of the track, Savage adds: “We often describe ourselves in geographic terms. American, New Yorker — two terms that I’ve used to identify myself that have to do with being from or of a certain place. So ‘Elvis in the Army’ is a bit of an inventory of those labels. They have less to do with geography than we realize. Really we’re just talking about ourselves, then framing certain characteristics geographically. No matter where I live I’ll have an American psyche until the day I die, for better or for worse. I’ll always be of America. And I can’t imagine a time where New York doesn’t feel like home. But despite that, I’d rather not be associated with a place, at least for now.”
 
This fall, Savage will embark on a US tour, bringing his acclaimed live performance to a slew of cities, including ChicagoNew York, Washington, DC and more, followed by a newly announced run of 2024 UK/EU dates, plus a string of West Coast dates next spring. A full list of dates is below, and tickets for newly announced dates are on sale Friday,  August 25 @ 10am local time.
 

WATCH A. SAVAGE’S “ELVIS IN THE ARMY” VIDEO

Novelist Kathleen Alcott on Several Songs About Fire
~ ~

“I imagine myself playing these songs in a small club that is slowly burning,” Savage says of his new record. After more than a decade in New York, Savage left the city and the United States, marking his exit with a masterpiece of maturity and a worthy corollary to his first solo venture, 2017’s Thawing Dawn. “Fire is something you have to escape from, and in a way this album is about escaping from something. This album is a burning building, and these songs are things I’d leave behind to save myself.”
 
In its recording, too, Several Songs about Fire became as urgent and intuitive as a response to disaster. Produced by Parish on a 1” 16-track, the album was partially sculpted in the bucolic, nocturnal hush of rural England, where Savage and Cooper worked deep into the night, trying not to wake Cooper’s sleeping daughter. The intimacy of these tracks are refracted by the presence of some of Savage’s closest friends — among them Cate Le Bon — who listened to Savage work on what would become the album during a US tour in 2022. Featuring additional contributions from saxophonist Euan Hinshelwood (Cate Le Bon’s band), drummer Dylan Hadley (Kamikaze Palm Tree, White Fence), and violinist Magdalena McLean (caroline), Several Songs about Fire is a devotional study in tradition — and something all Savage’s own.  “It was really special to see them come into existence and to then be in the studio working on them with him,” explains Le Bon of working toward Savage’s vision, rather than within a band. “The beautiful friction of shoulder to shoulder was replaced by something else.”
 
The record’s singular irreverence is stitched together by Savage’s outsize gifts as a lyricist and observer, a quality Parish calls “anemotional openness guarded by a laconic wit.” Worrying questions of wealth and poverty, self and other, Savage displays the poet’s gift of knowing when to narrate and when to vanish, leaving the listener to their own emotional privacy rather than instructing them how to feel through vertiginous inversions of instrumentation and lyrics. Influenced by the disparate vantage points of Sybille Baier and Townes Van Zandt, Savage joins a canon of songwriters whose project is a constantly dilating aperture and perspective.
 
In rendering the signage of laundromats and threats of debt collectors as glistering and totemic as the scope of mountains, rivers, seas, and skies, Savage finds hopes and curses in equal measure — inviting thelistener to consider a life in which attention is a religion, and thebody is the divine text. Like the survivor of exodus, Savage says: “I don’t really remember the process of writing. I just see the evidence of it when I reopen a notebook.” Several Songs About Fire stands as an act of nearly libidinal rebellion against a moment when so much of life is the blue light of screens. This is an album whose topic is no less than the sublime: the moments in which a sensory experience becomes aholiness or possession of its own, and the self floats above it.
 

PRE-ORDER SEVERAL SONGS ABOUT FIRE
 
WATCH THE “THANKSGIVING PRAYER” VIDEO
 
SEVERAL SONGS ABOUT FIRE TRACKLIST
1. Hurtin’ or Healed
2. Elvis in the Army
3. Le Grande Balloon
4. My my, My Dear
5. Riding Cobbles
6. Mountain Time
7. David’s Dead
8. Thanksgiving Prayer
9. My New Green Coat
10. Out Of Focus
 
A. SAVAGE TOUR DATES (NEW DATES IN BOLD)
Sat. Sep. 30 – Newport, Essex, UK @ Murmuration Festival
Fri. Oct. 20 – Portland, ME @ SPACE ^
Sat. Oct. 21 – Boston, MA @ Crystal Ballroom ^
Sun. Oct. 22 – Portsmouth, NH @ Press Room ^
Tue. Oct. 24 – Toronto, ON @ Velvet Underground ^
Wed. Oct. 25 – Kalamazoo, MI @ Eccentric Cafe ^
Fri. Oct. 27 – Chicago, IL @ Empty Bottle ^
Sat. Oct. 28 – St. Paul, MN @ Turf Club *
Sun. Oct. 29 – Milwaukee, WI @ Colectivo #
Mon. Oct. 30 – St. Louis, MO @ Off Broadway %
Wed. Nov. 1 – Columbus, OH @ Ace of Cups %
Thu. Nov. 2 – Louisville, KY @ Whirling Tiger %
Fri. Nov. 3 – Nashville, TN @ Third Man %
Sat. Nov. 4 – Atlanta, GA @ The Earl %
Sun. Nov. 5 – Asheville, NC @ Grey Eagle
Tue. Nov. 7 – Carrboro, NC @ Cat’s Cradle %
Thu. Nov. 9 – Washington, DC @ Black Cat %
Fri. Nov. 10 – Philadelphia, PA @ First Unitarian %
Sat. Nov. 11 – New York, NY @ Bowery Ballroom %
Thu. Feb 08, 2024 – Manchester, UK @ Pink Room 
Fri. Feb 09, 2024 – Dublin, Ireland @ Workmans Club       
Sun. Feb 11, 2024 – Glasgow, UK @ Broadcast 
Mon. Feb 12, 2024 – Bristol, UK @ Thekla             
Wed. Feb 14, 2024 – London, UK @ The Garage 
Thu. Feb 15, 2024 – Paris, France @ La Maroquinerie
Fri. Feb 16, 2024 – Brussels, Belgium @ Botanique Rotonde         
Sun. Feb 18, 2024 – Amsterdam, Netherlands @ Paradiso Upstairs
Mon. Feb 19, 2024 – Cologne, Germany @ MTC Club       
Wed. Feb 21, 2024 – Copenhagen, Denmark @ Ideal Bar – Vega
Thu. Feb 22, 2024 – Berlin, Germany @ Privat Club
Fri. Apr 05, 2024 – Austin, TX @ The Far Out
Sun. Apr 07, 2024 – Santa Fe, NM @ Meow Wolf
Tue. Apr 09, 2024 – Tucson, AZ @ Club Congress
Wed. Apr 10, 2024 – Pioneertown, CA @ Pappy & Harriet’s
Thu. Apr 11, 2024 – Santa Ana, CA @ Constellation Room
Fri. Apr 12, 2024 – Los Angeles, CA @ The Teragram Ballroom
Sat. Apr 13, 2024 – San Francisco, CA @ Rickshaw Stop
Mon. Apr 15, 2024 – Portland, OR @ Mississippi Studios
Tue. Apr 16, 2024 – Seattle, WA @ Tractor Tavern

^ w/ Annie Hart
* w/ Cha Cha
# w/ Diet Lite
% w/ Sluice

Keep your mind open.

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[Thanks to Jacob at Pitch Perfect PR.]

Live: The Beths and Disq – Bell’s Eccentric Café – Kalamazoo, MI – August 22, 2023

I had been trying to see The Beths for a couple years, but either I was always working when they were playing or their tour dates were nowhere near where I live, but lo and behold, they scheduled a date in Kalamazoo, Michigan, a mere one-and-half-hour drive from my house, at Bell’s Eccentric Café.

It turned out not only to be my first time seeing The Beths, but also the first show I saw at Bell’s beer garden stage. I’d been to multiple shows at Bell’s, but had never been in the garden and had no idea it was so spacious. I also didn’t realize that the town’s Metro train tracks ran behind the stage area, and neither did the band and a lot of other people, until two trains went past during The Beths’ set.

Not only was the size of the garden a delightful surprise, but so was the age range of the crowd. It was an all-ages show, and I saw people ranging from a boy who was barely thirteen to a man in his seventies there. A lot of people were sporting Beths t-shirts from previous tours, and the crowd clearly loved them and were happy they’d come all the way from New Zealand.

First up, however were Disq from Madison, Wisconsin. They played an energetic mix of noise rock, post punk, and no-wave and were having a great time. I didn’t get to see their whole set, thanks to road construction delaying me a bit, but what I saw and heard was loud and frantic.

Disq

The Beths came out in the dark, complete with a giant inflatable fish, and opened with the title track of their debut album Future Me Hates Me, and the crowd was instantly happy. The Beths are a fun band. Their love of playing, and their camaraderie, is immediately apparent, and that energy races through the audience.

They played a fun set, including fun hits like “Whatever” and “Dying to Believe,” secretly sad songs like “Expert in a Dying Field” and “Best Left,” and lovely love songs like “Your Side” and “When You Know You Know.”

“Whatever, yeah, whatever.”

“We love you!” was a common shout from the crowd, and The Beths returned the love for the whole set, and did a lot of shredding. It’s easy to focus on Elizabeth Stokes‘ lyrics and miss how well the whole band plays. They could easily cut a shoegaze album if they wanted – and I hope they do.

It was a fun night with nice late summer weather and good vibes all around thanks to The Beths bringing the love.

Keep your mind open.

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[Thanks to Jaycee at Pitch Perfect PR.]