Review: King Gizzard and the Lizard Wizard – Live in Brussels ’19

One of three live albums released by King Gizzard and the Lizard Wizard for Australian wildlife charities, Live in Brussels ’19 is a wild, heavy set drawing on a lot of material from Murder of the Universe, Nonagon Infinity, Infest the Rats’ Nest (their newest album at the time of this tour – October 2019), and Fishing for Fishies.

Opener “Evil Star” is a fuzzy instrumental appetizer to the meaty, heavy “Venusian 2.” The crowd is in full battle mode when they arrive at the sludgy “Superbug.” Lead singer Stu Mackenzie‘s vocals sound shouted to the moon and I’d be remiss if I didn’t mention Lucas Harwood‘s bass rooting the tune in a solid stoner metal groove. “The Lord of Lightning” begins as a neat psychedelic jam that gets the crowd clapping and grows into the powerful story of a wizard fighting a monster.

“Altered Beast IV” has some of Michael Cavanaugh and Eric Moore‘s best double drumming. The crowd goes wild for “People Vultures” – and rightly so, since it seems to be played at double the normal speed of the album cut. The groove of “This Thing” is undeniable, and Ambrose Kenny-Smith‘s harmonica work on it is always top-notch.

“Sense” slows things down to a happy vibe. “The Wheel” might be the trippiest song on the album. Kenny-Smith’s vocals are warped, and Mackenzie, Cook Craig, and Joey Walker‘s guitars move around each other like cats high on catnip. “The Bird Song” is always a delight – live or otherwise. The band always sounds happy while playing it, and you can’t help but partake in their joy.

“Down the Sink” has a fun new wave vibe to it. “Work This Time” floats the audience about five feet off the hall floor with its hazy, meditative feel. Plus, the guitar solo on it is great. The band then gets the crowd roaring again with “Robot Stop.” The opening chords alone make the audience frantic before it explodes into chill-inducing mania. “Big Fig Wasp” continues the chaos with its microtonal riffs. “Gamma Knife” comes at you like a whole swarm of the aforementioned wasps.

The closer, “Float Along – Fill Your Lungs,” is jaw-dropping. It’s a stunning piece of psychedelia that floats along for over twelve minutes and probably left the Belgian audience euphoric.

It’s another great slice of the King Gizzard and the Lizard Wizard pie and does what any good live album should do – make you want to see them live as soon as possible.

Keep your mind open.

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Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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