Shame release a sharp new post-punk single – “Concrete.”

UK’S SHAME RELEASE NEW SINGLE & VIDEO, “CONCRETE“, TOUR NORTH AMERICAN IN NOVEMBER

DEBUT ALBUM COMING IN EARLY 2018

WATCH THE VIDEO FOR “CONCRETE”
https://www.youtube.com/watch?v=_MVLqZpnwow

Today, one of the UK’s most talked about young bands (and new Dead Oceans signing) Shame shares their new single and video, “Concrete.” A bracing jolt of a song, “Concrete” races forward on a tightly wound post-punk riff, its call-and-response vocals capturing the turmoil and schizophrenic internal dialogue of the song’s subject matter.

“It’s about someone who’s trapped in a relationship and they’re being pummelled into surrender,” says singer and lyricist Charlie Steen. “It’s not about a physically abusive relationship – more an emotionally and psychologically draining one. The call-and-response vocals [between Steen and bassist Josh Finerty] is the central figure’s own internal dialogue. They are dealing with two different things that they don’t want to address.”

The band cite The Fall, Parquet Courts, Country Teasers, Television Personalities and Wire among their biggest influences, and the icily claustrophobic sound of “Concrete” sets it in a lineage with Magazine, Joy Division and Siouxsie & The Banshees.

As a lyricist, Steen is a modern flâneur, forensically observing the lives of others around him as they unspool and fracture, with Hubert Selby Jr. and Irvine Welsh his primary literary influences. “That graphic and harsh style of writing always interested me,” he explains. “It’s not about the shock factor; it’s about the fact they are talking about these things in such great detail without stripping anything back.”

The London five piece have swiftly earned a reputation as one of the most visceral and exhilarating live bands in the UK, their combustible shows being honed through a heavy touring schedule in the UK and across Europe. Cutting their teeth on the squat-punk scene in the Queen’s Head in Brixton in 2015, where they were taken under the wing of Fat White Family, the white heat of their gigs quickly landed them support slots with Slaves and Warpaint. They were also personally invited by Billy Bragg to play the Left Field stage at Glastonbury this year.

Following two official singles –”The Lick”/”Gold Hole” and “Tasteless” on Fnord Communications as well as the digital-only Theresa May-baiting “Visa Vulture” (described by Steen as “the worst love song ever”) – “Concrete” is the first track to be released as part of their record deal with Dead Oceans.

“We started this band as a joke that went too far,” deadpans Steen. “What we do is quite strange and quite weird, but I get to meet a lot of people and I get to hear a lot of things. I am interested in the surrealism of reality.”

Shame are: Charlie Steen (vocals); Sean Coyle-Smith (guitar); Eddie Green (guitar); Charlie Forbes (drums); and Josh Finerty (bass).

PRAISE FOR SHAME“This U.K. band marries performance, poetry and punk in a way I won’t soon forget.” – Bob Boilen, NPR Music

“Grimy post-punk with a whiff of menace” – Q

“Expect them to turn up the heat even more as they progress” – Time Out 

“The forefront of a compelling new scene in the capital” – NME 

SHAME TOUR DATES (North American dates in bold)
Sat. Sep. 30 – Margate, UK @ By The Sea Festival
Mon. Oct. 9 – Bristol, UK @ Louisiana
Tue. Oct. 10 – Leeds, UK @ Lending Room
Wed. Oct. 11 – Manchester, UK @ Soup Kitchen
Thu. Oct. 12 – Edinburgh, UK @ Sneaky Pete’s
Fri. Oct. 13 – Liverpool, UK @ Buyers Club
Sat. Oct. 14 – Dublin, IE @ Workamn’s Club
Wed. Oct. 18 – London, UK @ Scala
Sat. Oct. 21 – Cardiff, UK @ Swn Festival
Tue. Oct. 24 – Copenhagen, DK @ Loppen
Wed. Oct. 25 – Groningen, NL @ Vera
Fri. Oct. 27 – Amsterdam, NL @ London Calling Festival
Thu. Nov. 2 – Reykjavik, IS @ Iceland Airwaves Festival
Fri. Nov. 10 – Brooklyn, NY @ Baby’s All Right
Sun. Nov. 12 – Philadelphia, PA @ PhilaMOCA
Mon-Nov-13 – Washington, DC @ DC9
Wed. Nov. 15 – New York, NY  @ Home Sweet Home
Thu. Nov. 16 – Allston, MA  @ The Great Scott
Fri. Nov. 17 – Montreal, QC  @ M for Montreal
Sat. Nov. 18 – Toronto, ON @ Hard Luck
Sun. Nov. 19 – Buffalo, NY  @ Mohawk Place
Mon. Nov. 20 – Arden, DE  @ Arden Gild Hall +

Fri. Dec. 1 – Paris, FR @ Point Ephemere
Sun. Dec. 3 – Frankfurt, DE @ Zoom *
Mon. Dec. 4 – Heidelburg, DE @ Halle O2 *
Wed. Dec. 6 – Köln, DE @ Gebäude 9 *
Thu. Dec. 7 – Munster, DE @ Gleis 22 *
Fri. Dec. 8 – Essen, DE @ Hotel Shanghai *
Sat. Dec. 9 – Dresden, DE @ Groove Station *
Mon. Dec. 11 – Hannover, DE @ Bei Chez Heinz *
Tue. Dec. 12 – Bremen, DE @ Lagerhaus *
Wed. Dec. 13 – Hamburg, DE @ Knust *
Thu. Dec. 14 – Braunschweig, DE @ Eule *
Fri. Dec. 15 – Rostock, DE @ Helgas Stadtpalast *
Sat. Dec. 16 – Berlin @ Festaal Kreuzberg *
Fri. Feb. 2 – Adelaide, AU @ Laneway Festival
Sat. Feb. 3 – Melbourne, AU @ Laneway Festival
Sun. Feb. 4 – Sydney, AU @ Laneway Festival
Sat. Feb. 10 – Brisbane, AU @ Laneway Festival
Sun. Feb. 11 – Perth, AU @ Laneway Festival

+ with Ought
* with Gurr

Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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